Music Calendar, Soul

Today: Stevie Wonder released “Talking Book” in 1972 – 40 years ago

 The artist breaks through and takes control, though not in that order. Suddenly he’s writing better ballads than he used to choose, and not at any sacrifice of his endearing natural bathos (if you have doubts about “Sunshine of My Life,” try “Blame It on the Sun”). “Maybe Your Baby” and “Big Brother” continue his wild multi-voice experiments but come in out of left field. And “Superstition” translates his way of knowledge into hard-headed, hard-rocking political analysis.
~Robert Christgau

From Wikipedia:

Released October 28, 1972
Recorded 1972
Genre Soul, funk
Length 43:31
Label Tamla
Producer Stevie Wonder, Robert Margouleff,Malcolm Cecil

Talking Book is the fifteenth album by Stevie Wonder, released on October 28, 1972. A signal recording of his “classic period”, in this one he “hit his stride.” The album’s first track, “You Are the Sunshine of My Life”, earned Wonder his first Grammy Award, for Best Male Pop Vocal Performance.

Superstition live on Sesame Street:

Sandwiched between the release of Music of My Mind and Innervisions, Talking Book saw Wonder enjoying more artistic freedom from Motown. Guest appearances include Jeff Beck, Ray Parker, Jr., David Sanborn, and Buzz Feiten. The sound of the album is sharply defined by Wonder’s keyboard work, especially with the synthesizers he incorporated, giving a funky edge to tracks like “Maybe Your Baby”. His use of the Hohner clavinet model C on “Superstition” is widely regarded as one of the definitive tracks featuring the instrument. His swinging clavinet and harmonica embellishments on “Big Brother”, though, defy categorization.

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Concert Review, Country, Live, Rock, Singer Songwriter, Video

Ida Jenshus live in Haugesund

We had a fantastic night at Høvleriet in Haugesund last night. We want to come back, what a venue and what an atmosphere! Thank you.
– Ida Jenshus (on her webpage)

Ida Jenshus has recently released her third album, Someone to love. The album is a departure from the country on her two previous records, into a more airy sounding country/rock/songwriter style. The obvious comparison is Emmylou Harris’ collaboration with super-producer Daniel Lanois, but I can also hear Kathleen Edwards and Mary Gauthier in the quiet stuff, and Lucinda Williams in her more uptempo stuff. I like the direction she’s taken. I like the first two records but I think her concerts have showed a truer Ida Jenshus, and finally it is reflected in her recorded work.

The wonderful Tender Leaves:

We saw Ida Jenshus with a great group of musicians at Høvleriet in Haugesund last friday, there she dedicated a very fine version of Tender Leaves to Chip Taylor. An artist that Jenshus has worked with lately and have played with on several occasions. Chip Taylor is the man who wrote Wild Thing and Angel of the morning.

It was a lovely show that varied from tender moments into full blown guitar jams, never dull and, man, what a great group she’s touring with! The audience clearly liked what they heard, quiet listening and attentive, and it was great to see this many people coming out to see Ida Jenshus. Country flavoured music isn’t always the biggest audience puller.


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Bob Dylan, List

Bob Dylan – 10 best songs recorded in 1983 – updated

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OLD post … You’re being redirected to a newer version……

Picture by Lynn Goldsmith

The “Infidels” Birthday inspired me to set up a list of Dylan’s best songs recorded in 1983.

I’ve chosen to include 2 versions of “Blind Willie McTell”. This is by far the best song Dylan recorded in 1983… and the both versions are fantastic.

  1. Blind Willie McTell – electric version (not released)*
  2. Blind Willie McTell – acoustic version (The Bootleg Series 3)
  3. Jokerman – Infidels
  4. Foot of Pride – The Bootleg Series 3
  5. Someone’s Got A Hold Of My Heart – alt.version (not released)*
  6. License To Kill – Infidels
  7. I & I – Infidels
  8. Lord Protect My Child – The Bootleg Series 3
  9. Sweetheart Like You – Infidels
  10. Tell Me – The Bootleg Series 3

* My source is the “Rough Cuts” bootleg:

Check out bobsboots.com

Over to the goodies..

1. Blind Willie McTell – electric version:

Seen the arrow on the doorpost
Saying, “This land is condemned
All the way from New Orleans
To Jerusalem”
I traveled through East Texas
Where many martyrs fell
And I know no one can sing the blues
Like Blind Willie McTell

Well, I heard that hoot owl singing
As they were taking down the tents
The stars above the barren trees
Were his only audience
Them charcoal gypsy maidens
Can strut their feathers well
But nobody can sing the blues
Like Blind Willie McTell

See them big plantations burning
Hear the cracking of the whips
Smell that sweet magnolia blooming
See the ghosts of slavery ships
I can hear them tribes a-moaning
Hear that undertaker’s bell
Nobody can sing the blues
Like Blind Willie McTell

There’s a woman by the river
With some fine young handsome man
He’s dressed up like a squire
Bootlegged whiskey in his hand
There’s a chain gang on the highway
I can hear them rebels yell
And I know no one can sing the blues
Like Blind Willie McTell

Well, God is in His heaven
And we all want what’s His
But power and greed and corruptible seed
Seem to be all that there is
I’m gazing out the window
Of the St. James Hotel
And I know no one can sing the blues
Like Blind Willie McTell

Continue reading Bob Dylan – 10 best songs recorded in 1983 – updated →

Gospel, Music Calendar

Today: The late Mahalia Jackson was born in 1911 – 101 years ago

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Blues are the songs of despair, but gospel songs are the songs of hope.
~Mahalia Jackson

I close my eyes when I sing so I can feel the song better.
~Mahalia Jackson

Amazing Graze:

 

From Wikipedia:

Birth name Mahala Jackson
Also known as Halie Jackson
Born October 26, 1911
New Orleans, Louisiana, U.S.
Died January 27, 1972 (aged 60)
Evergreen Park, Illinois, U.S.
Genres Gospel
Occupations Singer
Instruments Voice
Years active 1927–1971
Labels Decca Coral, Apollo & Columbia
Associated acts Albertina Walker, Aretha Franklin
Dorothy Norwood, Della Reese &
Cissy Houston

Mahalia Jackson (October 26, 1911 – January 27, 1972) was an American gospel singer. Possessing a powerful contralto voice, she was referred to as “The Queen of Gospel”. Jackson became one of the most influential gospel singers in the world and was heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers.

From allmusic.com – Jason Ankeny;
General critical consensus holds Mahalia Jackson as the greatest gospel singer ever to live; a major crossover success whose popularity extended across racial divides, she was gospel’s first superstar, and even decades after her death remains, for many listeners, a defining symbol of the music’s transcendent power. With her singularly expressive contralto, Jackson continues to inspire the generations of vocalists who follow in her wake; among the first spiritual performers to introduce elements of blues into her music, she infused gospel with a sensuality and freedom it had never before experienced, and her artistry rewrote the rules forever .. read more @ allmusic.com

How I Got Over:

Album of the day:

Live at Newport 1958 (1958):


Other October 26:

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Concert Review, Indie, Live, pop

I Was A King live in Haugesund

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Last night I saw I Was A King(IWAK) for the fourth time. It is a fantastic band and they just keeps getting better. They still sound a bit like a Teenage Fanclub and Byrds mix, and that’s a good thing.

The New album is a  fine mix of powerpop, guitar walls and great song writing. The guitars are “byrdsy” jangly and this time they flirt even more with the American side of indie-americana-pop. So you see, they’re kinda hard to describe. But they sound terrific!

IWAK has  gotten together with two fantastic popmusic masters this time, Norman Blake (Teenage Fanclub vocalist, yes him!) and Robyn Hitchcock (Power-pop godfather, The Soft Boys member and solo artist extraordinaire), what a dream-team!

When i first read about it I really couldn’t believe it, it’s a match made in heaven.

IWAK once wrote a fine song called “Norman Bleik” (on the second album, 2009), about one of their inspirations, just as Norman Blake once wrote a song about one of his own heroes Neil Young, called “Neil Jung”. Fun fact.

The result of this collaboration is IWAK’s best album, a fully realised record with great songs. It sounds so big and it is full of air, but it’s not pretentious at all. They sound more mature and more pop. The Playing is better than ever and the songwriting is spectacular, I realy love this album (You guessed that, eh?) and it is a quintessential pop album. A love letter to music, no less.

Best on the album: Frozen Disease, Superhero and Leave

Best live in Haugesund: Food Wheels and A Million Signs (with The One I love snippet as intro!)

I Was A King gave us a lesson in harmony induced pop music in Haugesund last night. I’ve never heard them better. Normally they’re not very talkative with the audience, but this night was a bit different. Anne Lise Frøkedal had several fammily members in the audience and the atmosphere was very friendly. Of course there were no sing-alongs, but it was a fun and relaxed interaction.

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