Tag Archives: music calendar

August 25: Lucinda Williams released Sweet Old World in 1992

LucindaWilliamsSweetOldworld

August 25: Lucinda Williams released Sweet Old World in 1992

See what you lost when you left this world, this sweet old world The breath from your own lips, the touch of fingertips A sweet and tender kiss The sound of a midnight train, wearing someone’s ring Someone calling your name Somebody so warm cradled in your arms Didn’t you think you were worth anything See what you lost when you left this world, this sweet old world

Sweet Old World is Lucinda Williams’ fourth album, it was released 25 August in 1992. It is a fantastic album. It is a record that I bought after buying Car Wheels On A Gravel Road and her eponymous 1988 album, I love them all (and all she has given us since then). She really took her time between the albums, and the wait for new music from Lucinda Williams has often put my patience to a test. She never delivers bad stuff, most often she gives us fantastic songs. Sweet Old World is even better than its predesessor and almost as good as Car Wheels… and that is a masterpiece! Here’s a great performance of the title track, Sweet old World (live at Austin City Limits): Continue reading August 25: Lucinda Williams released Sweet Old World in 1992

August 23: Jeff Buckley released Grace in 1994

grace

Grace is the only complete studio album by Jeff Buckley, released on August 23, 1994. While the album initially had poor sales, peaking at No. 149 in the U.S., and received mixed reviews, it gradually acquired critical and popular acclaim and has now sold over 2 million copies worldwide. An extended version of the album (subtitled “Legacy Edition”) celebrating its tenth anniversary was released on August 23, 2004, and it peaked at No. 44 in the UK.

The Making of Grace(documentary):

Continue reading August 23: Jeff Buckley released Grace in 1994

August 17: The Band released Stage Fright in 1970

stage fright

See the man with the stage fright
Just standin’ up there to give it all his might.
And he got caught in the spotlight,
But when we get to the end
He wants to start all over again.

August 17: The Band released Stage Fright in 1970

Stage Fright is the third studio album by The Band. Much more of a rock album than its predecessors, it was a departure from their previous two efforts in that its tone was darker and featured less of the harmony vocal blend that had been a centerpiece of those two albums. It also included the last two recordings by The Band of new songs credited to pianist Richard Manuel; both were co-written with guitarist Robbie Robertson, who would continue to be the group’s dominant lyricist until the group disbanded in 1976. Nonetheless, the tradition of switching instruments that had begun on the previous album continued here, with each musician contributing instrumental parts on at least two different instruments.

Engineered by an up-and-coming Todd Rundgren, and produced by the group themselves for the first time, the album was recorded at the Woodstock Playhouse in their homebase of Woodstock, New York.

Stage Fright (from The Last Waltz):

Continue reading August 17: The Band released Stage Fright in 1970

August 16: Sleeps with Angels by Neil Young and Crazy Horse was released in 1994

swa

August 16: Sleeps with Angels by Neil Young and Crazy Horse was released in 1994

This is an album that ranks among Neil Young and Crazy Horse’s best, and in effect it is “Tonight’s the night part 2”. It is a dark, brooding masterpiece, with many of the same themes as “Tonight’s…”. It is a record than explain to us why Neil Young have earned the honorary title, The Grunge Godfather.

Sleeps with angels (official video):

Sleeps With Angels is the twenty-second studio album by  Neil Young, his sixth with Crazy Horse, it was released on the Warner Bros. Records/Reprise (same as Tonight’s the Night by the way) label.

Continue reading August 16: Sleeps with Angels by Neil Young and Crazy Horse was released in 1994

July 31: The late Ahmet Ertegun founder and president of Atlantic Records was born in 1923

ahmet ertegunn

“Few people have had a bigger impact on the record industry than Ahmet, and no one loved American music more than he did.”
– David Geffen

Ahmet Ertegün ( July 31, 1923 – December 14, 2006) was a Turkish American musician and businessman, best known as the founder (with Herb Abramson) and president of Atlantic Records, and for discovering or championing artists like Eric Clapton, Phil Collins, Genesis, the Rolling Stones, Led Zeppelin, Crosby, Stills, Nash, and Young, Aretha Franklin, Ray Charles, Dusty Springfield, Yes, and more.

“When I was about 8 or 9 years old, in 1932, Nesuhi (his brother) took me to hear Cab Calloway and later Duke Ellington at the Palladium in London. I had never really seen black people except I had seen pictures of great artists like Josephine Baker—whom I spent a few days with before she died. And I had never heard anything as glorious as those beautiful musicians, wearing great white tails playing these incredibly gleaming horns with drums and rhythm sections unlike you ever heard on records. In those days, they recorded the drums and the bass very, very softly so it wouldn’t break the grooves of the 78 rpm records. So I became a jazz fan quite early and never went off the path thereafter.”

– Ahmet Ertegun

ahmet atlantic

He also wrote classic blues and pop songs and served as Chairman of the Rock and Roll Hall of Fame and museum. Ertegun has been described as “one of the most significant figures in the modern recording industry.”

When not pursuing the aristocracy of British rock’n’roll – for instance making the fabled Dusty In Memphis album with Dusty Springfield – Atlantic became an influential player in homegrown American rock, picking up LA-based Buffalo Springfield, which then starred Stephen Stills and Neil Young. The Allman Brothers, Foreigner, Stevie Nicks, Roberta Flack, Jewel, Sean Paul and Matchbox 20 all joined Atlantic. The company remained a magnet for talent, because of its track record and Ertegun’s in-house production team of Jerry Wexler, Arif Mardin and Tom Dowd. Atlantic also enjoyed a reputation for not systematically fleecing its artists in notorious Tin Pan Alley fashion.
(The Guardian)

The story of Atlantic Records is the story of Ahmet Ertegun. Here is a good documentary telling his story:

Continue reading July 31: The late Ahmet Ertegun founder and president of Atlantic Records was born in 1923