May 27: Bob Dylan released The Freewheelin’ Bob Dylan 1963
“..easily the best of [Dylan’s] acoustic albums and a quantum leap from his debut—which shows the frantic pace at which Dylan’s mind was moving.You can see why this album got the Beatles listening. The songs at its core must have sounded like communiques from another plane.”
~John Harris (Q Magazine, 2000)
” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.”
– John Lennon (about The Freewheelin’ Bob Dylan)
Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)
Dylan nailed 5 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.
Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)
Dylan nailed 3 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.
Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)
4 master versions for “The Freewheelin’ Bob Dylan” was recorded @ this important recording session.
“..easily the best of [Dylan’s] acoustic albums and a quantum leap from his debut—which shows the frantic pace at which Dylan’s mind was moving.You can see why this album got the Beatles listening. The songs at its core must have sounded like communiques from another plane.”
~John Harris (Q Magazine, 2000)
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” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.”
– John Lennon (about The Freewheelin’ Bob Dylan)
“That’ll Be the Day” is a song written by Buddy Holly and Jerry Allison and recorded by various artists including The Crickets and Linda Ronstadt. It was also the first song to be recorded (just as a demonstration disc) by The Quarrymen, the skiffle group that subsequently became The Beatles. Although Norman Petty was given a co-writing credit on it, he was not actually involved in the composition, but only in the production of this well-known recording.The re-recorded version of “That’ll Be the Day” was released by Brunswick Records on May 27, 1957, and is featured on the debut album by the Crickets, The “Chirping” Crickets, which was issued on November 27, 1957. The song is considered a classic in the rock and roll genre and is listed at #39 on Rolling Stone’s list of The 500 Greatest Songs of All Time.
Neil Mullane Finn OBE (born 27 May 1958) is a New Zealand recording artist. Along with his brother Tim Finn, he was the co-frontman for Split Enz and is now frontman for Crowded House. He has also recorded several successful solo albums and assembled diverse musicians for the 7 Worlds Collide projects.
Junior Parker (May 27, 1932 – November 18, 1971) was an American Memphis blues singer and musician. He is best remembered for his unique voice which has been described as “honeyed,” and “velvet-smooth”. He was posthumously inducted into the Blues Hall of Fame in 2001.
Don Williams (born May 27, 1939, Floydada, Texas, United States), is an American country singer, songwriter and a 2010 inductee to the Country Music Hall of Fame. He grew up in Portland, Texas, and graduated in 1958 from Gregory-Portland High School. After seven years with the folk-pop group Pozo-Seco Singers, he began his solo career in 1971, singing popular ballads and amassing 17 No. 1 hits.
