Category Archives: Beatles

The Beatles 40 best songs: at 17 Get Back

get back

Get Back is Paul. That’s a better version of Lady Madonna. You know, a potboiler rewrite.”
– John Lennon (1980)

The song was credited to The Beatles and Billy Preston. It was The Beatles’ only single that credited another artist.

We have included 10 different versions in this post!

“Get Back” is a song recorded by the Beatles, originally released as a single on 11 April 1969. A different mix of the song later became the closing track of Let It Be (1970), which was the Beatles’ last album released just after the group split. The single version was later issued on CD on the second disc of the Past Masters compilation.

The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, Australia, France, West Germany, and Mexico. It was the Beatles’ only single that credited another artist at their request. “Get Back” was the Beatles’ first single release in true stereo in the US. In the UK, the Beatles’ singles remained monaural until the following release, “The Ballad of John and Yoko”.

“By the time sessions reached Apple the lyric had changed and the title… well, Paul had his own ideas in that direction. George Martin, over the talkback: ‘What are you calling this, Paul?’ Paul: ‘Shit. Shit, take one.'”
– Mark Lewisohn (The Complete Beatles Recording Sessions)

The Beatles – Get Back (live, The Rooftop concert):

Continue reading The Beatles 40 best songs: at 17 Get Back

The Beatles 40 best songs: at 18 Ticket To Ride

ticket to ride beatles picture sleeve

The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)

The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)

Wikipedia:

Released 9 April 1965
Recorded 15 February 1965,
EMI Studios, London
Genre Rock
Length 3:10
Label Parlophone
Writer Lennon–McCartney
Producer George Martin

John Lennon: double-tracked lead vocals and rhythm guitar
Paul McCartney: vocals, bass and lead guitar
George Harrison: rhythm guitar
Ringo Starr: drums, tambourine and handclaps

Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.

beatles ticket to ride

They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)

Ticket To Ride was slightly a new sound at the time. It was pretty fucking heavy for then, if you go and look in the charts for what other music people were making. You hear it now and it doesn’t sound too bad; but it’d make me cringe. If you give me the A track and I remix it, I’ll show you what it is really, but you can hear it there. It’s a heavy record and the drums are heavy too. That’s why I like it.
– John Lennon (Anthology)

Ticket To Ride (Video-Mix 1965) HD 0815007:

Continue reading The Beatles 40 best songs: at 18 Ticket To Ride

The Beatles 40 best songs: at 19 Helter Skelter

The-Beatles-Helter-Skelter

“I was in Scotland and I read in Melody Maker that Pete Townshend had said: ‘We’ve just made the raunchiest, loudest, most ridiculous rock ‘n’ roll record you’ve ever heard.’ I never actually found out what track it was that The Who had made, but that got me going,  just hearing him talk about it. So I said to the guys, ‘I think we should do a song like that,  something really wild.’ And I wrote Helter Skelter.

You can hear the voices cracking, and we played it so long and so often that by the end of it you can hear Ringo saying,’I’ve got blisters on my fingers’. We just tried to get it louder: ‘Can’t we make the drums sound louder?’ That was really all I wanted to do – to make a very loud, raunchy rock ‘n’ roll record with The Beatles. And I think it’s a pretty good one.”
– Paul McCartney (Anthology)

“Umm, that came about just ’cause I’d read a review of a record which said, ‘and this group really got us wild, there’s echo on everything, they’re screaming their heads off.’ And I just remember thinking, ‘Oh, it’d be great to do one. Pity they’ve done it. Must be great — really screaming record.’ And then I heard their record and it was quite straight, and it was very sort of sophisticated. It wasn’t rough and screaming and tape echo at all. So I thought, ‘Oh well, we’ll do one like that, then.’ And I had this song called “Helter Skelter,” which is just a ridiculous song. So we did it like that, ‘cuz I like noise.”
– Paul McCartney (Radio Luxembourg)

Other posts in this series

“Helter Skelter” is written by Paul McCartney, and recorded by the Beatles on their eponymous LP The Beatles, better known as The White Album. A product of McCartney’s deliberate effort to create a sound as loud and dirty as possible, the song has been noted for both its “proto-metal roar” and “unique textures” and is considered by music historians as a key influence in the early development of heavy metal.

The first version was a 27 minute jam that was never released. During the July 18, 1968 sessions, The Beatles recordedthe long version, which was much slower and less intense than the album version. Another recording from the same day was edited down to 4:37 for The Beatles Anthology, Volume III.

“…the first time the Beatles recorded the song at Abbey Road, they got so caught up in its heavy, screeching fury that they jammed on for more than ten minutes on one version, over twelve minutes on a second, and an epic, yet still tightly played, twenty-seven minutes on a third. On September 9, the night they taped the version of ‘Helter Skelter’ heard on the record, they held the length down to four and a half minutes but went just as wild, both on tape and off. Ringo’s impassioned scream, ‘I’ve got blisters on my fingers,’ was caught on tape, but had the Beatles also been filming a video that night, it would have shown George setting fire to an ashtray and running around the studio, wearing it on his head like a crown of fire.”
-Mark Hertsgaard (A Day In The Life: The Music and Artistry of the Beatles)

The Beatles – Helter Skelter:

Continue reading The Beatles 40 best songs: at 19 Helter Skelter

The Beatles’s “Come Together” covered by Springsteen, Joss Stone, Joe Cocker, Aerosmith, and more..

beatles-come-together

“It was a funky record – it’s one of my favorite Beatle tracks, or, one of my favourite Lennon tracks, let’s say that. It’s funky, it’s bluesy, and I’m singing it pretty well. I like the sound of the record. You can dance to it. I’d buy it!”
~John Lennon (Playboy interview, 1980)

The Beatles recorded “Come Together” July 21, 1969.

We had a post here at JV yesterday: July 21: The Beatles recorded Come Together in 1969, and it got me thinking that there might be some great cover versions of this classic around..

We have to start with the original version (off course):

One comment over at our FB page suggested that Lennon’s live version from MSG, NYC in 1972 was even better than the original.. I tend to disagree, but it is a great version.

Continue reading The Beatles’s “Come Together” covered by Springsteen, Joss Stone, Joe Cocker, Aerosmith, and more..

The Beatles 40 best songs: at 20 Paperback Writer

pw_Beatles

Paperback Writer was recorded between 13 and 14 April 1966. It was released 30 May 1966 (US) and 10 June 1966 (UK).

“I think I might have helped with some of the lyrics. Yes, I did. But it was mainly Paul’s tune.”
– John Lennon (Hit Parade in 1972) 

“Paperback Writer is son of Day Tripper, but it is Paul’s song. Son of Day Tripper meaning a rock ‘n’ roll song with a guitar lick on a fuzzy, loud guitar.”
– John Lennon (Playboy, 1980)

“I took a bit of paper out and I said it should be something like ‘Dear Sir or Madam, as the case may be…’ and I proceeded to write it just like a letter in front of him, occasionally rhyming it. And John, as I recall, just sat there and said, ‘Oh, that’s it,’ ‘Uhuh,’ ‘Yeah.’ I remember him, his amused smile, saying, ‘Yes, that’s it, that’ll do.’ Quite a nice moment: ‘Hmm, I’ve done right! I’ve done well!’ And then we went upstairs and put the melody to it. John and I sat down and finished it all up, but it was tilted towards me, the original idea was mine. I had no music, but it’s just a little bluesy song, not a lot of melody. Then I had the idea to do the harmonies and we arranged that in the studio.”
– Paul McCartney (“Many years from now” by Barry Miles)

I love the sound on this single, Paperback Writer/Rain, the bass lines are incredible. The story according to Mark Lewisohn goes that it was John Lennon who demanded to know why the bass on a certain Wilson Pickett record far exceeded the bass on any Beatles records. This single certainly changed that.

“‘Paperback Writer’ was the first time the bass sound had been heard in all its excitement,” said Beatles’ engineer Geoff Emerick in Mark Lewisohn’s book The Complete Beatles Recording Sessions. “Paul played a different bass, a Rickenbacker. Then we boosted it further by using a loudspeaker as a microphone.

These are the probable credits:

  • Paul McCartney – lead vocal, bass guitar
  • John Lennon – backing vocal, rhythm guitar
  • George Harrison – backing vocal, lead guitar
  • Ringo Starr – drums, tambourine

The Beatles – Paperback Writer (promo):

Continue reading The Beatles 40 best songs: at 20 Paperback Writer