“I still say that some of the biggest criminals are those that turn their heads away when they see wrong and know it’s wrong. I’m only 21 years old and I know that there’s been too many wars… You people over 21 should know better. The first way to answer these questions in the song is by asking them. But lots of people have to first find the wind.”
~Bob Dylan (The Freewheelin’ Bob Dylan Liner Notes – 1963)
The version of “Blowin’ in the Wind” that eventually appeared on The Freewheelin’ Bob Dylan was recorded at this July 9 session. Of all the available performances of this song from 1962 and 1963, this “official” recording is my favorite. It has a presence, a magic, as if Dylan took a deep breath and thought, “Okay, this one’s for posterity.” I don’t think Dylan ever put quite as much of himself into the song again. He didn’t have to. The song itself was in the wind at that point.
~Paul Williams (Bob Dylan: Performing Artist 1960-1973 The Early Years)
Bob Dylan first performed Leonard Cohen’s ‘Hallelujah’ on July 8, 1988 at the Forum de
Montréal in Canada. Montréal is Cohen’s home town and it is possible that he attended the show.
Dylan’s second and final performance, on his “Interstate 88” tour, was on August 4, 1988, at the
final night of a three show residency at the Greek Theatre, Hollywood.
–
Dylan and Leonard Cohen first met sometime in the late ’60s and have remained friends ever
since, meeting whenever the opportunity arises. One such occasion was after a concert in Paris,
probably Dylan’s October 7, 1987 show at P.O.P.B. Bercy. The two songwriters spent some
considerable time talking shop, over coffee, in a café somewhere in the 14th Arrondissment of
Paris. Dylan told Cohen that he especially liked the ending to his then new song ‘Hallelujah’.
“And even though it all went wrong / I’ll stand before the Lord of Song with nothing on
my tongue but hallelujah!”
~Derek Barker (The Songs He didn’t write)
Baby I have been here before
I know this room, I’ve walked this floor
I used to live alone before I knew you.
I’ve seen your flag on the marble arch
Love is not a victory march
It’s a cold and it’s a broken Hallelujah
“If I’ve got any kind of attitude about me — or about what I do, what I perform, what I sing, on any level, my attitude is, compare it to somebody else! Don’t compare it to me. Are you going to compare Neil Young to Neil Young? Compare it to somebody else, compare it to Beck—which I like—or whoever else is on his level.
~Bob Dylan (to Jonathan Lethem, Aug 2006)
Beck turns 49 today – Happy Birthday.
Here are two Dylan songs he’s covered: Leopard Skin Pill-box Hat & Country Pie.
Oh God said to Abraham, “Kill me a son”
Abe says, “Man, you must be puttin’ me on”
God say, “No.” Abe say, “What?”
God say, “You can do what you want Abe, but
The next time you see me comin’ you better run”
Well Abe says, “Where do you want this killin’ done?”
God says, “Out on Highway 61”
…when Dylan bounded out onstage later that evening, wearing a black frock coat and sporting a shock of wild, curly hair, he looked, from a distance, like nothing less than a holy man possessed. And from the moment he and his band (ex-Faces‘ keyboard player Ian McLagan, ex-Stone the Crows drummer Colin Allen, bassist Greg Sutton and ex-Rolling Stone Mick Taylor) broke into an electrifying Chuck Berryish version of “Highway 61,” it was clear that Dylan was once again a devoted rock & roller. Moreover, his voice – full of passionate declamations and dramatic vocal leaps, and displaying an emotional palette that ranged from proud anger to unabashed tenderness – immediately brought his audience back to the days of Highway 61 Revisited and Blonde on Blonde.
– Rolling Stone Magazine
Dylan played some of the biggest and best known European music venues including Schaerbeek Football Stadium in Brussels, Belgium, Ullevi Stadion in Gothenburg, Sweden, St. James Park in Newcastle, England, Wembley Stadium in London, England, Slane Castle in County Meath, Ireland.
His band included ex-Rolling Stone Mick Taylor on guitar, ex-Faces’ keyboard player Ian McLagan, drummer Colin Allen and bassist Greg Sutton.
Dylan was joined by several major musicians on the tour including Carlos Santana (all concerts; Santana was an opening act), Joan Baez (Hamburg, Munich and Copenhagen), Hugues Aufray (Paris and Grenoble), Pino Daniele (Milan 24 June 1984), Van Morrison (Paris, London and County Meath), Eric Clapton (London), Chrissie Hynde (London), Bono (County Meath), Leslie Dowdall (County Meath) and Steve Wickham (County Meath).
Real Live was released in the winter 1984 which documented Dylan’s 1984 summer, released by Columbia Records. Six songs from the album were recorded at Wembley Stadium on July 7, two songs were recorded at St. James Park on July 5 and another two were recorded at Slane Castle, Ireland on July 8
– Wikipedia
..Dylan, who is interviewed backstage at Wembley by Martha Quinn for MTV. The interview lasts over half an hour. Dylan is extremely talkative, discussing such matters as his early days at the Cafe Wha, the recording of Infidels, and his attitude toward videos. MTV broadcasts very little of the interview. At the end of the interview, Dylan tells Quinn that she asked some really good questions.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Martha Quinn: Will this tour help you reach a new generation? Bob Dylan: I don’t reach anybody. They find me. They find me. It’s not for me to go out and reach somebody. If they can find me, they find me, and if they don’t, they don’t. That’s the way it’s always been. I don’t think it’s gonna change now just because I’m such an old man and it’s nineteen-eighty… what is it?
7 July 1984
Martha Quinn interview for MTV,
Wembley Stadium backstage, London, England
)