I need to hear a tape of this show to possibly confirm it’s the
best show I’ve seen in three years. What a night! Great
performance and set list from Bob.
-Howard Weiner (boblinks.com)
Lancaster, Pennsylvania
Clipper Magazine Stadium
June 19, 2005
Bob Dylan – keyboard, harp
Stu Kimball – lead guitar
Denny Freeman – guitar
Donnie Herron – electric mandolin, pedal steel, lap steel
William Royce “Boz” Scaggs (born June 8, 1944) is an Americansinger, songwriter and guitarist. He gained fame in the 1960s as a guitarist and sometime lead singer with the Steve Miller Band, and in the 1970s with several solo Top 20hit singles in the United States, including the well-known hits “Lowdown” and “Lido Shuffle” from the critically acclaimed album Silk Degrees, which peaked at #2 on the Billboard Hot 100. Scaggs continues to write, record music and tour.
May 16: Bob Dylan released Blonde On Blonde in 1966
The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
Blonde on Blonde is all resonance. The songs and their stories and evocative lines and seductive melodies inhabit a realm of sound unique to this album, different from anything created before or since by Dylan or anyone else. Dylan called it “that thin, that wild mercury sound-metallic and bright gold, with whatever that conjures up.”
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
To have followed up one masterpiece with another was Dylan’s history making achievement here…Where Highway 61 Revisited has Dylan exposing and confronting like a laser beam in surgery, descending from outside the sickness, Blonde on Blonde offers a persona awash inside the chaos…We’re tossed from song to song…The feel and the music are on a grand scale, and the language and delivery are a rich mixture of the visionary and the colloquial.
~Michael Gray (Song & Dance Man III: The Art of Bob Dylan)
…The Sheffield show is perhaps the best of the tour. The quality is incredible, and the performance can move you to tears. The Gaumont adds a warmth and depth to the overall sound that is lacking at many venues, and Bob pours his heart into every syllable. This set represents some of the finest of the tour…
~bobsboots.com
CBS records this concert. A PA recording of the acoustic half of the show is subsequently widely bootlegged. The extant tape features “Visions of Johanna,” “Fourth Time Around,” “It’s All Over Now, Baby Blue,” “Desolation Row,” “Just Like a Woman,” and “Mr. Tambourine Man” (but not “She Belongs to Me,” presumably performed). Although the acoustic set seems to be well received, the audience is hostile throughout the electric set. One review of the show is headlined “Night of the Big Let Down.” According to Robbie Robertson, some of the audience were even holding up placards saying “Stop the War.” A recording of “I Don’t Believe You” from the electric set is eventually released on the Biograph set, incorrectly assigned to Belfast.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
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