All posts by Egil

Today: Bill Withers is 75

Bill Withers

I feel that it is healthier to look out at the world through a window than through a mirror. Otherwise, all you see is yourself and whatever is behind you.
~Bill Withers

Ain’t no sunshine when she’s gone, It’s not warm when she’s away, Ain’t no sunshine when she’s gone, And she’s always gone too long, Anytime she goes away.
~Bill Withers (Ain’t No Sunshine)

Ain’t No Sunshine (Live 1971):

Wikipedia:

Birth name William Harrison Withers, Jr.
Born July 4, 1938 (age 75)
Slab Fork, West Virginia, U.S.
Origin Los Angeles, California, U.S.
Genres Soul, smooth soul, R&B, blues
Occupations Singer-songwriter, musician
Instruments Vocals, guitar, keyboards
Years active 1967–1985
Labels Sussex Records
Columbia Records
Website billwithersmusic.com

William Harrison “Bill” Withers, Jr. (born July 4, 1938) is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. He recorded a number of hits such as “Lean on Me”, “Ain’t No Sunshine”, “Use Me”, “Just the Two of Us”, “Lovely Day”, and “Grandma’s Hands”. His life was the subject of the 2009 documentary film Still Bill.

Bill Withers

Here is a lovely interview from 2007:

Lean on Me (Live 1973):

Sometimes in our lives
We all have pain
We all have sorrow

But if we are wise
We know that there’s
Always tomorrow

Lean on me, when you’re not strong
And I’ll be your friend
I’ll help you carry on

Album of the day:

Still Bill (1972)

Bill Withers still bill

Bill Withers came into his own on his third album, Still Bill. Released in 1972, the record is a remarkable summation of a number of contemporary styles: the smooth soul coming out of Philly, smoky, late-night funk via Bobby Womack, bluesy Southern soul, and ’70s singer/songwriterism. It’s rich, subtly layered music, but its best attribute is that it comes on easy, never sounding labored or overworked. In fact, it takes several spins of the album to realize just how versatile Withers is on Still Bill, to hear how he makes intricate, funky rhythms sound as effortless and simple as the album’s best-known song, the gospel-tinged inspirational anthem “Lean on Me.” That’s the genius behind Withers’ music: it’s warm and easily accessible, but it has a depth and complexity that reveals itself over numerous plays — and, given the sound and feel of the music, from the lush arrangements to his comforting voice, it’s easy to want to play this again and again. …..
~Stephen Thomas Erlewine (allmusic.com)

Other July 4:

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Bob Dylan – Early Roman Kings – Different Live Versions (Audio & Video)

bob dylan keyboard

 

All the early Roman kings
In their sharkskin suits
Bow ties and buttons
High top boots
Drivin’ the spikes in
Blazin’ the rails
Nailed in their coffins
In top hats and tails
Fly away, little bird
Fly away, flap your wings
Fly by night
Like the early Roman kings

Early Roman Kings is one of four songs he performed live each night on the “2013 US Spring Tour” (23 performances).  It’s live debut was @ Xcel Energy Center – St. Paul, Minnesota on 7 November 2012. And it was played 7 times during this “US & Canada fall tour”.

In this post I have collected videos & Audio clips. There are some really great performances here!

2012 US & Canada Fall Tour

Band:

  • Bob Dylan (vocal, guitar, grand piano & keyboard)
  • Stu Kimball (guitar)
  • Charlie Sexton (guitar)
  • Donnie Herron (violin, mandolin, steel guitar)
  • Tony Garnier (bass)
  • George Receli (drums & percussion)

2012-11-07 – St. Paul, Minnesota:

2012-11-19 – Philadelphia, Pennsylvania:

2012-11-21 – Brooklyn, New York:

Continue reading Bob Dylan – Early Roman Kings – Different Live Versions (Audio & Video)

Newport Jazz Festival 1960 (Videos)

Newport 1960

The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island, USA. It was established in 1954 by socialite Elaine Lorillard, who, together with husband Louis Lorillard, financed the festival for many years. The couple hired jazz impresario George Wein to organize the event to help them bring jazz to the resort town.
Most of the early festivals were broadcast on Voice Of America radio and many performances were recorded and have been issued by various record labels.The Newport Jazz Festival moved to New York City in 1972 and became a two-site festival in 1981 when it returned to Newport and also continued in New York. The festival was known as the JVC Jazz Festival from 1984 to 2008. During the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion. As of 2012 the festival is sponsored by Natixis Global Asset Management. 
The festival is hosted in Newport at Fort Adams State Park, and is often held in the same month as its sister festival, the Newport Folk Festival.

In 1960 boisterous spectators created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, “Goodbye Newport Blues”, that he brought to the Muddy Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before pianist Otis Spann led the band and sang the Hughes poem.The 1960 event was notable also for the presence of a rival jazz festival that took place at the Cliff Walk Manor Hotel, just a few blocks away. This was organized by musicians Charles Mingus and Max Roach in protest against the lower pay that the Newport festival offered jazz innovators in comparison with more mainstream performers; the fact that the innovators were mostly black and the mainstream performers mostly white was also an aggravating factor.

Highlights included:

  • The Dave Brubeck Quartet
  • The Cannonball Adderley Quintet, featuring Nat Adderley
  • Nina Simone
  • The Louis Armstrong All-Stars with Trummy Young and Barney Bigard
  • The Dizzy Gillespie Quintet
  • Ray Charles
  • The Horace Silver Quintet
  • Muddy Waters
  • John Lee Hooker
  • The Bill Evans Trio
  • The Jazz Messengers with Art Blakey

Videos from the festival:

Cannonball Adderley Quintet – Del Sasser:

Muddy Waters – Tiger In Your Tank:

Continue reading Newport Jazz Festival 1960 (Videos)

Muddy Waters recorded – At Newport 1960 – 53 years ago

muddy waters at newport 1960

For many back in the early ’60s, this was their first exposure to live recorded blues, and it’s still pretty damn impressive some 40-plus years down the line. Muddy, with a band featuring Otis Spann, James Cotton, and guitarist Pat Hare, lays it down tough and cool with a set that literally had ’em dancing in the aisles by the set closer, a rippling version of “Got My Mojo Working,” reprised again in a short encore version.
~Cub Koda (allmusic.com)

A stomping live document of the period when Waters’ Chicago blues started reaching a wider pop audience. Newport has his classics – “Hoochie Coochie Man,” a torrid “Got My Mojo Working” – delivered by a tough, tight band anchored by harp genius James Cotton.
~rollingstone.com

Got My Mojo Working (part 1 & 2)

Wikipedia:

Released November 15, 1960 (US)
Recorded July 3, 1960
Genre Chicago blues
Length 32:38
Label MCA/Chess
Producer Leonard Chess

At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay(drums), in July 3. Water’s performances across Europe in the 50s and at Newport helped popularize blues to broader audience, especially to whites. The album is often said to be one of the first blues live albums.

muddy waters at newport 1960 back

The album was released in the US on November 15 that year, featuring eight songs, from “I Got My Brand On You” to “Goodbye Newport Blues”. In 2001, record label Chess released a remastered version, which includes three bonus tracks recorded in Chicago in June. Although At Newport 1960 never charted, it received critical acclaim and was influential for future bands. It was ranked on several music lists, including at number 348 on Rolling Stones “The 500 Greatest Albums of all Time” in 2003.

Hoochie Coochie Man:

Track listing:

Original vinyl release in 1960
  1. “I Got My Brand On You” (Dixon) – 4:24
  2. “(I’m Your) Hoochie Coochie Man” (Dixon) – 2:50
  3. “Baby, Please Don’t Go” (Morganfield) – 2:52
  4. “Soon Forgotten” (Oden) – 4:08
  5. “Tiger In Your Tank” (Dixon) – 4:12
  6. “I Feel So Good” (Broonzy) – 2:48
  7. “Got My Mojo Working” (Foster) – 4:08
  8. “Got My Mojo Working, Pt. 2” (Foster) – 2:38
  9. “Goodbye Newport Blues” (Hughes, Morganfield) – 4:38
Remastered version in 2001
  1. “I Got My Brand On You” (Dixon) – 4:24
  2. “(I’m Your) Hoochie Coochie Man” (Dixon) – 2:50
  3. “Baby, Please Don’t Go” (Morganfield) – 2:52
  4. “Soon Forgotten” (Oden) – 4:08
  5. “Tiger In Your Tank” (Dixon) – 4:12
  6. “I Feel So Good” (Broonzy) – 2:48
  7. “Got My Mojo Working” (Foster) – 4:08
  8. “Got My Mojo Working, Pt. 2” (Foster) – 2:38
  9. “Goodbye Newport Blues” (Hughes, Morganfield) – 4:38
  10. “I Got My Brand On You” (Dixon) – 2:22
  11. “Soon Forgotten” (Oden) – 2:41
  12. “Tiger In Your Tank” (Dixon) – 2:17
  13. “Meanest Woman” (Morganfield) – 2:18

muddy waters at newport 1960 live

Personnel:

  • Muddy Waters – Guitar, vocals
  • Otis Spann – Piano, vocals
  • Pat Hare – Guitar
  • James Cotton – Harmonica
  • Andrew Stephens – Bass
  • Francis Clay – Drums
  • Jack Tracy – Liner Notes
  • Burt Goldblatt – Photography

Spotify (remastered version):

Other July 03:

Continue reading Muddy Waters recorded – At Newport 1960 – 53 years ago

Bob Dylan & The Band – Down In The Flood (2012) DVD (Videos)

bob dylan and the band

bob dylan and the band dvd back
  •  DVD Release Date: September 25, 2012
  • Run Time: 114 minutes

Great documentary.

This is the story of Bob Dylan and The Band, the legendary amateur recordings that they made together in Woodstock, their re-invention of American music and their continued relationship during the late 1960s and 1970s. Featuring the first interview with Garth Hudson in over a decade, together with contributions from Band producer John Simon; 66 tour drummer Mickey Jones; Hawks mentor Ronnie Hawkins and many more, plus rare footage, archive interviews and the music that changed the world. This is the finest program on Dylan and The Band s respective and communal careers yet to emerge.
~amazon.com

 

Part 1:

Part 2:

Part 3:

Part 4:

Part 5:

Part 6:

Part 7:

Part 8:

-Egil