the only known picture of BLJ, and it is heavily retouched, with a fake tie painted in by hand
Country blues guitarist and vocalist Blind Lemon Jefferson is indisputably one of the main figures in country blues. He was of the highest in many regards, being one of the founders of Texas blues (along with Texas Alexander), one of the most influential country bluesmen of all time, one of the most popular bluesmen of the 1920s, and the first truly commercially successful male blues performer.
~Joslyn Layne (allmusic.com)
A lot of people relate me to the blues but I don’t think it’s a hindrance at this point. I’ve been doing it long enough that I can do different things and be accepted.
~Paul Butterfield
Paul Butterfield was the first white harmonica player to develop a style original and powerful enough to place him in the pantheon of true blues greats. It’s impossible to overestimate the importance of the doors Butterfield opened: before he came to prominence, white American musicians treated the blues with cautious respect, afraid of coming off as inauthentic. Not only did Butterfield clear the way for white musicians to build upon blues tradition (instead of merely replicating it), but his storming sound was a major catalyst in bringing electric Chicago blues to white audiences who’d previously considered acoustic Delta blues the only really genuine article.
~Steve Huey (allmusic.com)
Of all the pivotal figures in blues history, certainly one of the most important was Robert Nighthawk. He bridged the gap between Delta and Chicago blues effortlessly, taking his slide cues from Tampa Red and stamping them with a Mississippi edge learned first hand from his cousin, Houston Stackhouse.
~Cub Koda (allmuisc.com)
“He was a happy-go-lucky nihilist…. he took things exactly as they were. No more, no less.”
~Matthew Johnson, the founder of Mr. Burnside’s record label, Fat Possum.
“I didn’t mean to kill nobody
… I just meant to shoot the sonofabitch in the head.
Him dying was between him and the Lord.”
― R.L. Burnside
I started writing poetry before I started writing songs. In my checkered college past I was a creative writing major at Long Beach State University, which had a great writing program, and that’s where I learned all the nuts and bolts that helped me out in songwriting. They forced us to write in traditional forms — sonnets, iambic pentameter — just so we could understand that writing wasn’t just splaying free verse all over the page. But then the more songs I wrote using all those poetic forms, the more my poetry become like prose, almost to the point of journalism…
the only known picture of BLJ, and it is heavily retouched, with a fake tie painted in by hand
