Category Archives: folk

Country, folk, Great albums, Lucinda Williams, Singer Songwriter

June 5: Lucinda Williams released Essence in 2001

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Essence,

I envy the wind
That whispers in your ear
That howls through the winter
That freezes your fingers
That moves through your hair
And cracks your lips
And chills you to the bone
I envy the wind

June 5: Lucinda Williams released Essence in 2001

Essence is Lucinda Williams’ sixth album. It was released in 2001. It is a wonderful album, one of the best albums that year, hell, one of the best albums that decade!

Essence was highly anticipated coming after a three-year gap from her lauded Car Wheels on a Gravel Road and the critical reviews reflect that. Although positive, none rate the album as highly as her breakthrough. Robert Christgau, who raved about Car Wheels, called the album “imperfect” but still praised her artistry saying “[she] is too damn good to deny.” Reviewers noted the difference in tone between the two albums with Rolling Stone citing the “willful intimacy” of the music while Spin contrasted its “halting, spare” presentation with Car Wheels “giddy, verbose” one. In a review posted by Salon the album was called “an emotional mess of a masterpiece”.

Q listed Essence as one of the best 50 albums of 2001. 

Personnel on the album include Tony Garnier and Charlie Sexton, best known as part of Bob Dylan’s live backing band then and now. The album also features session drummer Jim Keltner, another Dylan collaborator.

Fantastic album!

Lucinda Williams – Essence (Live):

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Bluegrass, Country, folk, The Best Songs

The Best Songs: Man of Constant Sorrow

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The Best Songs: Man of Constant Sorrow

Oh, six long years I’ve been in trouble,
No pleasure here on earth I found.
While in this world, I’m bound to ramble,
I have no friends to help me out.

“Man of Constant Sorrow” (also known as “I Am a Man of Constant Sorrow“) is a traditional American folk song first recorded by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally recorded by Burnett as “Farewell Song” printed in a Richard Burnett songbook, about 1913. An early version was recorded by Emry Arthur in 1928.

Emry Arthur – Man of Constant Sorrow (1928):

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Blues, folk, Gospel, The Best Songs

The Best Songs: John The Revelator

John_the_Revelator_single_cover

The Best Songs: John The Revelator

The Revelation of Jesus Christ, which God gave unto him, to shew unto his servants things which must shortly come to pass; and he sent and signified it by his angel unto his servant John: Who bare record of the word of God, and of the testimony of Jesus Christ, and of all things that he saw. Blessed is he that readeth, and they that hear the words of this prophecy, and keep those things which are written therein: for the time is at hand.
– Revelation 1:1-3

John the Revelator is a traditional gospel blues call and response song.  Music critic Thomas Ward describes it as “one of the most powerful songs in all of pre-war acoustic music … [which] has been hugely influential to blues performers”. Blind Willie Johnson recorded John the Revelator in 1929 (or 1930) and is the first known recording (at least to me) and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music.

The song’s title refers to John of Patmos (or traditionally John the Apostle) in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.

This is a dark and brooding masterpiece!

The Blind Willie Johnson version:

Blind Willie Johnson recorded the song on April 20, 1929 (or 1930) in Atlanta (his second (1929) or his fifth and final recording session for Columbia Records (1930)). He is accompanied by his first wife (probably), Willie B. Harris. Johnson was a gospel blues singer and guitarist. While the lyrics of his songs were usually religious, his music drew from both sacred and blues traditions. It is characterized by his slide guitar accompaniment and tenor voice, and his frequent use of a lower-register ‘growl’ or false bass voice.

Blind Willie Johnson – John The Revelator:

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Country, folk, Johnny Cash, Music Calendar

April 26: Johnny Cash American Recordings was released in 1994


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April 26:  Johnny Cash  American Recordings was released in 1994

…Always, the choice of material is a revelation. The Beast In Me (written by former son-in-law, Nick Lowe) could be autobiographical. And while writers like horrorpunk figurehead Glenn Danzig or Tom Waits probably would never have figured on his radar were it not for Rubin; time and again the duo found songs that were, in Cash’s hands, to take on new life. This willingness to experiment was to set a precedent: Subsequent albums were to see him work magic on material from Nine Inch Nails to U2 and Depeche Mode. But Johnny Cash’s final road to redemption and artistic fulfillment starts here…
~Chris Jones (bbc.co.uk)

American Recordings did something very important — it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he’d been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged.
~Mark Deming (allmusic.com)

#1 – Delia’s Gone

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Country, Film, folk

Documentary: Get Folked – The Great Folk Revival (2013)

get folked

Documentary: Get Folked – The Great Folk Revival

Terrible title but entertaining documentary.

Exploring the recent resurgence of folk music. Throughout the evening, celebrity fans Stephen Mangan, Bob Geldof, Cerys Matthews and Seth Lakeman reveal exactly what it is about the folk sound that finds its way into their hearts. Richard Thompson, Frank Turner, Donovan, Billy Bragg and many more also discuss the enduring appeal of this age-old musical form.

“Folk – a musical tradition with roots in the pre-electric world – is now becoming the new 21st-century pop phenomenon… Is it the antidote to manufactured music, the new punk, or simply evidence of the enduring appeal of this age-old musical form?”
– NME

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