Category Archives: The Best Songs

Charley Patton: Pony Blues

charlie patton

If I made records for my own pleasure, I would record Charley Patton songs only.
~Bob Dylan (Press Conference, Rome – July 2001)

Baby, saddle my pony, saddle up my black mare
Baby, saddle my pony, saddle up my black mare
I’m gonna find a rider, baby, in the world somewhere

Hello central, the matter with your line?
Hello central, matter, Lord, with your line?
Come a storm last night an’ tore the wire down

 

Wikipedia:

Released 1929
Format 78 RPM single
Recorded 14 June, 1929
Genre Delta blues
Length 2:58
Label Paramount
Writer(s) Charlie Patton

Pony Blues” is a Delta blues song written and recorded by the archaic bluesman Charley Patton. With the help of record store owner, H. C. Speir, Patton’s first recording session occurred on June 14, 1929, cut six sides, included “Pony Blues” (vocal and guitar), for Paramount Records. The song later became a standard in the Delta region, and appears in the repertoires of many other blues musicians. Patton had a body of his own compositions which he recorded at the session, included “Banty Rooster Blues,” “Down the Dirt Road” and his version of “Mississippi Bo Weavil Blues.”

Pony Blues was included by the National Recording Preservation Board in the Library of Congress’ National Recording Registry in 2006. The board selects songs in an annual basis that are “culturally, historically, or aesthetically significant.”

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Howlin’ Wolf: Smokestack Lightning

howlin wolf

The greatest twenty words of music criticism spoken by any person in the 20th century (Paul Williams):

“When I heard Howlin’ Wolf, I said, This is for me. This is where the soul of man never dies.”
– Sam Phillips

howlin-wolf-smokestack-lightnin-1964

Howlin’ Wolf is for me the second greatest blues man in history.

His voice chills me to the core.. looking at videos of him fills me with awe.. and reading about him…  makes me understand his importance in american music history. He rambled with Son House, Charlie Patton…. and stumbled upon Robert Johnson now & then…

Our Man & Son House:

Smokestack Lightning is his best song.

The late great Robert Palmer once wrote:

God, what it would be worth on film to see the fervor in that man’s face when he sang. His eyes would light up, you’d see the veins come out on his neck, and buddy, there was nothing on his mind but that song. He sang with his damn soul

Now for the Facts… from Wikipedia:

Smokestack Lightning” (or “Smoke Stack Lightning” as listed on the original single) is a classic of the blues. In 1956, Howlin’ Wolf recorded the song and it became one of his most popular and influential songs. It is based on earlier blues songs and numerous artists later interpreted it.

Single by Howlin’ Wolf
B-side “You Can’t Be Beat”
Released March 1956
Format 7″ 45 rpm & 10″ 78 rpm records
Recorded Chicago
January 1956
Genre Blues
Length 2:32
Label Chess (Cat. no. 1618)
Writer(s) Chester Burnett aka Howlin’ Wolf
Producer Leonard Chess, Phil Chess, Willie Dixon

“Smokestack Lightning”, in one form or another, “had been part of his [Wolf’s] repertoire as far back as the early 1930s” when he was performing with Charley Patton in small Delta communities. The song, called “a hypnotic one-chord drone piece” draws on earlier blues, such as Tommy Johnson’s “Big Road Blues” (1928 Victor 21279), the Mississippi Sheiks’ “Stop and Listen Blues” (1930 OKeh 8807), and Charley Patton’s “Moon Going Down” (1930 Paramount 13014). Wolf said the song was inspired by watching trains in the night: “We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning. In 1951, Howlin’ Wolf recorded the song as “Crying at Daybreak” (RPM 340). It contains the line “O-oh smokestack lightnin’, shinin’, just like gold, oh don’t you hear me cryin’ …” similar to the Mississippi Sheiks “A-ah, smokestack lightnin’, that bell shine just like gold, now don’t you hear me talkin’ …”

Howlin'_Wolf_1972

Accolades

  • “Smokestack Lightning” received a Grammy Hall of Fame Award in 1999 honoring its lasting historical significance.
  •  It is ranked #285 in Rolling Stone magazine’s list of the “500 Greatest Songs of All Time”
  • In 1985, the song was inducted into the Blues Hall of Fame in the “Classics of Blues Recordings” category.
  •  It is also included in the Rock and Roll Hall of Fame list of the “500 Songs that Shaped Rock and Roll”.
  •  In 2009 “Smokestack Lightning” was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States

 

The Lyrics:

Ah, oh, smokestack lightning
Shinin’, just like gold
Why don’t ya hear me cryin’?
Ah, whoo hoo, ooh…
Whoo…

Whoa, oh, tell me, baby
What’s the, matter with you?
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, tell me, baby
Where did ya, stay last night?
A-why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, stop your train
Let her, go for a ride
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo
Whoo…

Whoa, oh, fare ya well
Never see, ah, you no more
Ah, why don’t ya hear me cryin’?
Ooh, whoo hoo, whoo hoo
Whoo…

Whoa, oh, who been here baby since
I, I been gone, a little, bitty boy?
Girl, be on
Ah, whoo hoo, whoo hoo

Live in England 1964:

Studio version:

– Egil

Today: Elvis Presley recorded Always on my Mind in 1972 42 years ago

elvis-presley-separate-ways-rca-victor-3

Always on my Mind is seldom considered among the best of Elvis’ 70’s output, but if you ask me it’s at the top of the list. The recording sessions was great, it included Burnin Love and For the good times. I almost cry when I listen to it, it embodies everything, everything I love about Elvis, heartbreak, slow ballads, empathy and true feelings. What a voice!

Peter Guralnick writes in his book Careless Love:

The trouble was, he (Elvis) wasn’t interested in cutting a hit record. “He was trying to get something out of his system.”

On the second night Felton finally got his way, but he was under no illusion that Elvis was doing it for any other reason than to indulge his producer. With encouragement from Joe Esposito and Jerry Schilling, and with Charlie pounding away on acoustic guitar, they got a good, energetic version of “Burning love”, the song Felton had brought to the session, but it was tossed off in six quick takes, in almost throwaway style, and everyone could see that Elvis’ heart wasn’t really in it. They kept working till four in the morning but got only one more song that night and two the following night, including “Always on my mind”…

Continue reading Today: Elvis Presley recorded Always on my Mind in 1972 42 years ago

The Beatles 40 best songs: at 26 “If I fell”

if-i-fell2

“That’s my first attempt at a ballad proper….It shows that I wrote sentimental love ballads way back when”
– John Lennon (1980)

“People forget that John wrote some nice ballads, people tend to think of him as an acerbic wit and aggressive and abrasive, but he did have a very warm side to him, really, which he didn’t like to show too much in case he got rejected.”
– Paul McCartney

If I Fell”  by The Beatles  first appeared in 1964 on the album A Hard Day’s Night in the United Kingdom and on the North American album Something New. It was mainly written by John Lennon, and credited to Lennon–McCartney. 

Musically, it was one of Lennon’s cleverest songs to date: The harmonic tricks of its strummy, offbeat opening were miles beyond what other bands were doing at the time, and it was “dripping with chords,” as McCartney said. It also showcased some of the Beatles’ finest singing. Lennon and McCartney shared a single microphone for their Everly Brothers-like close harmonies.

“[‘If I Fell’] was the precursor to ‘In My Life,'” Lennon pointed out later. “It has the same chord sequences: D and B minor and E minor, those kind of things. It shows that I wrote sentimental love ballads, silly love songs, way back when.”

– Rolling Stone Magazine

…by the way, Rolling Stone Magazine rate the song at 26 of the hundred best Beatles songs.

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The Beatles 40 best songs: at 27 “Lucy In The Sky With Diamonds”

John Julian

“A song like ‘Got to Get You Into My Life’, that’s directly about pot, although everyone missed it at the time … Day Tripper”, he says, “that’s one about acid. ‘Lucy in the Sky,’ that’s pretty obvious. There’s others that make subtle hints about drugs, but, you know, it’s easy to overestimate the influence of drugs on the Beatles’ music.”
– Paul McCartney (Weekly Standard, 2004)

The Beatles – Lucy In The Sky With Diamonds:

John Lennon: , lead guitar and vocals
Paul McCartney: backing vocals, Lowrey organ and bass
George Harrison: backing vocals, lead guitar, acoustic guitar and tambura
Ringo Starr: drums and maracas

The song has the distinction of being the first Beatles recording to be referenced by the group themselves: the second verse of Lennon’s “I Am the Walrus”, released on Magical Mystery Tour at the end of 1967, contains the lyric “see how they fly, like Lucy in the sky, see how they run…”

“Lucy…” was one of the fastest rehearsal/recordings for Sgt. Pepper.
Continue reading The Beatles 40 best songs: at 27 “Lucy In The Sky With Diamonds”