As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)
Short intro:
Booker T & the MG’s – green onions:
From Wikipedia:
Birth name
Donald Dunn
Also known as
Duck
Born
November 24, 1941
Memphis, Tennessee, U.S.
Died
May 13, 2012 (aged 70)
Tokyo, Japan
Genres
Rock, soul, rhythm and blues
Occupations
Songwriter, producer, actor
Instruments
Bass guitar
Years active
1960–2012
Associated acts
Otis Redding, Booker T & the MG’s, Albert King, Mar-Keys,The Blues Brothers, Sam and Dave
Website
duckdunn.com
Donald “Duck” Dunn (November 24, 1941 – May 13, 2012)was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records, which specialized in blues and gospel-infused southern soul which became known as Memphis Soul. At Stax, Dunn played on thousands of records including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, and many others. Dunn also performed on recordings with The Blues Brothers, Muddy Waters, Freddie King, Isaac Hayes, Levon Helm, Neil Young, Elvis Presley, Jerry Lee Lewis, Eric Clapton, Tom Petty, Creedence Clearwater Revival, Wilson Pickett, Guy Sebastian, Rod Stewart, Bob Dylan, Roy Buchanan, Steely Dan, Tinsley Ellis and Arthur Conley.
Booker T. & The MG’s – Time Is Tight (Live, 1970):
Dunn played himself in the 1980 feature The Blues Brothers, where he famously uttered the line, “We had a band powerful enough to turn goat piss into gasoline!”
Awards:
In 1992, Dunn was inducted into The Rock and Roll Hall of Fame as a member of Booker T & the MG’s.
In 2007 Dunnand several Booker T & the MG’s members (Lewie Steinberg, Booker T. Jones, Steve Cropper, and Barbara Jackson, the widow of Al Jackson) were given a “Lifetime Achievement” Grammy award for their contributions to popular music.
When I’m on stage, I’m trying to do one thing: bring people joy. Just like church does. People don’t go to church to find trouble, they go there to lose it.
~James Brown
The one thing that can solve most of our problems is dancing.
~James Brown
“Soul Brother Number One,” “the Godfather of Soul,” “the Hardest Working Man in Show Business,” “Mr. Dynamite” — those are mighty titles, but no one can question that James Brown earned them more than any other performer. Other singers were more popular, others were equally skilled, but few other African-American musicians were so influential over the course of popular music. And no other musician, pop or otherwise, put on a more exciting, exhilarating stage show: Brown’s performances were marvels of athletic stamina and split-second timing.
~Richie Unterberger (allmusic.com)
Papa’s Got a Brand New Bag – Live at Montreux:
James Brown tribute youtube playlist:
From Wikipedia:
Birth name
James Joseph Brown, Jr.
Born
May 3, 1933
Barnwell, South Carolina, United States
Origin
Toccoa, Georgia
Died
December 25, 2006 (aged 73)
Atlanta, Georgia
Genres
R&B, soul, funk, doo-wop, rock ‘n’ roll, blues, jazz
Occupations
Musician, songwriter, dancer, bandleader, record producer, actor
Instruments
Vocals, drums, percussion, piano, keyboards, organ
Years active
1954–2006
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, musician, and recording artist. He is one of the founding fathers of funk music and is a major figure of 20th century popular music and dance. In a career that spanned six decades, Brown profoundly influenced the development of many different musical genres.
I Feel Good:
Brown moved on a continuum of blues and gospel-based forms and styles to a profoundly “Africanized” approach to music making. First coming to national public attention in the mid 1950s as a member of the R&B singing group The Famous Flames, Brown performed in concerts, first making his rounds across the Chitlin’ Circuit, and then across the country and later around the world, along with appearing in shows on television and in movies. Although he contributed much to the music world through his hitmaking, Brown holds the record as the artist who charted the most singles on the Billboard Hot 100 without ever hitting number one on that chart.
For many years, Brown’s touring show was one of the most extravagant productions in American popular music. At the time of Brown’s death, his band included three guitarists, two bass guitar players, two drummers, three horns and a percussionist. The bands that he maintained during the late 1960s and 1970s were of comparable size, and the bands also included a three-piece amplified string section that played during ballads. Brown employed between 40 and 50 people for the James Brown Revue, and members of the revue traveled with him in a bus to cities and towns all over the country, performing upwards of 330 shows a year with almost all of the shows as one-nighters. In 1986, he was inducted into the Rock and Roll Hall of Fame and in 2000 into the Songwriters Hall of Fame. Brown died on Christmas Day 2006 from heart failure after becoming ill two days earlier and being hospitalized for hours. He is buried in Beech Island, South Carolina.
Jazz is a white term to define black people. My music is black classical music.
~Nina Simone
Once I understood Bach’s music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.
~Nina Simone
Nina Simone was one of the most gifted vocalists of her generation, and also one of the most eclectic.
~Mark Deming (allmusic.com)
Ain’t Got No…I’ve Got Life:
Wikipedia:
Birth name
Eunice Kathleen Waymon
Born
February 21, 1933
Tryon, North Carolina, United States
Died
April 21, 2003 (aged 70)
Carry-le-Rouet, Bouches-du-Rhône, France
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone /ˈniːnə sɨˈmoʊn/, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop.
Born the sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974.
“Feelings” (Montreux Jazz Festival):
Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.
In the early 1960s, she became involved in the civil rights movement and the direction of her life shifted once again. Simone’s music was highly influential in the fight for equal rights in the United States. In later years, she lived abroad, finally settling in France in 1992.
Otis Redding’s “I’ve Been Loving You Too Long” is an R&B hit love ballad of the ’60s that has lost none of its soulful power with the passing decades. Redding’s success with the single was second only to that of his ever-popular classic “Sittin’ on the Dock of the Bay.”
~Joslyn Lane (allmusic.com)
I’ve Been Loving You Too Long” became Redding’s first Top 40 single, in June 1965. And when Redding performed a scorching drawn-out version at the Monterey Pop Festival in 1967 — in front of the audience he called “the love crowd” — the single made the transition from hit to legend.
~rollingstone.com
I’ve Been Loving You Too Long (Monterey ’67):
Wikipedia:
Released
April 19, 1965
Format
7″ single
Recorded
Miami: 1965
Genre
Soul
Length
2:49 (mono version, April 1965)
3:09 (stereo version, July 1965)
Label
Volt/Atco
V-126
Producer
Otis Redding
Jerry Butler
“I’ve Been Loving You Too Long” (sometimes issued as “I’ve Been Loving You Too Long (To Stop Now)”) is a song written by Otis Redding and Jerry Butler. It appeared as the A-side of a 1965 hit single by Otis Redding – and subsequently appeared on his thirdalbum, Otis Blue: Otis Redding Sings Soul. Although Redding had been appearing in the U.S. Billboard Pop and R&B charts as early as 1962, this was his first big hit, reaching #21 on the Billboard Hot 100, and was his first Top 5 Billboard R&B chart, peaking at #2. The B-side of the single “Just One More Day,” was also a minor hit, reaching #15 on the R&B and #85 on the Pop chart. The song is ranked #110 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time.
Album version:
Lyrics:
I’ve Been Loving You Too Long (To Stop Now) by Otis Redding
I’ve been loving you too long to stop now
There were time and you want to be free
My love is growing stronger, as you become a habit to me
Oh I’ve been loving you a little too long
I dont wanna stop now, oh
With you my life,
Has been so wonderful
I can’t stop now
There were times and your love is growing cold
My love is growing stronger as our affair [affair] grows old
I’ve been loving you a little too long, long,
I don’t want to stop now
oh, oh, oh
I’ve been loving you a little bit too long
I don’t wanna stop now
No, no, no
Don’t make me stop now
No baby
I’m down on my knees Please, don’t make me stop now
I love you, I love you,
I love you with all of my heart
And I can’t stop now
Don’t make me stop now
Please, please don’t make me stop now
Good god almighty I love you
I love you, I love you, I love you
I love you, I love you
I love you in so many different ways…
I love you in so many different ways….
Live 1967 – London:
Notable cover versions:
The first cover of the song was a recording by The Rolling Stones in 1965 — shortly after Redding’s original version became a hit.
The most widely known cover version of the song was by Ike & Tina Turner in 1968. It was the lead track from their 1968 Blue Thumb album entitled Outta Season. Live at Altamont Festival 1969:
Aretha Franklin recorded a cover for her album Young, Gifted and Black (1972).
I just decided I wanted to become someone else… So I became someone else.
~Dusty Springfield
I’m the most misunderstood, misquoted person I know, honestly.
~Dusty Springfield
Britain’s greatest pop diva, …was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries…
~Jason Ankeny (allmusic.com)
Tribute from youtube:
Son of a preacher man (live):
Wikipedia:
Birth name
Mary Isobel Catherine Bernadette O’Brien
Also known as
Shan, Gladys Thong
Born
16 April 1939
West Hampstead, London, England
Origin
Ealing, London, England
Died
2 March 1999 (aged 59)
Henley-on-Thames, Oxfordshire, England
Genres
Pop, soul
Occupations
Singer, arranger, musician, TV presenter
Instruments
Voice, guitar, piano, percussion
Years active
1958–1995
Mary Isobel Catherine Bernadette O’Brien OBE (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English pop singer and record producer whose career extended from the late 1950s to the 1990s. With her distinctive sensual sound, she was an important blue-eyed soul singer and at her peak was one of the most successful British female performers, with six top 20 singles on the United States Billboard Hot 100 and sixteen on the United Kingdom Singles Chart from 1963 to 1989. She is a member of both the US Rock and Roll and UK Music Halls of Fame. International polls have named Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde beehive hairstyle, evening gowns, and heavy makeup, made her an icon of the Swinging Sixties.
Born in West London to an Irish Catholic family that enjoyed music, Springfield learned to sing at home. In 1958 she joined her first professional group, The Lana Sisters, and two years later formed a pop-folk vocal trio, The Springfields, with her brother Tom. Her solo career began in 1963 with the upbeat pop hit, “I Only Want to Be with You”. Among the hits that followed were “Wishin’ and Hopin'” (1964), “I Just Don’t Know What to Do with Myself” (1964), “You Don’t Have to Say You Love Me” (1966), and “Son of a Preacher Man” (1968).
As a fan of US pop music, she brought many little-known soul singers to the attention of a wider UK record-buying audience by hosting the first national TV performance of many top-selling Motown artists beginning in 1965. Although never considered a Northern Soul artist in her own right, Springfield’s efforts contributed a great deal to the formation of the genre as a result.
Partly owing to these efforts, a year later she eventually became the best-selling female singer in the world and topped a number of popularity polls, including Melody Maker‘s Best International Vocalist. She was the first UK singer to top the New Musical Express readers’ poll for Female Singer.
To boost her credibility as a soul artist, Springfield went to Memphis, Tennessee, to record Dusty in Memphis, an album of pop and soul music, with the Atlantic Records main production team. Released in 1969, it has been ranked among the greatest albums of all time by the US magazine Rolling Stone and in polls by VH1 artists, New Musical Express readers, and Channel 4 viewers. The album was also awarded a spot in the Grammy Hall of Fame. After its release, Springfield experienced a career slump for several years. However, in collaboration with Pet Shop Boys, she returned to the Top 10 of the UK and US charts in 1987 with “What Have I Done to Deserve This?” Two years later, she had two other UK hits on her own with “Nothing Has Been Proved” and “In Private.” Subsequently in the mid 1990s, owing to the inclusion of “Son of a Preacher Man” on the Pulp Fiction soundtrack, interest in her early output was revived.
Awards:
inductee of both the US Rock and Roll Hall of Fame (1999) and the UK Music Hall of Fame (2006)
She has been placed among the top 25 female artists of all time by readers of Mojo magazine (May 1999), editors of Q magazine (January 2002), and a panel of artists on VH1 TV channel (August 2007)
In 2008, Dusty appeared at No. 35 on the Rolling Stone‘s “100 Greatest Singers of All Time”
In the 1960s she topped a number of popularity polls, including Melody Maker‘s Best International Vocalist for 1966
in 1965 she was the first British singer to top the New Musical Express readers’ polls for Female Singer, and topped that poll again in 1966, 1967, and 1969 as well as gaining the most votes in the British Singer category from 1964 to 1966
Her album Dusty in Memphis has been listed among the greatest albums of all time by Rolling Stone and in polls by VH1 artists, New Musical Express readers, and the Channel 4 viewers and in 2001, received the Grammy Hall of Fame award
In March 1999 Springfield was scheduled to go to Buckingham Palace to receive her award of Officer, Order of the British Empire. Due to the recurrence of the singer’s breast cancer, officials of Queen Elizabeth II gave permission for the medal to be collected earlier, in January, by Wickham and it was presented to Springfield in hospital with a small group of friends and relatives attending
