Perhaps it’s the color of the sun cut flat
An’ cov’rin’ the crossroads I’m standing at
Or maybe it’s the weather or something like that
But mama, you been on my mind
I don’t mean trouble, please don’t put me down or get upset
I am not pleadin’ or sayin’, “I can’t forget”
I do not walk the floor bowed down an’ bent, but yet
Mama, you been on my mind
Bournemouth International Centre Bournemouth, England 5 May 2002
The early weeks of May found Dylan in resplendent form; some of the best shows of the NET are claimed to have come from these particular dates.
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)
Video spliced with performances from:
The Warfield Theater
San Francisco, California
4 May 1992
and
Berkeley Community Theatre
Berkeley, California
8 May 1992
Superb audio & ok video.
Band:
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
..Dylan starts his portion of the show off nicely by himself armed with an acoustic guitar. Other highlights include the only tour appearance of Love Minus Zero / No Limit, and the Desire tracks, along with the only known performance of Rita May.
~bobsboots.com
Another GREAT 1976 concert, and the only known concert performance of Rita May.
The Warehouse
New Orleans, Louisiana
3 May 1976 – Evening
Bob Dylan (guitar & vocal).
3-16 Scarlet Rivera (violin)
T-bone J. Henry Burnette (guitar & piano)
Steven Soles (guitar)
Mick Ronson (guitar)
Bobby Neuwirth (guitar & vocal)
Roger McGuinn (guitar & vocal)
David Mansfield (steel guitar, mandolin, violin & dobro)
Today I’m accused of being a follower of religion. But I’ve always been a follower! My thoughts, my personal needs have always been expressed through my songs; you can feel them there even in ‘Mr Tambourine Man’. When I write a song, when I make a record, I don’t think about whether it’ll sell millions of copies. I only think about making it, the musical end-product, the sound, and the rhythmic effect of the words. It’s purely a technical piece of work because the most important thing is to come out with something that’s perfect artistically. Even Charlie Chaplin used to say that and I respect him for that judgment.
~Bob Dylan (to Sandra Jones – June 1981)
And it’s this dishonesty, this unhelpful concealment of the soul when we most needed to know what was going [on] inside the man, which hurts the hardest… …. His handling of matters spiritual is bad enough, but when he applies himself to more worldly topics he’s frighteningly inflammatory and positively dangerous..
~Chris Bohn (review – Slow Train Coming, Melody Maker – 26 Aug. 1979)
On the 4th recording session we got 2 new master versions… one of them “Slow Train” is i fact the best song from the album. The other is also among the best: “I Believe in You“.
I wasn’t quite sure how to do it and what material to use. I would have liked to do old folk songs with acoustic instruments, but there was a lot of input from other sources as to what would be right for the MTV audience. The record company said, “You can’t do that, it’s too obscure.”
~Bob Dylan (to Edna Gundersen May 1995)
