Category Archives: Bob Dylan

Today: Bob Dylan released Down In The Groove 25 years ago

Bob_Dylan_Down_In_The_Groove

“Bob’s bad stuff is better than other musicians’ best”

Down in the Groove is singer-songwriter Bob Dylan‘s 25th studio album, released by Columbia Records 30 May 1988. Egil here at Johannasvisions rate it as maybe Dylan’s lowest point. Me? I’m not so sure anymore…

It got pretty terrible reviews upon it’s release. Many reviewers compared it to his previous album, Knocked Out Loaded, and not in a favourable way.

Wikipedia:
“A highly collaborative effort, it was Dylan’s second consecutive album to receive almost unanimous negative reviews. Released during a period when his recording career was experiencing a slump, sales were disappointing, reaching only #61 in the US and #32 in the UK.”

How is it in hindsight? Was it unfairly slated? I think it’s better than reported and as usual Dylan’s standards were expected to be higher than anybody else’s. We cannot expect a masterpiece every time. Can we?

The album was delayed for more than six months and the track listing changed at least three times. The tracks that made the final album come from many different recording sessions spread out over a long time (six years?).

Rick Griffin Down in the Groove
Rick Griffin was asked by Dylan’s management to come up with a cover design for what was to be the ‘Down In The Groove’ album. Rick produced many designs and, apparently, became somewhat exasperated as his ideas were rejected and changed. This seems to have reflected the overall situation surrounding the album at the time (bonhams)

I’ve always thought of it as a strangely confusing album, but it gets less confusing with each listen session. It has some very good cover songs. Let’s Stick together opens the record in an energetic way, I would love to hear it live!

The comes the song I think is not very good at all, the cover When did you leave heaven. Very eighties drum sound, strange production, it just sounds a bit off, I don’t think the song suits Dylan, and it ends kind of funny.

Sally Sue Brown, the third track is another rockn’roll/soul standard that gets a good run through. I prefer Arthur Alexanders classic, but it is not bad at all.

The last three songs on the album are also cover songs (Ninety Miles an Hour (Down a dead end street), Shenandoah and Rank Strangers To Me, and they are all quite good actually.

I like Rank Strangers To Me best (the closing track). Dylan sings beautifully.

Let’s also include a fine live version from Wembley 1997:

Continue reading Today: Bob Dylan released Down In The Groove 25 years ago

Today: It is 50 years since Bob Dylan released The Freewheelin Bob Dylan

 

” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.” 
– John Lennon

Dylan had already moved on to other songs when his first masterpiece was released. Contrary to his first album, this album mostly has songs penned by the man himself.  With songs like Blowin’ in the Wind, Girl From The North Country, Masters Of War,  and  Don’t Think Twice, It’s All Right  that are still a big part of Dylan’s concerts half a century later,  Freewheelin’ is an album whose music will live long after anyone who is  reading this post is gone.

Facts from Wikipedia: 

Studio album by Bob Dylan
Released May 27, 1963
Recorded April 24–25, July 9, October 26, November 1 and 15, December 6, 1962, and April 24, 1963 at Columbia Records Studio A, 799 Seventh Avenue, New York City
Genre Folk
Length 50:04
Label Columbia
Producer John Hammond, Tom Wilson

The Freewheelin’ Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released in May 1963 by Columbia Records. Whereas his debut album Bob Dylan had contained only two original songs, Freewheelin’ initiated the process of writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are original compositions by Dylan. The album kicks off with “Blowin’ in the Wind”, which would become one of the anthems of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin’. The album featured several other songs which came to be regarded as amongst Dylan’s best compositions and classics of the 1960s folk scene: “Girl from the North Country”, “Masters of War”, “A Hard Rain’s a-Gonna Fall” and “Don’t Think Twice, It’s All Right”.

A Hard Rain’s Gonna Fall:

Dylan’s lyrics embraced stories ripped from the headlines about civil rights and he articulated anxieties about the fear of nuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that features surreal humor. Freewheelin’ showcased Dylan’s songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan’s subsequent recognition led to his being named as “Spokesman of a Generation”, a label Dylan came to resent.

The Freewheelin’ Bob Dylan reached number 22 in the US (eventually going platinum), and later became a number one hit in the UK in 1964. In 2003, the album was ranked number 97 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In 2002, Freewheelin’ was one of the first 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.

Girl from the North Country:

Even if you were among the handful of people who bought Bob Dylan’s 1962 self-titled debut, you couldn’t have predicted The Freewheelin’ Bob Dylan, the 1963 folkie touchstone where Dylan transformed American songwriting and blew the minds of everyone from his coffeehouse compatriots to the Beatles.

– The Rolling Stone Magazine

Album of the day @ JV:

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Bob Dylan – Farm Aid 1985 – True Confession Tour part1 (Videos)

bob dylan tome petty farm aid 1985

“Still, Live Aid and Farm Aid are fantastic things, but then musicians have always done things like that. When people want a benefit, you don’t see them calling dancers or architects or lawyers or even politicians – the power of music is that it has always drawn people together”
~Bob Dylan (to Mikal Gilmore – Sept 1985)

To kick-off this series of posts about the “True Confessions Tour”, I need to start the year before.. in 1985.

Dylan (together with Keith Richards & Ronnie Wood) did one of his worst live performances ever at the “Live Aid” concert @ the JFK stadium in Philadelphia on 13 July 1985. All three were drunk & they couldn’t hear themselves because the stage monitors had been switched off.

The Ballad of Hollis Brown – Live Aid 1985:

We were sabotaged, in some kind of way. There was no way we could really perform there. It’s difficult to play if you can’t hear.
~Bob Dylan (to Bob Brown – about the performance)

Continue reading Bob Dylan – Farm Aid 1985 – True Confession Tour part1 (Videos)

Today: Bob Dylan is 72 years old – top 25 Bob Dylan songs by Hallgeir

Dylan 72

Happy birthday, Bob Dylan!

Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan’s early songs, such as “Blowin’ in the Wind” and “The Times They Are a-Changin'”, became anthems for the US civil rights and anti-war movements. Leaving his first base in the culture of folk music behind, Dylan’s six-minute single “Like a Rolling Stone” radically altered the parameters of popular music in 1965. His recordings employing electric instruments attracted denunciation and criticism from others in the folk movement.

bob-dylan 72

Dylan’s lyrics have incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the performance style of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored many of the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and swing. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting. (wikipedia)

dylan double

Since it is his birthday and all, I have forced myself to pick 25 songs to celebrate Bob Dylan. It was extremely hard to leave so many good songs out of the list…

These are my top 25 Bob Dylan songs:

1. Blind Willie McTell
2. Like a Rolling Stone
3. Tangled Up In Blue
4. Ballad Of A Thin Man
5. Every Grain Of Sand
6. Just Like Tom Thumb’s Blues
7. It’s All Right Ma (I’m Only Bleeding)
8. Visions Of Johanna
9. Brownsville Girl
10. The Lonesome Death Of Hattie Carroll
11. It’s All Over Now, Baby Blue
12. I Shall Be Released
13. Simple Twist Of Fate
14. Knocking On Heaven’s Door
15. Just Like A Woman
16. Masters Of War
17. Mississippi
18. Idiot Wind
19. Isis
20. Cross The Green Mountain
21. High Water (for Charley Patton) (the live 2003 version on bootleg s. vol. 8)
22. Highway 51 Blues
23. Oh, Sister (Hard Rain version)
24. Shelter From The Storm (Hard Rain version)
25. You’re A Big Girl Now

bob silhouette

Check out Egil’s list of his favorite Bob Dylan songs (an ongoing top 200 list)

– Hallgeir

Bob Dylan cover versions @ Johannasvisions
Bob Dylan albums @ Johannasvisions
Bob Dylan videos @ Johannasvisions
Bob Dylan concerts @ Johannasvisions
Bob Dylan recording sessions @ Johannasvisions

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Today Bob Dylan gave us the Great Music Experience in 1994 – 19 years ago

Bob Dylan Todai-ji temple

Bob Dylan performed at The Great Music Experience third day in a row.  Todai-ji Temple, Nara, Japan – 1994.

In cooperation with  UNESCO, the festival,  The Great Music Experience was held over three days in Nara, Japan. It was trying to bring Japanese culture out to the world, and Japanese musicians shared the stage with artists from around the globe.

The concert took place in front of the world’s largest wooden building, the Buddhist temple of Todai-Ji, housing the largest Buddha statue in the world.

Dylan stole the show and he said as soon as he came off-stage that he had not sung so well for 15 years. Bob Dylan opened with A Hard Rain’s A-Gonna Fall on which Q magazine said:   This is no ordinary version… he really opens his lungs and heart and sings, like he’s not done for many a year…The only word for it majestic!

Here it is the whole Bob Dylan set, enjoy!

TODAI-JI TEMPLE
TARA, JAPAN
MAY 22,1994
The Great Music Experience. Produced by Tony Hollingsworth

1. A Hard Rain’s A-Gonna Fall
2. I Shall Be Released
3. Ring Them Bells
4. I Shall Be Released

1–3 Bob Dylan (guitar & vocal) backed by Phil Palmer (guitar), ”Wix” Vickens (keyboards), Pino Palladino (bass), Jim Keltner (drums) and The Tokyo New Philharmonic Orchestra conducted by Michael Kamen

4 Bob Dylan (guitar & shared lead vocal) in the grand finale with all participating artists, among them Joni Mitchell, Jon Bon Jovi, Richie Sambora, Ry Cooder, Roger Taylor and the members of INXS and X Japan.

  • 1–3 was broadcast in the radio and TV program THE GREAT MUSIC EXPERIENCE COUNTDOWN, 22 May 1994 in over 50 countries all over the world.
  • 4 broadcast in the radio and TV program THE GREAT MUSIC EXPERIENCE COUNTDOWN, 29 May 1994 on BBC in the UK.
  • 1 released in Scandinavia on CD single Columbia COL 660942 2, 15 December 1994.
  • 1 released on CD single Dignity (MTV Unplugged), Columbia COL 661 400 2, 11 April 1995.

Musicians said the collaborations, however rewarding, were difficult given the differences in musical backgrounds. “The only thing holding us together this evening is the shining Buddha,” said Michael Kamen, a composer of movie soundtracks who is serving as the musical director here and who composed an overture that encompassed all the musicians and instruments. The mixing of the music is being done by George Martin, who was the Beatles’ producer. (New York Times)

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