Dylan’s 66 world tour is the best tour ever… by anyone. I know you all agree.
|The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker. Pennebaker’s footage was edited by Dylan and Howard Alk to produce a little-seen film, Eat the Document, an anarchic account of the tour. Drummer Mickey Jones also filmed the tour with an 8mm home movie camera. Many of the 1966 tour concerts were recorded by Columbia Records. These recordings produced one official album, the so-called “Royal Albert Hall” concert, and also many unofficial bootleg recordings of the tour.Dylan’s 1966 Tour ended with his motorcycle accident on July 29, 1966. Subsequent to Dylan’s withdrawal to Woodstock, he refrained from undertaking a major tour until 1974.
Continue reading April 13: Bob Dylan Sydney, Australia 1966 (audio)
Concert # 641 of The Never-Ending Tour. First concert of the 1995 European Spring Tour. First concert in 1995.
Prague, Czech Republic
11 March 1995
- Bob Dylan (vocal & guitar)
- Bucky Baxter (pedal steel guitar & electric slide guitar)
- John Jackson (guitar)
- Tony Garnier (bass)
- Winston Watson (drums & percussion)
- Crash On The Levee (Down In The Flood)
- If Not For You
- All Along The Watchtower
Continue reading March 11: Bob Dylan @ Palác kultury, Prague, Czech Republic 1995
The final show of the 1966 world tour. Thankfully the entire acoustic half has emerged on acetate. CBS in fact recorded both nights at the Royal Albert Hall for a possible live album. Before performing “Visions of Johanna,” Dylan launches into a verbal attack on those critics who accuse him of writing drug songs, informing them the next song, “is not a drurg [sic} song. It’s just vulgar to think so.” But the highlight of this, the final 1966 acoustic set is a six-and-a-half minute “Just Like a Woman,” Dylan veering in and out of control of his phrasing. During the electric set, tempers, both on and offrhe stage, become frayed. Before “I Don’t Believe You,” Dylan announces, “I get accused of dismissing my old songs. That’s not true. I luuurve my old songs.” At the time critics are divided as to the merits of the two London shows. Ray Coleman, in Disc and Music Echo, felt that Dylan, “insults his own talents … [with} a shamble of noise.” The London Times reviewer, writing up the first London show, much preferred the acoustic set, entitling his article, “The Better Half of Dylan.” After Dylan· s motorcycle accident, though, the shows will quickly achieve mythic status.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Royal Albert Hall
27 May 1966
- Bob Dylan (vocal & electric guitar)
- Robbie Robertson (electric guitar)
- Garth Hudson (organ), Rick Danko (bass)
- Richard Manuel (piano)
- Mickey Jones (drums)
The last three songs of the May 27 acoustic set at Royal Albert Hall are good enough to stand next to the best work of any twentieth century artist (performer, painter, poet, mathematician… )
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Continue reading May 27: Bob Dylan & The Hawks, London 1966