Tag Archives: Dignity

Bob Dylan @ Sun Theater, Anaheim, CA – March 10, 2000

March 11, 2018 Egil 7 Comments

Redirecting to a newer version of this post….

..lots of surprising song selections, a tight band and Dylan in great and authoritative voice, willing to radically experiment (the re-worked Dignity, for example) and – once again – reinventing his back pages.
~Andrew Muir (Razor’s Edge)

Bob seems to be in a good mood, the band is tight, and the performance is incredible. We get to hear two songs performed live for the first time ever.
~bobsboots.com

Wonderful 2000 show.

Concert # 1166 of The Never-Ending Tour. First concert of the 2000 US Spring Tour. First 2000 concert.

Sun Theatre
Anaheim, California
10 March 2000
Early show

Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
Tony Garnier (bass)
David Kemper (drums & percussion)

Notes:

Live debuts of Tell Me That It Isn’t True and Things Have Changed
First Dignity since Manchester 4 April 1995.

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Bob Dylan, Bob Dylan Concerts, Bob Dylan video

Nov 18: Bob Dylan second MTV unplugged taping session, 1994 (videos)

November 18, 2016 Egil 10 Comments

I wasn’t quite sure how to do it and what material to use. I would have liked to do old folk songs with acoustic instruments, but there was a lot of input from other sources as to what would be right for the MTV audience. The record company said, “You can’t do that, it’s too obscure.” At one time, I would have argued, but there’s no point. OK, so what’s not obscure? They said Knockin’ on Heaven ‘s Door.
~Bob Dylan (to Edna Gundersen May 1995)

Knocking on Heaven’s Door:

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Bob Dylan, Bob Dylans's best songs, The Best Songs

Bob Dylan’s best songs: Dignity

March 13, 2015 Egil 13 Comments

Of the virtues, I suppose I think integrity is the most essential. Not dignity – a thief can have dignity.
~Bob Dylan (to Barbara Kerr, Feb 1978)
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‘Dignity’, which describes so resourcefully the yearning for a more dignified world, would have been the album’s [Oh Mercy] ideal opening track. It scorches along musically, declaring its allegiance to the timeless appeal of the blues, while sounding, above all things, fresh. Its lyric, meanwhile, though ‘Dylanesque’ in that it sounds like no-one else’s work and sounds like a restrained, mature revisit to a mode of writing you might otherwise call mid-1960s Dylan, is fully alert and freshly itself, admits of no leaning on laurels, and has the great virtue that while not every line can claim the workaday clarity of instructional prose, the song is accessible to anyone who cares to listen, and offers a clear theme, beautifully explored, with which anyone can readily identify.
~Michael Gray (The Bob Dylan Encyclopedia)

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@ #43 on my list of Dylan’s 200 best songs. It was originally recorded for “Oh Mercy” in 1989, but Dylan wasn’t satisfied with it… and left it. Michael Gray points out that it would have been a perfect opening track to the album… way better than “Political World”… only thing missing was an instrumental solo in the middle.

I will not mess with too many details around the songs recording history.. even Clinton Heylin calls Dignity’s recording history a bit… messy….

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Officially we now have 5 different versions available:

#	released	Album
1	1994	Bob Dylan’s Greatest Hits Volume 3 Brendan O’Brien remixed version
2	1995	MTV Unplugged Live version
3	2000	The Best of Bob Dylan, Vol. 2 Touched By An Angel version*
4	2008	The Bootleg Series Vol. 8 Piano demo version
5	2008	The Bootleg Series Vol. 8 Tell Tale Signs version2