All posts by Egil

Blues, Music Calendar

Today: Blind Lemon Jefferson passed away in 1929 – 83 years ago

Blind Lemon

 

Country blues guitarist and vocalist Blind Lemon Jefferson is indisputably one of the main figures in country blues. He was of the highest in many regards, being one of the founders of Texas blues (along with Texas Alexander), one of the most influential country bluesmen of all time, one of the most popular bluesmen of the 1920s, and the first truly commercially successful male blues performer.
~Joslyn Layne (allmusic.com)

See That My Grave Is Kept Clean:

Well, there’s one kind of favor I’ll ask of you
Well, there’s one kind of favor I’ll ask of you
There’s just one kind of favor I’ll ask of you
You can see that my grave is kept clean

Here is Bob Dylan’s take (from his first album – “Bob Dylan” (1962)):

From Wikipedia:

Birth name Lemon Henry Jefferson
Born September 24, 1893
Origin Coutchman, Texas, United States
Died December 19, 1929 (aged 36)
Chicago, Illinois, United States
Genres Blues
Occupations Singer-songwriter, guitarist
Years active 1926–1929

“Blind” Lemon Jefferson (Lemon Henry Jefferson; September 24, 1893 – December 19, 1929) was an American blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s, and has been titled “Father of the Texas Blues”.

Jefferson’s singing and self-accompaniment were distinctive as a result of his high-pitched voice and originality on the guitar. Though his recordings sold well, he was not so influential on some younger blues singers of his generation, who could not imitate him as they could other commercially successful artists. However, later blues and rock and roll musicians attempted to imitate both his songs and his musical style. His recordings would later influence such legends as B.B. King, T-Bone Walker, Lightnin’ Hopkins, Son Houseand Robert Johnson.

Matchbox Blues:

Carl Perkins – Matchbox (1956):

Album of the Day:

Blind Lemon Jefferson [Milestone] (1961):

BLJ

Other December 19:

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Bob Dylan, Bob Dylans's best songs, Patti Smith

Bob Dylan & Patti Smith – Dark Eyes – Electric Factory Philadelphia, Pennsylvania 17 December 1995

BD & PS

From the last (and one of the best) concerts of the 95-tour we get this great version of “Dark Eyes”.

…. and then three nights in Philadelphia (December 15–17). Every night Patti Smith would come on in the middle for the tenth song of the set and they would
share vocals on ‘Dark Eyes’, the acoustic song from
the end of the Empire Burlesque album of ten years
earlier, and which he had never sung live before.
The routine might have been the same every
night but there was nothing routine about it. ….
….but without question live performance brought it
alive, and it was Patti Smith who made it happen.
Here, in the tingling electricity between them as
they traded verses and duetted on the choruses, the song was the conduit of a beauty and excitement it had never possessed.
Many Dylan followers believed that he felt challenged by Patti Smith’s still possessing a fierce anti-showbiz, anti-bullshit credibility that had in his own case been compromised by then: that she therefore kept him on his toes as no performance with his own band alone would have done. As it was, he rose higher than his toes.
~Michael Gray (Bob Dylan Ecyclopedia)

BD & PS2

Lyrics:

Oh, the gentlemen are talking and the midnight moon is on the riverside
They’re drinking up and walking and it is time for me to slide
I live in another world where life and death are memorized
Where the earth is strung with lovers’ pearls and all I see are dark eyes

A cock is crowing far away and another soldier’s deep in prayer
Some mother’s child has gone astray, she can’t find him anywhere
But I can hear another drum beating for the dead that rise
Whom nature’s beast fears as they come and all I see are dark eyes

They tell me to be discreet for all intended purposes,
They tell me revenge is sweet and from where they stand, I’m sure it is.
But I feel nothing for their game where beauty goes unrecognized,
All I feel is heat and flame and all I see are dark eyes.

Oh, the French girl, she’s in paradise and a drunken man is at the wheel
Hunger pays a heavy price to the falling gods of speed and steel
Oh, time is short and the days are sweet and passion rules the arrow that flies
A million faces at my feet but all I see are dark eyes


–
BD & PS3

-Egil

Bruce Springsteen, Classic Concert, Music Calendar

Today: Bruce Springsteen played Winterland Ballroom, San Francisco in 1978 – 34 years ago

1 Comment

bruce winterland

Bruce’s Winterland-78 concert is by many fans & “concert tape collectors” regarded as one of his best shows ever… It is indeed a cornerstone in any collection of concert bootlegs (regardless of artist). Number 2 on my list of the best Springsteen’s concerts I’ve collected (and.. yes, I’ve got a decent collection).

Here is a BRILLIANT – Prove It All Night:

Racing In The Street:

BS winterland

FM Broadcast (KSAN radio) and soundboard tapes – this is a master reel recording and includes three tracks not broadcast. What can you say! The versions of “The Promised Land” and “Prove It All Night” are exceptional and “Backstreets” is better than that. Probably the most famous show Bruce will ever do. It should be noted that the source tape appears to run slightly slow. Released on CD ‘Live At Winterland’ (Golden Stars), ‘Live In The Promised Land’ (Great Dane Records), ‘Winterland Night’ (Crystal Cat) and most recently (and in best quality) on CDR ‘Prodigal Son at Winterland – 25th Anniversary Remaster’ (Prodigal Son). This is a remaster of ‘Winterland Night’.
-From Brucebase

Darkness On The Edge Of Town:

Winterland-Poster

Setlist:

  1. Badlands
  2. Streets of Fire
  3. Spirit in the Night
  4. Darkness on the Edge of Town
  5. Factory
  6. The Promised Land
  7. Prove It All Night
  8. Racing in the Street
  9. Thunder Road
  10. Jungleland
  11. The Ties That Bind
  12. Santa Claus Is Coming to Town (J. Fred Coots & Haven Gillespie cover)
  13. The Fever
  14. Fire
  15. Candy’s Room
  16. Because the Night
  17. Point Blank
  18. Mona / Preacher’s Daughter / She’s The One / I Get Mad
  19. Backstreets
  20. Rosalita (Come Out Tonight)Encore:
  21. Born to Run
  22. Detroit Medley
  23. Tenth Avenue Freeze-Out
  24. Raise Your Hand  (Eddie Floyd cover)
  25. Quarter to Three

The Promised Land:

Backstreets:

Santa Claus is Coming To Town:

Other December 15:

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Music Calendar, Tom Waits

Today: Tom Waits is 63

[He’s got a voice sounding] “like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.”
~Daniel Durchholz

“I like beautiful melodies telling me terrible things.”
― Tom Waits

“We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.
We are monkeys with money and guns.”
― Tom Waits

Neil Young inducts Tom Waits into the Rock & Roll Hall of Fame:

Clap Hands:

From Wikipedia:

Birth name Thomas Alan Waits
Born December 7, 1949 (age 63)
Pomona, California,United States
Genres Rock, experimental
Occupations Singer-songwriter, musician, actor, composer
Instruments Vocals, piano, guitar
Years active 1972–present
Labels Asylum Records, Island Records, ANTI-
Website Official website

Thomas Alan “Tom” Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding “like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.” With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and has acted in supporting roles in films including Paradise Alley and Bram Stoker’s Dracula; he also starred in the 1986 film Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart.

16 shells from a thirty-ought-six – live 85:

Lyrically, Waits’ songs frequently present atmospheric portrayals of grotesque, often seedy characters and places—although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known through cover versions by more commercial artists: “Jersey Girl”, performed by Bruce Springsteen, “Ol’ ’55”, performed by the Eagles, and “Downtown Train”, performed by Rod Stewart. Although Waits’ albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations. In 2011, Waits was inducted into the Rock and Roll Hall of Fame.

Waits lives in Sonoma County, California with his wife, Kathleen Brennan, and three children.

Alice – Live from Amsterdam 2004:

Album of the day:

Swordfishtrombones (1983)

……. The music can be primitive, moving to odd time signatures, while Waits alternately howls and wheezes in his gravelly bass voice. He seems to have moved on from Hoagy Carmichael and Louis Armstrong to Kurt Weill and Howlin’ Wolf (as impersonated by Captain Beefheart). Waits seems to have had trouble interesting a record label in the album, which was cut 13 months before it was released, but when it appeared, rock critics predictably raved: after all, it sounded weird and it didn’t have a chance of selling. Actually, it did make the bottom of the best-seller charts, like most of Waits’ albums, and now that he was with a label based in Europe, even charted there. Artistically, Swordfishtrombones marked an evolution of which Waits had not seemed capable (though there were hints of this sound on his last two Asylum albums), and in career terms it reinvented him.
~William Ruhlmann (allmusic.com)

Other December 07:

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Bob Dylan, Bob Dylans's best songs, The Best Songs

Bob Dylan’s best songs – A Hard Rain’s A-Gonna Fall – #16, released version

4 Comments

The hard rain is gonna fall is in the last verse when I say “when the pellets of poison are flooding the waters”. I mean, all the lies, you know, all the lies that people get told on their radios and their newspapers which, all you have to do is
just think for a minute, y’know, try and take peoples brains away, y’know, which maybe’s been done already. I dunno, maybe, I hate to think it’s been done, but all the lies, which are considered poison, y’know, er…
Bob Dylan (to Studs Terkel, April 63)

‘Hard Rain’s A-Gonna Fall’… I wrote the words of it on a piece of paper. But there was just no tune that really fit to it, so I just sort of play chords without a tune. If all this comes under the heading of a definition, then I don’t care really to define what I do. Other people seem to have a hard time doing that.
~Bob Dylan (to Max Jones, May 64)

From “The Witmark Demos” (Bootleg Series 9):

@ #16 on my list of Dylan’s 200 best songs. The original version from “The Freewheelin’ Bob Dylan” was recorded on December 6 – 1962…. 50 year’s ago today. The Witmark version above was recorded sometime in December 62.

‘A Hard Rain’s A-Gonna Fall’, recorded December 6, 1962, is another song whose genius and power are so great that our analytical minds (not our hearts) may have difficulty accepting and recognizing it’s simplicity.
~Paul Williams (Performing Artist 60-73)

from 1964:

 

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