The reaction on the (U.S.) Slow Train tour was disheartening at times. But it doesn’t wound you because you get used to the ups and downs. You get to where the praise doesn’t mean anything because it’s often for the wrong reason, and it’s the same with the criticism. Besides, I don’t think I’ll be perceived properly till 100 years after I’m gone. I really believe that. I don’t think anybody has really caught on to Blonde On Blonde yet.
~Bob Dylan (to Robert Hilburn – June 1984)
…. Musically, this is probably Dylan’s finest record, a rare coming together of inspiration, desire and talent that completely fuse strength, vision and art. Bob Dylan is the greatest singer of our times. No one is better. No one, in objective fact, is even very close. His versatility and vocal skills are unmatched. His resonance and feeling are beyond those of any of his contemporaries. More than his ability with words, and more than his insight, his voice is God’s greatest gift to him. So when I listen to “When He Returns,” the words finally don’t matter at all. They are as good as they ever were, maybe even better. … I am hearing a voice. ~Jann Wenner (the famous “Slow Train Coming” review Sept 1979)
The last recording session brought us 4 masters: Gotta Serve Somebody, Do Right To Me Baby (Do Unto Others), When He Returns & Man Gave Names To All The Animals.
Today I’m accused of being a follower of religion. But I’ve always been a follower! My thoughts, my personal needs have always been expressed through my songs; you can feel them there even in ‘Mr Tambourine Man’. When I write a song, when I make a record, I don’t think about whether it’ll sell millions of copies. I only think about making it, the musical end-product, the sound, and the rhythmic effect of the words. It’s purely a technical piece of work because the most important thing is to come out with something that’s perfect artistically. Even Charlie Chaplin used to say that and I respect him for that judgment.
~Bob Dylan (to Sandra Jones – June 1981)
And it’s this dishonesty, this unhelpful concealment of the soul when we most needed to know what was going [on] inside the man, which hurts the hardest… …. His handling of matters spiritual is bad enough, but when he applies himself to more worldly topics he’s frighteningly inflammatory and positively dangerous..
~Chris Bohn (review – Slow Train Coming, Melody Maker – 26 Aug. 1979)
On the 4th recording session we got 2 new master versions… one of them “Slow Train” is i fact the best song from the album. The other is also among the best: “I Believe in You“.
May 2: Bob Dylan 3rd Slow Train Coming Recording Session 1979
It’s in my system. I don’t really have enough time to talk about it. If someone really wants to know, I can explain it to them, but there are other people who can do it just as well. I don’t feel compelled to do it. I was doing a bit of that last year on the stage. I was saying stuff I figured people needed to know. I thought I was giving people an idea of what was behind the songs. I don’t think it’s necessary any more. When I walk around some of the towns we go to, however, I’m totally convinced people need Jesus. Look at the junkies and the winos and the troubled people. It’s all a sickness which can be healed in an instant. The powers that be won’t let that happen. The powers that be say it has to be healed politically.
~Bob Dylan (to Robert Hilburn – Nov 1980)
Slow Train Coming was a collection of songs Dylan had originally intended to donate to backing singer Carolyn Dennis.
~Clinton Heylin (The Recording Sessions)
The first 2 recording sessions for “Slow Train Coming” had only resulted one master take for the album – Precious Angel (recorded the previous day).
All that foreign oil controlling American soil
Look around you, it’s just bound to make you embarrassed
Sheiks walkin’ around like kings
Wearing fancy jewels and nose rings
Deciding America’s future from Amsterdam and to Paris
And there’s a slow, slow train comin’ up around the bend
~Slow Train (from: Slow Train Coming, 1979)
Amsterdam (English /ˈæmstərdæm/; is the largest city and the capital of the Netherlands. Its principal language is Dutch. The city’s status as the capital of the nation is governed by the constitution. Amsterdam has a population of 820,256 within city limits, an urban population of 1,209,419 and a metropolitan population of 2,289,762. The city is located in the province of North Holland in the west of the country. It comprises the northern part of the Randstad, one of the larger conurbations in Europe, with a population of approximately 7 million.
Amsterdam’s name is derived from Amstelredamme, indicative of the city’s origin: a dam in the river Amstel. Settled as a small fishing village in the late 12th century, Amsterdam became one of the most important ports in the world during the Dutch Golden Age, a result of its innovative developments in trade. During that time, the city was the leading center for finance and diamonds. In the 19th and 20th centuries, the city expanded, and many new neighborhoods and suburbs were formed. The 17th-century canals of Amsterdam (in Dutch: ‘Grachtengordel’), located in the heart of Amsterdam, were added to the UNESCO World Heritage List in July 2010.
As Netherlands’ commercial capital and one of the top financial centres in Europe, Amsterdam is considered an alpha world city by the Globalization and World Cities (GaWC) study group. The city is also cultural capital of the Netherlands. Many large Dutch institutions have their headquarters there, and 7 of the world’s top 500 companies, including Philips and ING, are based in the city. In 2010, Amsterdam was ranked 13th globally on quality of living by Mercer, and previously ranked 3rd in innovation by 2thinknow in the Innovation Cities Index 2009.
The Amsterdam Stock Exchange, the oldest stock exchange in the world, is located in the city center. Amsterdam’s main attractions, including its historic canals, the Rijksmuseum, the Van Gogh Museum, Stedelijk Museum, Hermitage Amsterdam,Anne Frank House, Amsterdam Museum, its red-light district, and its many cannabis coffee shops draw more than 3.66 million international visitors annually.
One of the worlds greatest pieces of art is located in Amsterdam: The Night Watch (Rembrandt, 1642):