Tag Archives: Blues

Howlin’ Wolf: Smokestack Lightning

howlin wolf

The greatest twenty words of music criticism spoken by any person in the 20th century (Paul Williams):

“When I heard Howlin’ Wolf, I said, This is for me. This is where the soul of man never dies.”
– Sam Phillips

howlin-wolf-smokestack-lightnin-1964

Howlin’ Wolf is for me the second greatest blues man in history.

His voice chills me to the core.. looking at videos of him fills me with awe.. and reading about him…  makes me understand his importance in american music history. He rambled with Son House, Charlie Patton…. and stumbled upon Robert Johnson now & then…

Our Man & Son House:

Smokestack Lightning is his best song.

The late great Robert Palmer once wrote:

God, what it would be worth on film to see the fervor in that man’s face when he sang. His eyes would light up, you’d see the veins come out on his neck, and buddy, there was nothing on his mind but that song. He sang with his damn soul

Now for the Facts… from Wikipedia:

Smokestack Lightning” (or “Smoke Stack Lightning” as listed on the original single) is a classic of the blues. In 1956, Howlin’ Wolf recorded the song and it became one of his most popular and influential songs. It is based on earlier blues songs and numerous artists later interpreted it.

Single by Howlin’ Wolf
B-side “You Can’t Be Beat”
Released March 1956
Format 7″ 45 rpm & 10″ 78 rpm records
Recorded Chicago
January 1956
Genre Blues
Length 2:32
Label Chess (Cat. no. 1618)
Writer(s) Chester Burnett aka Howlin’ Wolf
Producer Leonard Chess, Phil Chess, Willie Dixon

“Smokestack Lightning”, in one form or another, “had been part of his [Wolf’s] repertoire as far back as the early 1930s” when he was performing with Charley Patton in small Delta communities. The song, called “a hypnotic one-chord drone piece” draws on earlier blues, such as Tommy Johnson’s “Big Road Blues” (1928 Victor 21279), the Mississippi Sheiks’ “Stop and Listen Blues” (1930 OKeh 8807), and Charley Patton’s “Moon Going Down” (1930 Paramount 13014). Wolf said the song was inspired by watching trains in the night: “We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning. In 1951, Howlin’ Wolf recorded the song as “Crying at Daybreak” (RPM 340). It contains the line “O-oh smokestack lightnin’, shinin’, just like gold, oh don’t you hear me cryin’ …” similar to the Mississippi Sheiks “A-ah, smokestack lightnin’, that bell shine just like gold, now don’t you hear me talkin’ …”

Howlin'_Wolf_1972

Accolades

  • “Smokestack Lightning” received a Grammy Hall of Fame Award in 1999 honoring its lasting historical significance.
  •  It is ranked #285 in Rolling Stone magazine’s list of the “500 Greatest Songs of All Time”
  • In 1985, the song was inducted into the Blues Hall of Fame in the “Classics of Blues Recordings” category.
  •  It is also included in the Rock and Roll Hall of Fame list of the “500 Songs that Shaped Rock and Roll”.
  •  In 2009 “Smokestack Lightning” was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States

 

The Lyrics:

Ah, oh, smokestack lightning
Shinin’, just like gold
Why don’t ya hear me cryin’?
Ah, whoo hoo, ooh…
Whoo…

Whoa, oh, tell me, baby
What’s the, matter with you?
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, tell me, baby
Where did ya, stay last night?
A-why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, stop your train
Let her, go for a ride
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, fare ya well
Never see, ah, you no more
Ah, why don’t ya hear me cryin’?
Ooh, whoo hoo, whoo hoo
Whoo…

Whoa, oh, who been here baby since
I, I been gone, a little, bitty boy?
Girl, be on
Ah, whoo hoo, whoo hoo

Live in England 1964:

Studio version:

– Egil

Today: The late Otis Spann was born in 1930

otis spann

…. so many aficionados considered him then and now Chicago’s leading post-war blues pianist. Spann played on most of [Muddy] Waters’ classic Chess waxings between 1953 and 1969, his rippling 88s providing the drive on Waters’ seminal 1960 live version of “Got My Mojo Working” (cut at the prestigious Newport Jazz Festival, where Spann dazzled the assembled throng with some sensational storming boogies).
~Bill Dahl (allmusic.com)

Continue reading Today: The late Otis Spann was born in 1930

Great versions of “See That My Grave Is Kept Clean” (videos)


Blind-Lemon-Jeffersons-Paramount-publicity-photo1

Along with “Matchbox”, “See That My Grave Is Kept Clean” is Blind Lemon Jefferson’s best known song. This is a day to remember & listen to BLJ, but also to his songs interpreted by others.

blind-lemon-jefferson-see-that-my-grave-is-kept-clean-paramount-78

“See That My Grave Is Kept Clean”
Single by Blind Lemon Jefferson
B-side “Where Shall I Be”
Released 1927
Format 10″ 78 rpm record
Recorded October 1927
Genre Blues
Length 2:54
Label Paramount (Cat. no. 12585)
Writer(s) Blind Lemon Jefferson

 

Here are BLJ & some fine versions of by other artists.

Blind Lemon Jefferson:

Bob Dylan – from his debut album:

Continue reading Great versions of “See That My Grave Is Kept Clean” (videos)

Today: John Coltrane recorded A Love Supreme in 1964

john-coltrane-a-love-supreme  “My music is the spiritual expression of what I am — my faith, my knowledge, my being… When you begin to see the possibilities of music, you desire to do something really good for people, to help humanity free itself from its hangups…I want to speak to their souls.”― John ColtraneA fine documentary short about the album:

Continue reading Today: John Coltrane recorded A Love Supreme in 1964

Today: Albert Ammons passed away in 1949 64 years ago

AA

“A major inspiration to generations of improvising musicians, Albert Ammons is best remembered as an exciting pianist who inaugurated the Blue Note record label by hammering out blues and boogie duets with Meade “Lux” Lewis, and as the father of hard bop tenor saxophonist Gene Ammons. Born in Chicago on September 23, 1907, he learned the rudiments of piano from his parents and neighbors and began cultivating an ability to play the blues when he was 12 years old.”

Allmusic

Continue reading Today: Albert Ammons passed away in 1949 64 years ago