Category Archives: The Best Songs

Brown Sugar by Rolling Stones was released 16 April in 1971

Rolling-Stones-Brown-Sugar

“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
– Mick Jagger

“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar – about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)

Brown Sugar is the opening track and lead single from their 1971 album Sticky FingersRolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.

The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.

– Richie Unterberger (allmusic)

It is credited, like most of their songs, to  Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.

Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):

This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.

Brown Sugar, Lyrics:

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.

I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.

Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.

I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.

Continue reading Brown Sugar by Rolling Stones was released 16 April in 1971

Bob Dylan’s best songs – It Ain’t Me Babe – #46

bob dylan 1964

You know,  It Ain’t Me Babe was on the radio the other day and it never really occurred to me how different it was as a hit to how it was in my repertoire.
~Bob Dylan (to Adrian Deevoy, Oct 1989)

Save for a faux-reggae arrangement ten years on—one of the absolute highlights of the Renaldo and Clara film—the song has usually relied on the sparsest of acoustic accompaniments in live performance, often serving as a set closer, which tempts one to suggest it addresses the audience—specifically that element that wants the man to stay the same. That ain’t him.
~Clinton Heylin (Revolution in the air)

#46 on my list of Dylan’s 200 best songs. Recorded on June 9th, 1964 @ Columbia Studios – NYC. This was the one & only recording session for “Another Side of Bob Dylan”

Bob_Dylan_-_Another_Side_Of_Bob_Dylan

It Ain’t Me Babe” is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964 by Columbia Records. The song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience. Within a year of its release, the song was picked up as a single by artists who were forging the folk rock movement, including The Turtles and The Byrds.
Wikipedia

Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need

Spotify:

Continue reading Bob Dylan’s best songs – It Ain’t Me Babe – #46

Today: Elvis Presley recorded Always on my Mind in 1972

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Always on my Mind is seldom considered among the best of Elvis’ 70’s output, but if you ask me it’s at the top of the list. The recording sessions was great, it included Burnin Love and For the good times. I almost cry when I listen to it, it embodies everything, everything I love about Elvis, heartbreak, slow ballads, emphathy and true feelings. What a voice!

Peter Guralnick writes in his book Careless Love:

The trouble was, he (Elvis) wasn’t interested in cutting a hit record. “He was trying to get something out of his system.”

On the second night Felton finally got his way, but he was under no illusion that Elvis was doing it for any other reason than to indulge his producer. With encouragement from Joe Esposito and Jerry Schilling, and with Charlie pounding away on acoustic guitar, they got a good, energetic version of “Burning love”, the song Felton had brought to the session, but it was tossed off in six quick takes, in almost throwaway style, and everyone could see that Elvis’ heart wasn’t really in it. They kept working till four in the morning but got only one more song that night and two the following night, including “Always on my mind”…

Elvis seems very wore down after his divorce from Pricilla and in no mood for Rock’n Roll, but he really let it all out in this great ballad.

Maybe I didn’t love you
Quite as often as I could have
Maybe I didn’t treat you
Quite as good as I should have
If I made you feel second best
Girl I’m sorry I was blind

Always on my mind recorded by Elvis:

The feeling embodied in that song is tremendous, how a man can put this much feeling into a song is hard to conceive!

Here’s another version recorded by Elvis on the  29th of March in 1972:

From Wikipedia:

Always on My Mind” is an American country music song by Johnny Christopher, Mark James and Wayne Carson.

Elvis Presley recorded his version of “Always on My Mind” on March 29, 1972, a few weeks after his February separation from wifePriscilla. The song was released as the B-side of the “Separate Ways” single, which reached Gold status in the U.S for sales of over half a million copies. It was listed as a double sided hit reaching number 16 on Billboard magazine’s Hot Country Singles chart in November 1972. In the UK “Always on My Mind” was the hit song and “Separate Ways” was the B-side.

Other Mar-29:

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Today: Johnny Cash recorded Ring of Fire in 1963

Ring Of Fire 1

“The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.”
– Rosanne Cash

Ring of Fire” or “The Ring of Fire” is a country music song popularized by Johnny Cash and co-written by June Carter Cash (wife of Johnny Cash) and Merle Kilgore. The single appears on Cash’s 1963 album, Ring of Fire: The Best of Johnny Cash. The song was originally recorded by June’s sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as “(Love’s) Ring of Fire”.

Anita Carter – Love’s Ring of Fire:

According to the Rolling Stone magazine’s Top 500 Songs, June Carter wrote this song while driving around aimlessly one night, worried about Cash’s wild man ways – and aware that she couldn’t resist him.

“There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”

Not long after hearing June’s sister Anita’s take on the song, Cash had a dream that he was singing it with Mariachi horns. Cash’s version became one of his biggest hits, and his marriage to June 4 years later helped save his life. The song was maybe inspired by the poem Love’s Ring Of Fire, and it was originally recorded in a more folksy manner by June Carter’s sister, Anita, as “Love’s Fiery Ring.”/”Love’s Ring of Fire”.  Cash held back on his single to give her version a chance to chart.
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Bob Dylan’s best songs – Mr. Tambourine Man – #12

bob dylan mr tambourine man

My thoughts, my personal needs have always been expressed through my songs; you can feel them there even in ‘Mr Tambourine Man’.
~Bob Dylan (to Sandra Jones – June 1981)

Even a song like Mr. Tambourine Man really isn’t a fantasy. There’s substance to the dream. Because you’ve seen it, you know? In order to have a dream, there’s something in front of you. You have to have seen something or have heard something for you to dream it. It becomes your dream then.
~Bob Dylan (to Bill Flanagan – March 1985)

Original version from youtube:

Spotify:

#12 on my list of Dylan’s 200 best songs. The original version from “Bringing It All Back Home” was recorded on January 15 – 1965 @ the third recording session.

….and proceeded to record the final versions of “Mr. Tambourine Man”, “It’s Alright, Ma” & “Gates Of Eden” in a single take* with no playback between songs… it’s as though all three songs came out of him in one breath, easily the greatest breath drawn by an American artist since Ginsberg & Kerouac exhaled “Howl” & “On The Road” a decade earlier..
~Paul Williams (BD Performing Artist 1960-73)

*although this has been found not to be entirely true (after PW wrote his book).. It’s still a GREAT quote.

Bob Dylan - bringing it all back home

The specific Tambourine Man he had in mind was Bruce Langhorne, the magnificent multi-instrumentalist who would usher in Dylan’s electric era with some spellbinding guitar playing on Bringing It All Back Home (notably on “Mr. Tambourine Man” itself).
~Clinton Heylin (Revolution in the air)

Live at the Newport Folk Festival – 1964:

Continue reading Bob Dylan’s best songs – Mr. Tambourine Man – #12