Today: The late Otis Spann was born in 1930

otis spann

…. so many aficionados considered him then and now Chicago’s leading post-war blues pianist. Spann played on most of [Muddy] Waters’ classic Chess waxings between 1953 and 1969, his rippling 88s providing the drive on Waters’ seminal 1960 live version of “Got My Mojo Working” (cut at the prestigious Newport Jazz Festival, where Spann dazzled the assembled throng with some sensational storming boogies).
~Bill Dahl (allmusic.com)

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Video of the day: Sister Rosetta Tharpe – The Godmother of Rock’n Roll (documentary)

Sister_Rosetta_Tharpe

“Sister Rosetta Tharpe was anything but ordinary and plain, she was a big, good-looking woman and divine, not to mention sublime and splendid. She was a powerful force of nature–a guitar-playing, singing evangelist.”
– Bob Dylan

Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973) was an American singer, songwriter, guitarist and recording artist. A pioneer of twentieth-century music, Tharpe attained great popularity in the 1930s and 1940s with her gospel recordings that were a unique mixture of spiritual lyrics and rhythmic/early rock accompaniment. She became gospel music’s first crossover artist and its first great recording star, referred to later as “the original soul sister”. 

Willing to cross the line between sacred and secular by performing her music of ‘light’ in the ‘darkness’ of the nightclubs and concert halls with big bands behind her, Tharpe pushed spiritual music into the mainstream and helped pioneer the rise of pop-gospel beginning with her 1939 hit “This Train.” Her unique music left a lasting mark on more conventional gospel artists such as Ira Tucker, Sr. of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the pop world, she never left gospel music.

Tharpe’s 1944 hit “Down By The Riverside” was selected for the American Library of Congress National Recording Registry in 2004, with the citation stating that it captured her “spirited guitar playing” and “unique vocal style”, which were an influence on early rhythm and blues performers, as well as gospel, jazz, and rock artists. Her 1945 hit “Strange Things Happening Every Day”, recorded in late 1944, featured Tharpe’s vocals and electric guitar, with Sammy Price (piano), bass and drums. It was the first gospel record to cross over, hitting #2 on the Billboard “race records” chart, the term then used for what later became the R&B chart, in April 1945. The recording has been cited as an important precursor of rock and roll. Tharpe has been called the Godmother of Rock n’ Roll.

Sister Rosetta Tharpe – The Godmother of Rock’n Roll (Documentary):

Sister Rosetta Tharpe: The Godmother of Rock & Roll features archival performances and new interviews with Joe Boyd, tour manager of the 1964 American Folk, Blues and Gospel Caravan; Howard Carroll of gospel group The Dixie Hummingbirds, which toured frequently with Tharpe; Anthony Heilbut, gospel record producer and writer; life-long friend Roxie Moore; Ira Tucker, Jr., son of The Dixie Hummingbirds’ Ira Tucker, Sr.; Tharpe biographer Gayle Wald; and others. (PBS)

– Hallgeir

Bob Dylan: Beyond Here Lies Nothin’ , Oslo, Norway 30 June 2011 (video)

bob dylan oslo 2011

 

I love you pretty baby
You’re the only love I’ve ever known
Just as long as you stay with me
The whole world is my throne
Beyond here lies nothin’
Nothin’ we can call our own

Spektrum
Oslo, Norway
30 June 2011

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Today: The Beatles Anthology 2 was released in 1996

The Beatles Anthology 2

Anthology 2 is a compilation album by The Beatles, released by Apple Records 18 March 1996. It is the second of the three-volume Anthology collection, all of which tie-in with the televised special The Beatles Anthology. The opening track is “Real Love”, the second of the two recordings that reunited the Beatles by means of magnetic tape. Like its predecessor, the album topped the Billboard 200 album chart.

Anthology 2 features outtakes, rarities, and alternative performances from the 1965 sessions for Help! to sessions just prior to their trip to India in February 1968

The Beatles – Real Love:

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Today: Iggy Pop released The Idiot in 1977

the-idiot

The Idiot is the debut solo album by Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Although issued after Low, the opening installment of Bowie’s so-called Berlin Trilogy, the pair began writing and recording songs for The Idiot in mid-1976, before Bowie started work on his own album. As such, The Idiot has been claimed as heralding the unofficial beginning of Bowie’s ‘Berlin’ period, being compared particularly to Low and “Heroes” in its electronic effects, treated instrument sounds, and introspective atmosphere. A departure from the hard rock of his former band the Stooges, the album is regarded by critics as one of Pop’s best works. Its title was inspired by Dostoyevsky’s novel The Idiot, three of the participants in the recording—Bowie, Pop and Tony Visconti—being familiar with the book. I will argue that there’s really a “Berlin-quintet” consisting of: The Idiot, Low, “Heroes”, Lust for life and Lodger.

Iggy Pop’s The Idiot, is equally a David Bowie album as a guest singer/composer; Davis Bowie co-wrote all the songs (except Sister Midnight that was co-written with Carlos Alomar and David Bowie) , played many of the instruments and produced it (kind of…). Tony Visconti tried to salvage the over-modulated tapes at the mixing stage.

 

Released March 18, 1977
Recorded July 1976 – February 1977,Château d’Hérouville, Hérouville, France, Musicland Studios, Munich, Hansa by the Wall, Berlin
Genre Post-punk, art rock
Length 38:49
Label RCA
Producer David Bowie (and Tony Visconti)

Iggy Pop (w/ David Bowie) – Funtime and Sister Midnight (live 1977):

“Poor Jim, in a way, became a guinea pig for what I wanted to do with sound. I didn’t have the material at the time, and I didn’t feel like writing at all. I felt much more like laying back and getting behind someone else’s work, so that album was opportune, creatively”
– David Bowie

So, Iggy Pop acted as a guinea pig. David Bowie seemed tired of his ever-changing narrative or masks, so he used the opportunity making an Iggy solo record as a way to start re-inventing himself as well as Iggy. Iggy Pop and David Bowie worked extremely well as a team.

Personell:

Iggy Pop – vocals
David Bowie – keyboards, synthesizer, guitar, piano, saxophone, xylophone, backing vocals
Carlos Alomar – guitar
Dennis Davis – drums
George Murray – bass
Phil Palmer – guitar
Michel Santangeli – drums
Laurent Thibault – bass
Continue reading Today: Iggy Pop released The Idiot in 1977