All posts by Hallgeir

The Beatles 40 best songs: at 25 “Norwegian Wood (This Bird Has Flown)”

norwegian_wood_ep
Australian EP

Norwegian Wood (This Bird Has Flown)” (also known as simply “Norwegian Wood“)  by The Beatles, mainly written by John Lennon, with the middle eight co-written with Paul McCartney, released on the 1965 album Rubber Soul. It was the first example of a rock band including a sitar in one of their songs, played by lead guitarist George Harrison.

 “George had just got the sitar and I said, ‘Could you play this piece?’ We went through many different sort of versions of the song, it was never right and I was getting very angry about it, it wasn’t coming out like I said. They said, ‘Just do it how you want to do it,’ and I said, ‘I just want to do it like this.’ They let me go and I did the guitar very loudly into the mike and sang it at the same time, and then George had the sitar and I asked him could he play the piece that I’d written, dee diddley dee diddley dee, that bit – and he was not sure whether he could play it yet because he hadn’t done much on the sitar but he was willing to have a go, as is his wont, and he learnt the bit and dubbed it on after. I think we did it in sections.”
– John Lennon (1970)

“… anyway, we were at the point where we’d recorded the Norwegian Wood backing track and it needed something. We would usually start looking through the cupboard to see if we could come up with something, a new sound, and I picked the sitar up – it was just lying around; I hadn’t really figured out what to do with it. It was quite spontaneous: I found the notes that played the lick. It fitted and it worked.”
– George Harrison (Anthology)

Continue reading The Beatles 40 best songs: at 25 “Norwegian Wood (This Bird Has Flown)”

April 26 in music history

20 year anniversary for Johnny Cash’s American RecordingsAmerican Recordings did something very important — it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he’d been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged.
~Mark Deming (allmusic.com)
cash american 1
William “Count” Basie (August 21, 1904 – April 26, 1984)
was an American jazz pianist, organist, bandleader, and composer. Basie led his jazz orchestra almost continuously for nearly 50 years. Many notable musicians came to prominence under his direction, including tenor saxophonists Lester Young and Herschel Evans, guitarist Freddie Green, trumpeters Buck Clayton and Harry “Sweets” Edison and singers Jimmy Rushing and Joe Williams. Basie’s theme songs were “One O’Clock Jump” and “April In Paris”.
Count_Basie_in_Rhythm_and_Blues_Revue
Johnny Shines (April 26, 1915 – April 20, 1992)
was an American blues singer and guitarist. According to the music journalist Tony Russell, “Shines was that rare being, a blues artist who overcame age and rustiness to make music that stood up beside the work of his youth. When Shines came back to the blues in 1965 he was 50, yet his voice had the leonine power of a dozen years before, when he made records his reputation was based on”.
johnny shines
 Devils & Dust is the 13th studio album by American recording artist Bruce Springsteen, and his third folk album (after Nebraska and The Ghost of Tom Joad). It was released on April 25, 2005 in Europe and on April 26 in the US. It debuted at the top of the US Billboard 200 album chart.  bruce devil and dust
Ma Rainey (April 26, 1886? – December 22, 1939)
was one of the earliest known American professional blues singers and one of the first generation of such singers to record. She was billed as The Mother of the Blues.
MaRainey
Duane Eddy (born April 26, 1938)
is a Grammy Award-winning American guitarist. In the late 1950s and early 1960s he had a string of hit records, produced by Lee Hazlewood, which were noted for their characteristically “twangy” sound, including “Rebel Rouser”, “Peter Gunn”, and “Because They’re Young”. He was inducted into the Rock and Roll Hall of Fame in 1994.
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– Hallgeir

Bob Dylan’s Blind Willie McTell cover versions audio and video

Blind-Willie-McTell cover versions

Well, God is in heaven And we all want what’s his 
But power and greed and corruptible seed Seem to be all that there is

Blind Willie McTell was voted the best 80s song in our little poll, deservedly so.

Blind Willie McTell” is a song by Bob Dylan, titled after the blues singer Blind Willie McTell. It was recorded in 1983 but left off Dylan’s album Infidels and officially released in 1991 on the The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. The melody has a resemblance to  “St. James Infirmary Blues”. For the song, Dylan, seated at the piano and accompanied by Mark Knopfler on the twelve-string acoustic guitar, sings a series of plaintive verses depicting allegorical scenes which reflect on the history of American music and slavery. Each verse ends with the same refrain: “Nobody can sing the blues like Blind Willie McTell”.

Following three albums with overt Christian themes, Infidels struck most major rock critics as dealing largely with secular concerns, and they hailed it as a comeback. The mysterious exclusion of “Blind Willie McTell” complicates the story. When bootleggers released the outtakes from Infidels, the song was recognized as a composition approaching the quality of such classics as “Tangled Up In Blue”, “Like a Rolling Stone” and “All Along the Watchtower”.

Bob Dylan – Blind Willie McTell (audio, Bootleg series 1-3):

This is the spookiest important record since Heartbreak Hotel, and is built upon the perfect interweaving of guitar, piano, voice and silence – an interweaving that has the space for the lovely clarity of single notes – a guitar string stroking the air here, a piano note pushing back the distance there. And if anything, the still-unreleased performance is even better,  for its more original melody (less dependent upon the conventional St. James Infirmary structure) and its incandescent vocal, which soars to possess the heights of reverie and inspiration. No one can sing the blues like Blind Willie McTell, but no one can write or sing a blues like Blind Willie McTell like Bob Dylan.
– Michael Gray

Bob Dylan – Blind Willie McTell (audio, electric version):

“One of Bob Dylan’s absolute masterpieces, “Blind Willie McTell” is the jewel of The Bootleg Series and arguably one of the finest songs ever written. Recorded in 1983 for the album Infidels, it was deemed superfluous to requirements, and all that remains is one take of the song with a full band (yet to be officially released) and this haunting demo, with Dylan playing piano with accompaniment from Mark Knopfler.”
– Thomas Ward (allmusic)

The best!

Now let’s listen to 10 very good takes on Blind Willie McTell!

Continue reading Bob Dylan’s Blind Willie McTell cover versions audio and video

Today: R.E.M. released Reckoning in 1984 30 years ago


REM-Reckoning-Frontal

Reckoning is the second album by the American alternative rock band R.E.M., released April 9 in 1984 by I.R.S. Records.

It was produced by Mitch Easter and Don Dixon and was recorded at Reflection Sound Studio in Charlotte, North Carolina over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M.’s live performances, and used binaural recording on several tracks. Singer Michael Stipe dealt with darker subject matter in his lyrics, and water imagery is a recurring theme on the record. Released to critical acclaim, Reckoning reached number 27 in the United States—where it was certified gold by the Recording Industry Association of America in 1991—and peaked at number 91 in the United Kingdom.

R.E.M. – So.Central.Rain:

I had bought Murmur and loved it, but it was this album that really sealed my love for R.E.M. , and you could (most of the time) hear what Michael Stipe was singing! Reckoning builds on the energy of Murmur, but they sound more mature. They had been touring and recording and sound so much more sure of where they want to go,  this album is the culmination of energy, experience and a clear view of what R.E.M. should be about. It is a classic album!
Continue reading Today: R.E.M. released Reckoning in 1984 30 years ago

New music: First Aid Kit give us a taste from the album Stay Gold


FAK OYA 2012-2

First Aid Kit return 10th of June with a follow-up to their 2012 sophomore set, The Lion’s Roar. Producer Mike Mogis is back on board. The new album is called Stay Gold.

The newly released track, My Silver Lining, shows that First Aid Kit is in “kind of” a hippie mode, they “keep on keeping on” and the New Riders would have been proud. The south-western early 70s country/rock is intact. The snippets that we’ve heard sounds a bit “wider”, more cinematic. Maybe because of the strings by the Omaha Symphony Orchestra. The photos are from a concert at the Oya festival in 2012.

My Silver Lining is a great track in the car, and it gets better with each listen!

My Silver Lining (audio):

Continue reading New music: First Aid Kit give us a taste from the album Stay Gold