“Rock ‘n’ roll doesn’t always pay the bills, and I’ve been interested in bars – obviously – for a long time,”
Debonair (live @ Conan O’Brien):
|Born||May 11, 1965 (age 48)|
|Origin||Hamilton, Ohio, U.S.|
|Genres||Alternative rock, Indie rock|
|Associated acts||The Twilight Singers, The Afghan Whigs, The Gutter Twins|
Love Crimes (live):
|Gregory Dulli (born May 11, 1965) is an American rock singer and instrumentalist. Dulli was born and brought up in a working-class suburb of Hamilton, Ohio. Dulli’s father’s side of the family comes from Kalamata-Peloponnese, Greece and his mother comes from West Cork, Ireland. He first came to public attention in Cincinnati in the late 1980s with The Afghan Whigs, when Dulli joined D.C. transplant bassist John Curley and Louisville, Kentucky, guitarist Rick McCollum. The band was comic punk rock. One indie rock critic wrote that The Afghan Whigs were “the most cartoony band in all of hairdom”. Dulli’s half-hour-long on-stage cigarette breaks, complete with running commentary on sexual politics and attempts at matchmaking at first enraged, but later fascinated the clientele. Dulli’s budding career in the rock and roll production business was halted as The Afghan Whigs began playing more and better gigs, drawing bigger and bigger crowds. The band was soon brought to the attention of Sub Pop Records in Seattle. Sub Pop’s signing of The Afghan Whigs created quite a stir; they were the first non-Northwestern U.S. band to record for the label. The Whigs split in 2001.
|Evolving from a garage punk band in the vein of the Replacements, Dinosaur Jr., and Mudhoney to a literate, pretentious, soul-inflected post-punk quartet, the Afghan Whigs were one of the most critically acclaimed alternative bands of the early ’90s. Although the band never broke into the mainstream, they developed a dedicated cult following, primarily because of lead singer/songwriter Greg Dulli’s tortured, angst-ridden tales of broken relationships and self-loathing. The Afghan Whigs were one of the few alternative bands around in the late ’90s to acknowledge R&B, attempting to create a fusion of soul and post-punk.
~Stephen Thomas Erlewine (allmusic.com)
You My Flower (live 1992-03-18, Khyber, Phila., PA):