Category Archives: Great albums

Today: Iggy Pop released The Idiot in 1977

the-idiot

The Idiot is the debut solo album by Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Although issued after Low, the opening installment of Bowie’s so-called Berlin Trilogy, the pair began writing and recording songs for The Idiot in mid-1976, before Bowie started work on his own album. As such, The Idiot has been claimed as heralding the unofficial beginning of Bowie’s ‘Berlin’ period, being compared particularly to Low and “Heroes” in its electronic effects, treated instrument sounds, and introspective atmosphere. A departure from the hard rock of his former band the Stooges, the album is regarded by critics as one of Pop’s best works. Its title was inspired by Dostoyevsky’s novel The Idiot, three of the participants in the recording—Bowie, Pop and Tony Visconti—being familiar with the book. I will argue that there’s really a “Berlin-quintet” consisting of: The Idiot, Low, “Heroes”, Lust for life and Lodger.

Iggy Pop’s The Idiot, is equally a David Bowie album as a guest singer/composer; Davis Bowie co-wrote all the songs (except Sister Midnight that was co-written with Carlos Alomar and David Bowie) , played many of the instruments and produced it (kind of…). Tony Visconti tried to salvage the over-modulated tapes at the mixing stage.

 

Released March 18, 1977
Recorded July 1976 – February 1977,Château d’Hérouville, Hérouville, France, Musicland Studios, Munich, Hansa by the Wall, Berlin
Genre Post-punk, art rock
Length 38:49
Label RCA
Producer David Bowie (and Tony Visconti)

Iggy Pop (w/ David Bowie) – Funtime and Sister Midnight (live 1977):

“Poor Jim, in a way, became a guinea pig for what I wanted to do with sound. I didn’t have the material at the time, and I didn’t feel like writing at all. I felt much more like laying back and getting behind someone else’s work, so that album was opportune, creatively”
– David Bowie

So, Iggy Pop acted as a guinea pig. David Bowie seemed tired of his ever-changing narrative or masks, so he used the opportunity making an Iggy solo record as a way to start re-inventing himself as well as Iggy. Iggy Pop and David Bowie worked extremely well as a team.

Personell:

Iggy Pop – vocals
David Bowie – keyboards, synthesizer, guitar, piano, saxophone, xylophone, backing vocals
Carlos Alomar – guitar
Dennis Davis – drums
George Murray – bass
Phil Palmer – guitar
Michel Santangeli – drums
Laurent Thibault – bass
Continue reading Today: Iggy Pop released The Idiot in 1977

Today: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970, 44 years ago

crosby-stills-nash-and-young-deja-vu-front

 One of the most hotly awaited second albums in history — right up there with those by the Beatles and the Band — Déjà Vu lived up to its expectations and rose to number one on the charts.
~Bruce Eder (allmusic.com)

Continue reading Today: Déjà Vu (Crosby, Stills, Nash & Young album) released in 1970, 44 years ago

Today: The Dock Of The Bay by Otis Redding was released in 1968


Otis-Redding-The-Dock-of-the-Bay

“…It’s two thousand miles I roamed, just to make this dock my home.”

This should have been the start of a magnificent career, instead it gives us,  in a fine and vital way, Otis Redding’s place in soul music at that time. It was released posthumously (and it was the first of many).

The songs are chosen by Steve Cropper (produces and guitar player) and he did a remarkable job, it must have been a difficult task to assemble this album, the first after Otis’s death. It could have been a cash-in and a dark memorial album but instead we got lively, and fitting presentation of Otis’s fantastic abilities.

The album consists of singles, A and B-sides, a one hit duet with Carla Thomas, and some previously unreleased tracks (1966-1967). It IS a mixed bag, but in a good way!

Otis Redding – (Sittin’ on) The Dock Of The Bay (Official video):

I love the album and think Steve Cropper did the best job any one could do when putting it together. The choices are not obvious but we get a good representation of what Otis Redding was about and what he could do. A sad but vivid soul classic!

In 2003, the album was ranked number 161 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

My favorite track is the incredible ballad, I Love You More Than Words Can Say.

Otis Redding – The Dock of the Bay (Spotify):

– Hallgeir

Today: 16 Horsepower released Sackcloth ‘n’ Ashes in 1996


16h

“Well, at first the band were simply called Horsepower, but a lot of people thought that was something to do with heroin. That really pissed me off, so I decided to put something in front of it to distract them. “I got ’16’ from a traditional American folk song, where a man is singing about his dead wife and 16 black horses are pulling her casket up to the cemetery. I liked the image of 16 working horses.”
– David Eugene Edwards (NME, 1996)

16 Horsepower originated out of the “Denver scene” around 1992. Edwards teamed up with bassist Keven Soll and drummer Jean-Yves Tola (yeah he is French), and the trio soon discovered a common love for country music, traditional music (from all corners of the world), and the darker bands of the ’80s, like Joy Division, the Gun Club, and Nick Cave & the Bad Seeds.

They toured extensively the first years, sometimes as opening act for bands like MorphineLos Lobos and the Violent Femmes.

Edwards said at the time that he regularly checked out Library of Congress records, old Appalachian music, and that he just listen to it for hours and hours. He expressed his for love Irish and Cajun music too, and how he saw it as all interconnected. All this seeped into Sackcloth ‘n’ Ashes.

When Edwards was writing about early America, he was referring to the darkest aspects of USA’s past: the slavery, the war with native americans and the rape of a fertile land. He’s also thinking of the moral decline and violence of the Wild West that found sinners having to answer to a form of justice much higher than that of Man’s. He writes about a young and more primitive country, he write about the punishments for wrong-doing that were much more severe and eagerly executed than today. The word of God was also the word of the state and the executioner. Edwards and the songs he wrote with Sixteen Horsepower existed in that world.

16 Horsepower – Haw (official video):

“The music of the church was the most important thing to me , that’s where I learned the doctrine, where it came to me. That was how I was spoken to.”
– Edward Eugene Edwards (grandson of a Nazarene minister)

Continue reading Today: 16 Horsepower released Sackcloth ‘n’ Ashes in 1996

Today: The Rolling Stones released The Rolling Stones No 2 in 1965


RollingStones_no2

“The album’s great, but I don’t like five-minute numbers.”
– John Lennon

The Rolling Stones No. 2 is the second UK album by the Rolling Stones released in 1965 after the massive success of 1964’s debut The Rolling Stones. Not surprisingly, The Rolling Stones No. 2 followed its predecessor’s tendency to largely feature R&B covers.

However, it does contain three compositions from the still-developing Mick Jagger/Keith Richards songwriting team. On Dutch and German pressings of the album, the title is listed as The Rolling Stones Vol. 2 on the front cover, although the back of the album cover lists the title as The Rolling Stones No. 2.

“…plus one of the group’s best blues covers, their version of Muddy Waters’ “I Can’t Be Satisfied,” which wasn’t released in America until 1973 and features some killer slide playing by Brian Jones. ”
Bruce Eder (allmusic)

On this great live version from Milan in 2006, Mick does some fine guitar playing and we get a fine intro by Charlie.

The Rolling Stones – I Can’t Be Satisfied:

It huge hit in the UK upon release, The Rolling Stones No. 2 spent 10 weeks at No. 1 in early 1965, becoming one of the year’s biggest sellers in the UK.

Young rolling stones

The Rolling Stones – The Rolling Stones No. 2 (Spotify):

– Hallgeir