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One chord is fine. Two chords are pushing it. Three chords and you’re into jazz.
~Lou Reed
I think that everything happens for a reason, everything happens when it’s going to happen.
~Lou Reed
…he’s often cited as punk’s most important ancestor. It’s often overlooked, though, that he’s equally skilled at celebrating romantic joy, and rock & roll itself, as he is at depicting harrowing urban realities.
~Richie Unterberger
Patti Smith inducts Velvet Underground Rock and Roll Hall of Fame 1996:
My Favourite Bob Dylan bootleg 2014: Gothenburg Sweden July 15
We (Egil & I) saw Bob Dylan two times on this leg of the tour (Stavern and Kristiansand), Stavern was good and Kristiansand was great. This show from Gothenburg, Sweden is close to the Kristiansand show in atmosphere and performance. It has a guitar-heavy feel just like the two shows we attended. The boot has a very good sound.
Bob Dylan – piano, harp
Tony Garnier – bass
George Recile – drums
Stu Kimball – rhythm guitar
Charlie Sexton on lead guitar
Donnie Herron – electric mandolin, pedal steel, lap steel
“Rain stopped when Bob and his band entered the outdoor stage in Gothenburg. So did most expectations about the set list. There we go again Bobby. Tonight every song – but the encores – was different from last night and that was certainly not expected as things have been pretty constant on this tour. Opening act with Watch The River Flow gave the atmosphere for the whole evening – Dylan singing and playing the grand piano. He in fact parked behind this instrument most of the time. The Levee´s Gonna Break a few songs later gave a hell of a fire as the band rocked and swinged ultimately. Next: Shelter From The Storm with Bob center stage just singing and for a while pleasing the crowed with a small harmonica solo. He also performed Girl From The North Country solo center stage with a remarkably fine voice. Then back behind the grand piano, hammering, exercising a good swing-swing version of Summer Days. The set list wash´t expected but a great concert was performed. Though some local Gothenburg journalist had another view, seems like she´s been to another show actually. But I was enjoying it as much as ever. Standing by since Bob´s Swedish live debut, Stockholm 1966. Wow Bob, you´ll be back in a while? Stopping the rain!”
Highlights: Don’t think twice it’s all right, Girl from the North Country, Shelter from the storm were best, but the other are not far behind, this was a very good concert! Just like tom Thumb’s Blues and Ballad of a Thin Man are terrific also, and so are To Ramona, well, now you know that I like this concert a lot 🙂
Mar 01: Pink Floyd released Dark Side of the Moon in 1973
The Dark Side of the Moon is the eighth studio album by Pink Floyd, released in March 1973. It built on ideas explored in the band’s earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their work following the departure in 1968 of founder member, principal composer, and lyricist, Syd Barrett. The themes on The Dark Side of the Moon include conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett’s deteriorating mental state.
My relationship with Pink Floyd comes in waves, and I must say that Jonathan Wilson and the latest album by The South has rekindled my Pink Floyd interest. The influence by Pink Floyd is so obvious. I just had to go back and listen closer. Two other bricks in the wall (pun intended) was Gov’t Mule and Flaming Lips’s Pink Floyd cover project. Some of my favourite bands love Pink Floyd, there has to be more to them. So, right now I’m on top of the wave, I listen to Pink Floyd a lot.
Classic albums: The making of Dark Side Of The Moon by Pink Floyd:
Q: Why did you make this record now?
A: Now is the right time. I’ve been thinking about it ever since I heard Willie [Nelson]’s Stardust record in the late 1970s. All through the years, I’ve heard these songs being recorded by other people and I’ve always wanted to do that. And I wondered if anybody else saw it the way I did.
~Bob Dylan (AARP interview – Feb 2015)
I love these songs, and I’m not going to bring any disrespect to them. To trash those songs would be sacrilegious. And we’ve all heard those songs being trashed, and we’re used to it. In some kind of ways you want to right the wrong.
~Bob Dylan (AARP interview – Feb 2015)
The great shock here, then, is Dylan’s singing. Dylan’s focus and his diction, after years of drowning in sandpaper, evoke his late-Sixties poise and clarity on John Wesley Harding and Nashville Skyline — also records of deceptive restraint and retrospect — with an eccentric rhythmic patience in the way he holds words and notes across the faint suggestions of tempo. It is not crooning. It is suspense: Dylan, at 73, keeping fate at arm’s length as he looks for new lessons, nuance and solace in well-told tales.
~David Fricke (rollingstone.com – Feb 2015)
..But while Shadows In The Night is nostalgic, it is not sentimental. As a celebration of classic songcraft, it is as sincere as any of Dylan’s many forays into traditional American roots idioms. But how does Sinatra measure up to Dylan’s other early heroes? “Right from the beginning he was there with the truth of things in his voice,” Dylan wrote in the days after Sinatra’s death. “His music had a profound influence on me, whether I knew it or not. He was one of the very few singers who sang without a mask.” Shadows In The Night, then, is Dylan’s way of saying thank you.
~Michael Bonner (uncut.co.uk – Jan 2015)
“This ain’t no part of no unplugged nothin — God, I hate MTV”
~Steve Earle (Liner notes)
I got to thinking,…if I don’t make this record now, I won’t get the chance to make it. .. I’m singing the best I’ve sung in years. Mainly [because of] no dope. Heroin relaxes your vocal cords, it lowers the top of your range a little bit, and then when you try to sing over it…
~Steve Earle (to SPIN in 1995)
I wish I’d never come back home
It don’t feel right since I’ve been grown
I can’t find any of my old friends hangin’ ’round
Won’t nothin’ bring you down like your hometown
Hometown Blues – From Later With Jools Holland 1995:
Wikipedia:
Released
February 28, 1995
Genre
Folk, country, country rock, bluegrass
Length
40:21
Label
Warner Bros.
Train a Comin’ is an acoustic studio album by Steve Earle. The album, Earle’s first in five years, was released in 1995. In addition to Earle, it features Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. The album was nominated for a Grammy for Best Contemporary Folk Album.
If you see her out tonight
And she tells you it’s just the lights
That bring her here and not her loneliness
That’s what she says but sometimes she forgets
