All posts by Hallgeir

5 great cover versions of Ring Them Bells

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photo: Taken from a bootleg of Oh Mercy outtakes

The lyrics of the Dylan’s song Ring Them Bells are dark, to me, they are much darker than  the melody reveals. The Melody sounds sombre but uplifting in its own dignified way. I can understand why so many artists have made their own interpretations of the song. I have picked a few that I like especially good.

Let us start with Sarah Jarosz’s acoustic performance of Ring Them Bells for Vanguard and Sugar Hill Record’s The Americana Sessions recorded and taped at Minutia Studios in Nashville, TN. It is taken from  Jarosz’s 2011 album,  Follow Me Downavailable on Sugar Hill Records.

Sarah Jarosz – Ring Them Bells:

 

My second choice is quite different but equally good.

Sufjan Stevens – Ring Them Bells (audio):

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Top 3 use of Bob Dylan songs in movies

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Bob Dylan is a pop culture icon.His songs (as either writer/composer or performer) are used in close to 400 movies and TV shows. Bob Dylan has been very liberal with his licensing (not like the Beatles or Tom Waits). The rules are, no cover songs, no performances, but scenes where the music of Bob Dylan is used in a way that enhances the action and/or mood. These are my three favorites.

Tell us about what you favorite Dylan cues in movies are (in the comments).

The best western ever made (some days I think it is the best film, period.) This is classic!

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1) Pat Garrett & Billy the Kid – Knockin on Heaven’s Door (starts about 1.50 in,but it is so good you should see it all):

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Chicago Blues 1972 documentary

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This is a very fine “time capsule” directed by Harley Cokeliss, an American director, producer, writer and actor born February 11, 1945 in San Diego. The cinematography is by master cameraman Tak Fujimoto.

CHICAGO BLUES explores the hard lives of bluesmen in Chicago narrated by an insightful and incendiary commentary from comedian turned political activist Dick Gregory. CHICAGO BLUES is a an interesting document of a generation of great musicians trying to make a living in a racially divided America.

‘CHICAGO BLUES” is an angry film. To document Chicago blues at its source, the British director Harley Cokliss went to South Side clubs, storefront churches and homes. He wound up with both a performance film and an anti-travelogue on ghetto life. It is a stark, forceful combination.
– Jon Pareles (NYT, 1983)

 

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October 22: Jimmy Miller passed away in 1994 – 20 years ago

Jimmy Miller produced “The Rolling Stones” 4 best albums:

  1. Exile on Main St. (1972)
  2. Sticky Fingers (1971)
  3. Let It Bleed (1969)
  4. Beggars Banquet (1968)

He really connected with the band & Keith Richards in particular.

“It was really a gas to work with him. Jimmy Miller could turn the whole band on and make a nondescript number into something.”
~Keith Richards

Miller was a huge Stones fan before he started working with the band..

‘The night Jagger phoned I just knew he was gonna ask me to produce them. I glided over to his house on a cloud.’
~Jimmy Miller

Continue reading October 22: Jimmy Miller passed away in 1994 – 20 years ago

What I look most forward to on Bootleg series volume 11 The Basement Tapes Complete

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This is a tremendous song with exceptional singing by Bob Dylan, one of the lost masterpieces that will finally come out with good (better) sound! It sounds as if it was intended as a parody, of sorts, but turns into something all together different. This is great gospel music.  Clinton Heylin wrote in the Telegraph, “…this seven-minute testifying spiritual seems to be largely improvised, and wholly inspired.”

Sign on the Cross is actually one of Bob Dylan’s very best performances. This seven minute gospel gem is perfect, from Garth Hudson’s swirling church organ down to Bob’s inspired (and probably) drunken preachings. I have listened to the song over and over, and marvelled at the thought of this song not getting an official release! That is, until now. I am eagerly awaiting my box-set and hoping for a miracle sound wise, like we got on the last Bootleg release (vol.10)

Bob Dylan – Sign on the cross:

“This one sounds pretty straightforward at first, as Dylan leads the Band through some timeworn gospel changes. Robbie Robertson ekes out gorgeous guitar lines worthy of Curtis Mayfield and Garth Hudson’s organ swells at all the right moments, coaxing a truly remarkable vocal from their leader. Things take a turn for the weird, however, around 4:25, when Dylan slips into an off-the-cuff spoken monologue, coming off as a country-fried preacher who may have been dipping into his moonshine supply. What began as pure holiness starts sounding just a little bit creepy. “

– pitchfork

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