Category Archives: Rock’n Roll

Rock and Roll: 100 Best Singles – according to Paul Williams – Part 3

paul williams 100 best singles

There’s a scream inside everyone of us at every moment. And every one of us has had the experience of listening to a record and feeling that scream take over. Release. Abandon. Let it all out. Rock and Roll for me is about Eros, not Logos, which is paradoxical since my job is putting the experience in words.
~Paul Williams (Author’s note)

One of our favorite authors here at JV is Paul Williams, and…. he did write about other stuff than Bob Dylan.

We all love lists, so I’ll try out a new series of posts honoring one of his lesser known books:

Rock And Roll: The 100 Best Singles

..the list is chronological, starting back before the beginning and going through the 50′s and the 60′s and the 70′s and the 80′s, and ending for the sake of convenience in 1991. So #1 is not supposed to be ‘better’ than #100. It just got in the line first.

My criteria are simple: the song has to have been released as a seven-inch 45 rpm single in the United States or Great Britain (Robert Johnson’s 78 rpm ten-inch is the exception that proved the rule), and it has be “rock and roll” according to my subjective evaluation…
~Paul Williams (Author’s note)

All quotes are from the book.

Here is #21 – 30

Continue reading Rock and Roll: 100 Best Singles – according to Paul Williams – Part 3

Rock and Roll: 100 Best Singles – according to Paul Williams – Part 2

paul williams 100 best singles

There’s a scream inside everyone of us at every moment. And every one of us has had the experience of listening to a record and feeling that scream take over. Release. Abandon. Let it all out. Rock and Roll for me is about Eros, not Logos, which is paradoxical since my job is putting the experience in words.
~Paul Williams (Author’s note)

One of our favorite authors here at JV is Paul Williams, and…. he did write about other stuff than Bob Dylan.

We all love lists, so I’ll try out a new series of posts honoring one of his lesser known books:

Rock And Roll: The 100 Best Singles

..the list is chronological, starting back before the beginning and going through the 50′s and the 60′s and the 70′s and the 80′s, and ending for the sake of convenience in 1991. So #1 is not supposed to be ‘better’ than #100. It just got in the line first.

My criteria are simple: the song has to have been released as a seven-inch 45 rpm single in the United States or Great Britain (Robert Johnson’s 78 rpm ten-inch is the exception that proved the rule), and it has be “rock and roll” according to my subjective evaluation…
~Paul Williams (Author’s note)

All quotes are from the book.

Here is #11 – 20

Continue reading Rock and Roll: 100 Best Singles – according to Paul Williams – Part 2

Rock and Roll: 100 Best Singles – according to Paul Williams – Part 1

paul williams 100 best singles

There’s a scream inside everyone of us at every moment. And every one of us has had the experience of listening to a record and feeling that scream take over. Release. Abandon. Let it all out. Rock and Roll for me is about Eros, not Logos, which is paradoxical since my job is putting the experience in words.
~Paul Williams (Author’s note)

One of our favorite authors here at JV is Paul Williams, and…. he did write about other stuff than Bob Dylan.

We all love lists, so I’ll try out a new series of posts honoring one of his lesser known books:

Rock And Roll: The 100 Best Singles

..the list is chronological, starting back before the beginning and going through the 50’s and the 60’s and the 70’s and the 80’s, and ending for the sake of convenience in 1991. So #1 is not supposed to be ‘better’ than #100. It just got in the line first.

My criteria are simple: the song has to have been released as a seven-inch 45 rpm single in the United States or Great Britain (Robert Johnson’s 78 rpm ten-inch is the exception that proved the rule), and it has be “rock and roll” according to my subjective evaluation…
~Paul Williams (Author’s note)

All quotes are from the book.

Here is #1 – 10:

Continue reading Rock and Roll: 100 Best Singles – according to Paul Williams – Part 1

Today: Otis Blackwell passed away in 2002 – 11 years ago

otis blackwell

I like this town, it’s really great. They’ve put me in The Nashville Songwriters Hall of Fame. This town is about music. It’s about the kind of music I like.
~Otis Blackwell

I used to go down every year for the remembrance of Elvis’ birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
~Otis Blackwell

Blackwell’s songwriting style is as identifiable as that of Willie Dixon or Jerry Leiber & Mike Stoller. He helped formulate the musical vocabulary of rock & roll when the genre was barely breathing on its own.
~Bill Dahl (allmusic.com)

All Shook Up – Elvis Presley:

Great Balls Of Fire – Jerry Lee Lewis:

Wikipedia:

Also known as John Davenport
Born February 16, 1931
Origin Brooklyn, New York, United States
Died May 6, 2002 (aged 71)
Nashville, Tennessee, U.S.
Genres East Coast blues, rock and roll,R&B
Occupations Singer, pianist, songwriter
Instruments Piano
Years active 1950s–2002
Labels RCA, Groove, Atlantic

Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter, singer, and pianist, whose work significantly influenced rock and roll. His compositions include Little Willie John’s “Fever”, Jerry Lee Lewis’ “Great Balls of Fire” and “Breathless”, Elvis Presley’s “Don’t Be Cruel”, “All Shook Up” and “Return to Sender” (with Winfield Scott), and Jimmy Jones’ “Handy Man”. He should not be confused with another songwriter and producer Robert “Bumps” Blackwell.

Otis blackwell

Fever – Little Willie John:

Awards:

  • Otis Blackwell was inducted into the Nashville Songwriters Hall of Fame in 1986
  • in 1991 into the National Academy of Popular Music’s Songwriters Hall of Fame
  • Blackwell’s crowning moment came in the late 1980s when the Black Rock Coalition, a prominent organization of black rock musicians, led by Vernon Reid, the lead guitarist of the band, Living Colour, held a tribute for him at the Prospect Park Bandshell in his native Brooklyn. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including “One Broken Heart for Sale,” “Black Trail,” “Don’t Be Cruel” and “Daddy Rolling Stone.”
  • Blackwell was named one of the 2010 recipients of Ahmet Ertegun Award in the Rock and Roll Hall of Fame. This category encompasses those who primarily work behind the scenes in the music industry.

 Don’t Be Cruel – Elvis Presley:

Spotify Playlist:

Other May-06

Continue reading Today: Otis Blackwell passed away in 2002 – 11 years ago

Video of the day: Satan – Stephen Ackles

stephen ackles

Stephen Ackles (15 february 1966), a son of Norwegian mother (Bergliot Kittilsen) and American father (Allan Dale Ackles), he is a singer, pianist and songwriter. He is mainly a rock’n roll/boogie artist and his main inspirations are Elvis Presley, Jerry Lee Lewis, Chuck Berry and Little Richard. 

He recently did a version of the song Satan on Norwegian television, it blew my mind. Ackles have always been a good craftsman but his choice of material has been , eeh… questionable. He has lived a hard live, gone bankrupt and found Jesus, he has toured a lot! Ackles has released thirteen  albums and has worked with giants such as Johnny Cash, Kris Kristofferson, Waylon Jennings, and Jerry Lee Lewis. His fourteenth album will be released as I write this, and will of course include his interpretation of Satan.

And finally the song he was born to sing came along. Satan. Stephen Ackles tears his soul out, the agony and pain of a hard life is personified in this great performance. His face twists as he spits out his rage and sorrow.

Satan (aka Killing For Satan) is a relatively obscure song by Paul Wibier. From the 1969 film Satan’s Sadists.

Paul Wibier’ original – Satan (Audio):

WIBIER

ss_poster

A fantastic trailer for the very entertaining biker movie, Satan’s Sadists:

Director Al Adamson’s Satan’s Sadists is the jewel in the trashploitation king’s crown, mixing hippie hopheads, choppers, whacked-out violence, LSD trips and groovy music. Russ Tamblyn sheds his “boy next door” screen image as the kill-crazy gang leader Anchor, supported by one of drive-in cinema’s all-time great casts: John “Bud” Cardos (with Mohawk), Robert Dix (with eye patch), Greydon Clark and Regina Carrol (the future Mrs. Adamson) as “The Freak-Out Girl.” Buckle up and brace yourself for “probably the grossest biker movie of them all.” (The Psychotronic Encyclopedia of Film)

– Hallgeir

Sources: NRK, Wikipedia, Psychotronic Encyclopedia  of Film by Michael Weldon, stephenackles.com