Tag Archives: Paul McCartney

Unreleased – 1882 by Paul McCartney

1882_cover_edit

The Unreleased series

“Looking at it purely bluntly, there was sort of a dip for me and my writing. There were a couple of years when I had a sort of illness.”
– Paul McCartney (about his output around 1972)

But there were gems from that period that never saw the light of day, McCartney  was keeping some of his more interesting material to himself.

Today we present another fabulous unreleased track. 1882 by Paul McCartney was meant to be a part of The Red Rose Speedway album, this was when it was supposed to be a double album. It was however written at least a year earlier (maybe two).

1882 is an incredible song and it’s too bad that McCartney still hasn’t released it, but maybe when he comes to the Red Rose Speedway re-issue he’ll do it. Red Rose Speedway is one of my favourite paul McCartney albums and I have very high expectations for the re-release (if and when…).

It is a “story song” and lyrically quite straightforward but a bit on the dark side, and written right after the break-up of The Beatles.

He did play 1882 live on several shows in 1972 and there are many versions in circulation, and with great sound. He never played it live after the 1972 tour (to my knowledge).

1882 (first demo) – Paul McCartney:
00:00 – 1882 (Demo, 1970)
03:24 – 1882 (Live, 1972, Hague)

The song is sparse and with a hypnotic piano. It’s fun to hear him singing the guitar solo and then hear how similar the actual solo is on the live version.

There is another demo in circulation, couldn’t find it on youtube…but believe me, it is even better! Paul’s home demos from this time often give the listener a window into his private life: kids and dogs can be heard running around and playing in the background and  Linda is almost always present (as she is on the second demo). In this version the rhythm is close to a waltz and the piano is more pounding. It has a faster pace than the first one and the song is longer.

It is available on the world-wide web, but not on youtube. Seek it out people. It is on quite a few bootlegs, my favorite being Momac’s Hidden Tracks Volume 28 (great sound, interesting to great content). One more thing, don’t pay for bootlegs, support the artists by buying their official releases.

paul-mccartney-wings-live

The live version is very different and available on most if not all the European Tour taping from 1972. The Piano pounding waltz has turned into a soaring blues tinged number, I like both a lot.

1882 (live Hague 21 Aug, 1972) – Paul McCartney and Wings:

Continue reading Unreleased – 1882 by Paul McCartney

The Beatles 40 best songs: at 17 Get Back

get back

Get Back is Paul. That’s a better version of Lady Madonna. You know, a potboiler rewrite.”
– John Lennon (1980)

The song was credited to The Beatles and Billy Preston. It was The Beatles’ only single that credited another artist.

We have included 10 different versions in this post!

“Get Back” is a song recorded by the Beatles, originally released as a single on 11 April 1969. A different mix of the song later became the closing track of Let It Be (1970), which was the Beatles’ last album released just after the group split. The single version was later issued on CD on the second disc of the Past Masters compilation.

The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, Australia, France, West Germany, and Mexico. It was the Beatles’ only single that credited another artist at their request. “Get Back” was the Beatles’ first single release in true stereo in the US. In the UK, the Beatles’ singles remained monaural until the following release, “The Ballad of John and Yoko”.

“By the time sessions reached Apple the lyric had changed and the title… well, Paul had his own ideas in that direction. George Martin, over the talkback: ‘What are you calling this, Paul?’ Paul: ‘Shit. Shit, take one.'”
– Mark Lewisohn (The Complete Beatles Recording Sessions)

The Beatles – Get Back (live, The Rooftop concert):

Continue reading The Beatles 40 best songs: at 17 Get Back

The Beatles 40 best songs: at 18 Ticket To Ride

ticket to ride beatles picture sleeve

The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)

The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)

Wikipedia:

Released 9 April 1965
Recorded 15 February 1965,
EMI Studios, London
Genre Rock
Length 3:10
Label Parlophone
Writer Lennon–McCartney
Producer George Martin

John Lennon: double-tracked lead vocals and rhythm guitar
Paul McCartney: vocals, bass and lead guitar
George Harrison: rhythm guitar
Ringo Starr: drums, tambourine and handclaps

Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.

beatles ticket to ride

They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)

Ticket To Ride was slightly a new sound at the time. It was pretty fucking heavy for then, if you go and look in the charts for what other music people were making. You hear it now and it doesn’t sound too bad; but it’d make me cringe. If you give me the A track and I remix it, I’ll show you what it is really, but you can hear it there. It’s a heavy record and the drums are heavy too. That’s why I like it.
– John Lennon (Anthology)

Ticket To Ride (Video-Mix 1965) HD 0815007:

Continue reading The Beatles 40 best songs: at 18 Ticket To Ride

The Beatles 40 best songs: at 19 Helter Skelter

The-Beatles-Helter-Skelter

“I was in Scotland and I read in Melody Maker that Pete Townshend had said: ‘We’ve just made the raunchiest, loudest, most ridiculous rock ‘n’ roll record you’ve ever heard.’ I never actually found out what track it was that The Who had made, but that got me going,  just hearing him talk about it. So I said to the guys, ‘I think we should do a song like that,  something really wild.’ And I wrote Helter Skelter.

You can hear the voices cracking, and we played it so long and so often that by the end of it you can hear Ringo saying,’I’ve got blisters on my fingers’. We just tried to get it louder: ‘Can’t we make the drums sound louder?’ That was really all I wanted to do – to make a very loud, raunchy rock ‘n’ roll record with The Beatles. And I think it’s a pretty good one.”
– Paul McCartney (Anthology)

“Umm, that came about just ’cause I’d read a review of a record which said, ‘and this group really got us wild, there’s echo on everything, they’re screaming their heads off.’ And I just remember thinking, ‘Oh, it’d be great to do one. Pity they’ve done it. Must be great — really screaming record.’ And then I heard their record and it was quite straight, and it was very sort of sophisticated. It wasn’t rough and screaming and tape echo at all. So I thought, ‘Oh well, we’ll do one like that, then.’ And I had this song called “Helter Skelter,” which is just a ridiculous song. So we did it like that, ‘cuz I like noise.”
– Paul McCartney (Radio Luxembourg)

Other posts in this series

“Helter Skelter” is written by Paul McCartney, and recorded by the Beatles on their eponymous LP The Beatles, better known as The White Album. A product of McCartney’s deliberate effort to create a sound as loud and dirty as possible, the song has been noted for both its “proto-metal roar” and “unique textures” and is considered by music historians as a key influence in the early development of heavy metal.

The first version was a 27 minute jam that was never released. During the July 18, 1968 sessions, The Beatles recordedthe long version, which was much slower and less intense than the album version. Another recording from the same day was edited down to 4:37 for The Beatles Anthology, Volume III.

“…the first time the Beatles recorded the song at Abbey Road, they got so caught up in its heavy, screeching fury that they jammed on for more than ten minutes on one version, over twelve minutes on a second, and an epic, yet still tightly played, twenty-seven minutes on a third. On September 9, the night they taped the version of ‘Helter Skelter’ heard on the record, they held the length down to four and a half minutes but went just as wild, both on tape and off. Ringo’s impassioned scream, ‘I’ve got blisters on my fingers,’ was caught on tape, but had the Beatles also been filming a video that night, it would have shown George setting fire to an ashtray and running around the studio, wearing it on his head like a crown of fire.”
-Mark Hertsgaard (A Day In The Life: The Music and Artistry of the Beatles)

The Beatles – Helter Skelter:

Continue reading The Beatles 40 best songs: at 19 Helter Skelter

August 9 in music history

August 9: Bruce Springsteen played Agora Theatre and Ballroom in 1978 (read more)

From Brucebase: Soundboard and radio broadcast tapes (WMMS) available – great show. It’s interesting to note that this show was remastered by Bruce’s management and given to KSAN in San Francisco who broadcast it as a replacement for a scheduled Winterland rebroadcast sometime in 1979. The remastered show has fantastic stereo separation and coupled with the fact that this is a good show in the first place, it has to rank as one of the best of the available shows in 1978. Clarence’s intro during “Rosalita (Come Out Tonight)” contains a snippet of The Village People’s hit “Macho Man”. Released on LP and CD. The most recent (and best quality) CD releases of this show are ‘Agora Night’ by Crystal Cat and ‘Just In Time For Summer’. ‘Agora Night’ is from the Pre-FM reels. Also available on CD ‘Agora 1978′ from Supersonic.

Springsteen agora 1978
 Jerome John “Jerry” Garcia (August 1, 1942 – August 9, 1995) was an American musician who was best known for his lead guitar work, singing and songwriting with the band the Grateful Dead. Though he disavowed the role, Garcia was viewed by many as the leader or “spokesman” of the group.One of its founders, Garcia performed with the Grateful Dead for their entire three-decade career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of albums by other artists over the years as a session musician. He was well known by many for his distinctive guitar playing and was ranked 13th in Rolling Stone’s “100 Greatest Guitarists of All Time” cover story. jerry garcia 3

 Paul McCartney recorded Mother Nature’s Son in 1968 (read more)

Mother Nature’s Son” is a Lennon–McCartney song, written primarily by Paul McCartney and released by the Beatles on The Beatles (The White Album). After the other Beatles had gone home for the evening, McCartney stayed behind and recorded ‘Mother Nature’s Son’, taping 25 takes at Abbey Road studios. It was inspired by a lecture given by the Maharishi Mahesh Yogi while the Beatles were in India. The same lecture inspired Lennon’s unreleased song “Child of Nature”, the tune of which he later re-used for “Jealous Guy”. The song was later covered by Harry Nilsson.

paul mccartney

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the Guinness World Records cited her as the most-awarded female act of all-time. Houston was one of the world’s best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston’s crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for “How Will I Know”, influenced several African American female artists to follow in her footsteps.

Whitney_Houston_performing_on_GMA_2009_4
Bill Chase (Jazz trumpeter/vocalist of Chase) died in a plane crash at age 39 in Jackson, Minnesota (August 9, 1974).Chase (the band) released their debut album Chase in April 1971. Bill Chase was joined by Ted Piercefield, Alan Ware and Jerry Van Blair, three veteran jazz trumpeters who were also adept at vocals and arranging. They were backed up by a rhythm section consisting of Phil Porter on keyboards, Angel South on guitar, Dennis Johnson on bass and Jay Burrid on percussion. Rounding out the group was Terry Richards, who was featured as lead vocalist on the first album. The album contains Chase’s best-known song, “Get It On”, released as a single that spent 13 weeks on the charts beginning in May 1971.   billchase1

Spotify Playlist – August 09