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Today: Bob Dylan released Like A Rolling Stone in 1965

Bob-Dylan-like-a-rolling-stone

“This is about growing up, this is about discovering what is going on around you, realizing that life isn’t all you’ve been told. So now you’re without a home, you’re on your own, complete unknown, like a rolling stone. That’s a liberating thing. This is a song about liberation.”
— Jann Wenner, Rolling Stone magazine (Greil Marcus – Like A Rolling Stone: Bob Dylan at the Crossroads (book))

“The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind” – Bruce Springsteen (Jan 1988)

“When I heard Like a Rolling Stone, I wanted to quit the music business because I felt: ‘If this wins and it does what it’s supposed to do, I don’t need to do anything else.'”
– Frank Zappa (1965 )

The first time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..

That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago. (Egil, Johannasvisions)

Like A  Rolling Stone:

Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”. 

But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig. 

It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
-Bob Dylan (to Nat Hentoff – March 1966)

Like A Rolling Stones (Live at London’s Albert Hall, May, 1966):

“Like A Rolling Stone” was recorded @ the second “Highway 61 Revisited” recording sessions on June 16 – 1965,  produced by Tom Wilson.

“The voice is infinitely nuanced — at times almost an authoritarian monotone (not unlike Ginsberg reading “Howl”), at times compassionate, tragic (the voice of Jacques-Louis David in his painting of Marat) — but also angry, vengeful, gleeful, ironic, weary, spectral, haranguing.

And it would sound this way in ancient Greek or contemporary Russian. There is so much desire and so much power in this voice, translated into a sensitivity that enables it to detect tiny vibrations…”
—  Michael Pisaro (composer)

Like a Rolling Stone” is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. After the lyrics were heavily edited, “Like a Rolling Stone” was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.

During a difficult two-day pre-production, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.

However, Columbia Records was unhappy with both the song’s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, “Like a Rolling Stone” reached number two in the US charts and became a worldwide hit. (Wikipedia)

In 2004 Rolling Stone magazine placed the song at number one on its list of “The 500 Greatest Songs of All Time”
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Like A Rolling Stone, Manchester 1966:

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Today: The late Chet Baker was born in 1929 – 83 years ago

Chet Baker

“People said I’d never make 35, then I’d never make 40, 45; now I’m almost 50, so Im beginning to think maybe they might be wrong.”
— Chet Baker

Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-’50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. But his career was marred by drug addiction.
~William Ruhlmann (allmusic.com)

Time after Time Live (Belgium 1964):

From Wikipedia:

Chesney Henry “Chet” Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and singer.

In the 1950s, Baker earned much attention and critical praise, particularly for albums featuring his vocals, such as Chet Baker Sings. Jazz historian David Gelly described the promise of Baker’s early career as seemingly representing “James Dean, Sinatra, and Bix, rolled into one.” However, his “well-publicized drug habit” also drove his notoriety and fame, as Baker was in and out of jail for much of his life, before enjoying a career resurgence in the late 1970s and ’80s.

Chet+Baker

Almost Blue:

Honors

  • In 1987 he was inducted into the Big Band and Jazz Hall of Fame.
  • In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine’s Critics Poll.
  • In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
  • In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as “Chet Baker Day”.

Chet+Baker (1)

My Funny Valentine:

Album of the day:

Chet Baker Sings (1956):

Chet Baker sings

As Gerald Heard’s liner notes point out, it’s difficult to decide whether Chet Baker was a trumpet player who sang or a singer who played trumpet. When the 24-year-old California-based trumpeter started his vocal career in 1954, his singing was revolutionary; as delicate and clear as his trumpet playing, with a similarly bright and vibrato-free tone, Baker simply didn’t sound like any previous jazz singer.
~Stewart Mason (allmusic.com)

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Today: Stevie Ray Vaughan passed away in 1990 – 22 years ago

He was the greatest blues guitarist of his generation.
~ Mick Jagger

From Wikipedia:

Birth name Stephen Ray Vaughan
Also known as SRV
Born October 3, 1954
Dallas, Texas, United States
Died August 27, 1990 (aged 35)
East Troy, Wisconsin, United States
Genres Rock, blues, blues rock,electric blues, Texas blues
Occupations Musician, singer-songwriter, record producer
Instruments Guitar, vocals
Years active 1965–1990
Labels Epic, Legacy, Sony
Associated acts Stevie Ray Vaughan and Double TroubleJimmie VaughanDoyle Bramhall,David BowieLonnie Mack,Albert KingJeff Beck
Website srvofficial.com

Stephen “Stevie” Ray Vaughan (October 3, 1954 – August 27, 1990) was an American guitarist, singer-songwriter, and record producer. Often referred to by his initials SRV, Vaughan is best known as a founding member and leader of Double Trouble. Together with drummer Chris Layton and bassist Tommy Shannon, they ignited the blues revival of the 1980s. With a career spanning seven years, Vaughan and Double Trouble consistently sold out concerts while their albums frequently went gold.

I remember when he first came out, he was doing that Hendrix song [Voodoo Chile], and I heard all these people going, “Ah, he’s just trying to do Hendrix. But he went a lot further than that. He was absolutely 100-proof, pure blues. Albert Collins, Muddy Waters – the essence of that was in everything he played. More than the Allman Brothers, he was straight-down-the-line blues.
~Gregg Allman

Stevie was always playing. After he’d get offstage, he’d get on his bus. And he had all these Stratocasters hanging there. He’d grab one and start goin’.
~Gregg Allman

From allmusic.com (Stephen Thomas Erlewine):

With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the ’80s. Vaughan drew equally from bluesmen like Albert KingOtis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late ’60s. For the next seven years, Stevie Ray was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.    …read more @ allmusic

Texas Flood – Live:

Pride & Joy – live at the Montreux 1985

Album of the day – Texas Flod (1983):

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Today: Carlos Santana is 65

From Wikipedia:

Carlos Augusto Alves Santana (born July 20, 1947) is a Mexican and American rock guitarist. Santana became famous in the late 1960s and early 1970s with his band, Santana, which pioneered rock, Latin music and jazz fusion. The band’s sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music.

Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2003, Rolling Stone magazine listed Santana at number 15 on their list of the 100 Greatest Guitarists of All Time.

He has won 10 Grammy Awards and 3 Latin Grammy Awards.

Allmusic (William Ruhlmann) on Santana (the band):

Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana‘s distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early ’70s. The musical direction then changed to a more contemplative and jazzy style as the band’s early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century. By the mid-’90s,Santana seemed spent as a commercial force on records, though the group continued to attract audiences for its concerts worldwide. But the band made a surprising and monumental comeback in 1999 with Supernatural, an album featuring many guest stars that became Santana‘s best-selling release and won a raft of Grammy Awards.

Black Magic Woman – Live 1971:

Album of the day – Abraxas (sept. 1970):

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