Tag Archives: 1966

Today: Al Green is 67

al green

I’m thankful for every moment.
~Al Green

The music is the message, the message is the music. So that’s my little ministry that the Big Man upstairs gave to me – a little ministry called love and happiness.
~Al Green

If Al decides to turn into Otis Redding after all, we may look back at this repackaging of his earliest recordings as the beginning of a great stylist. If he decides to turn into Diana Ross, as seems at least possible, we will forget it quickly enough.
~Robert Christgau (in 1972 – review of “Al Green” album)

Let’s Stay Together (Live 1972):

President Obama:

 Wikipedia:

Birth name Albert Greene
Also known as The Reverend Al Green
Born April 13, 1946 (age 67)
Origin Forrest City, Arkansas, U.S.
Genres R&B, gospel, soul, smooth soul
Occupations Reverend, vocalist, producer,songwriter
Instruments Vocals, guitar
Years active 1967–present
Labels Hi, Myrrh, The Right Stuff
Associated acts The Creations, Willie Mitchell
Website Official website

Albert Greene (born April 13, 1946), better known as Al Green or Reverend Al Green, is an American singer, better known for scoring a series of soul hit singles in the early 1970s, including “Tired of Being Alone”, “I’m Still In Love With You”, “Love and Happiness” and his signature song, “Let’s Stay Together”. Inducted to the Rock and Roll Hall of Fame in 1995, Green was referred to on the museum’s site as being “one of the most gifted purveyors of soul music”. Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 66.

al green 2

Love and Happiness (live – HQ):

Al Green was the first great soul singer of the ’70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early ’70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings.
~Stephen Thomas Erlewine (allmusic.com)

al green 3

Awards:

  • Inducted to the Rock and Roll Hall of Fame in 1995
  • In 2004, Green was inducted into the Gospel Music Association‘s Gospel Music Hall of Fame
  • In the same year he was inducted into The Songwriters Hall of Fame
  • In 2004, Rolling Stone magazine ranked him No. 65 on their list of the 100 Greatest Artists of All Time
  • He was honored with a Lifetime Achievement Award at the 2009 BET Awards on June 24, 2009 

On August 26, 2004, Green was honored as a BMI Icon at the annual BMI Urban Awards. He joined an impressive list of previous Icon honorees including R&B legends James Brown, Chuck Berry, Little Richard and Bo Diddley

Al Green Live in Chicago 78 (58min):

 Playlist of the day:

Other April 13:

Continue reading Today: Al Green is 67

Bob Dylan’s best songs – Stuck Inside of Mobile With The Memphis Blues Again #5

bobdylan-blondeonblonde-cover

“Now!… Well for one thing, the music, the rhyming and rhythm, what I call the mathematics of a song, are more second-nature to me. I used to have to go after a song, seek it out. But now, instead of going to it I stay where I am and let everything disappear and the song rushes to me. Not just the music, the words, too.
~Bob Dylan (to Margaret Steen, Nov 1965)

[SIoMWTMBA].. goes beyond being an exciting rock-music performance. It shares with those slower Blonde on Blonde songs ‘Visions of Johanna’ and ‘Sad-Eyed Lady of the Lowlands’ a greater-than-average duration and a general high seriousness of intention.
~Michael Gray (BD Encyclopedia)

bob dylan stuck inside of mobile

@ #5 on my list of Dylan’s 200 best songs.. the second best song on Blonde On Blonde.

The master version (Blonde On Blonde version) was recorded @ Columbia Music Row Studios – Nashville, Tennessee –17 February 1966 (47 years ago).

This was the the 8th Blonde On Blonde session, produced by Bob Johnston.. and after 20 attempts Dylan was satisfied … with take 20. No other songs were tried @ this session.

….and those lovely drums….

…I know it sounds silly, but I love that song and how it pulls me in, but once I’m in there I always focus on the drummer. It’s a song with so much soul, but the more I listen, I always go back to those killer drums.
~Frank Black (Pixies, etc) (to MOJO’s “Dylan 100 best songs edition” )

Bob+Dylan+Dylan+1966

Master version (Blonde On Blonde):

Spotify:

Continue reading Bob Dylan’s best songs – Stuck Inside of Mobile With The Memphis Blues Again #5

Bob Dylan’s best songs – Sad Eyed Lady of The Lowlands #49

bobdylan-blondeonblonde-cover

Stayin’ up for days in the Chelsea Hotel,
Writin’ “Sad-Eyed Lady of the Lowlands” for you.
~”Sara” (Bob Dylan)

That song is an example of a song… it started out as just a little thing, Sad-Eyed Lady Of The Lowlands, but I got carried away, somewhere along the line. I just sat down at a table and started writing. At the session itself. And I just got carried away with the whole thing… I just started writing and I couldn’t stop. After a period of time, I forgot what it was all about, and I started trying to get back to the beginning.
~Bob Dylan (to Jann Wenner Nov 1969)

This is the best song I’ve ever written.
~Bob Dylan (to Robert Shelton)

@ #49 on my list of Dylan’s 200 best songs. Recorded @ Columbia Music Row Studios – Nashville, Tennessee – February 16, 4-5.30 am.

Bob Dylan & Sara

Session list:

  1. I’ll Keep It With Mine
  2. I’ll Keep It With Mine
  3. I’ll Keep It With Mine
  4. I’ll Keep It With Mine
  5. I’ll Keep It With Mine
  6. I’ll Keep It With Mine
  7. I’ll Keep It With Mine
  8. I’ll Keep It With Mine
  9. I’ll Keep It With Mine
  10. I’ll Keep It With Mine
  11. Sad-Eyed Lady Of The Lowlands
  12. Sad-Eyed Lady Of The Lowlands
  13. Sad-Eyed Lady Of The Lowlands
  14. Sad-Eyed Lady Of The Lowlands

Spotify:

Continue reading Bob Dylan’s best songs – Sad Eyed Lady of The Lowlands #49

Bob Dylan’s best songs – Just Like A Woman – #23 – updated

just like a woman

No, no. I knew a lot of those people but I also know a lot of lesbians. They’re not going to ask me to join a lot of campaigns just because I wrote Just Like A Woman
~Bob Dylan (to Philip Fleishman, Feb 1978)

Well, that’s true, that’s true, I believe that. I believe that that feeling in that song [Just Like A Woman] is true and that I can grasp it, you know, when I’m singing it. But if you’re looking for true companion in a woman, I mean… I can’t stand to… to run with women anymore, I just can’t, it bothers me. I’d rather stand in front of a rolling train, y’know. But if you find a woman that is more than a companion, that is also your sister, and your lover and your mother, y’know, if you find all them ideas in one woman, well, then you got a companion for life. You don’t ever have to think about.
~Bob Dylan (to Matt Damsker, Sept 1978)

..a devastating character assassination..[it] may be the most sardonic, nastiest of all Dylan’s put-downs of former lovers.
~Alan Rinzler (quotet in Paul William’s “BD – Performing artist 1960-73)

#23 on my list of Dylan’s 200 best songs. The original version from “Blonde On Blonde” was recorded on March 8 – 1966.

“Blonde on Blonde” version:

spotify:

Musicians:

  • Bob Dylan (guitar, harmonica, vocal)
  • Charlie McCoy (guitar)
  • Robbie Robertson (guitar)
  • Wayne Moss (guitar)
  • Joe South (guitar, bass)
  • Al Kooper (organ)
  • Hargus “Pig” Robbins (piano)
  • Henry Strzelecki (bass)
  • Kenneth Buttrey (drums).

Bob Dylan 1966

 

Continue reading Bob Dylan’s best songs – Just Like A Woman – #23 – updated

Bob Dylan – The Bootleg Series Vol. 4: Bob Dylan Live 1966, The “Royal Albert Hall” Concert

Well, but you see, Columbia’s never offered to do that. They have done that with The Basement Tapes and the Budokan album. But they’ve never offered to put that out as a historical album or whatever. And believe me, if they wanted to do it, they could.
~Bob Dylan to Kurt Loder in 1984

 “I still can’t believe they’ve finally put it out. I just keep staring at my copy.”
~Andy Kershaw (BBC Radio 1 DJ)

14 years ago today… they finally put it out, this surely calls for a celebration!

Baby, Let Me Follow You Down:

From Wikipedia:

Released October 13, 1998
Recorded May 17, 1966
Genre Rock, folk rock, blues rock
Length 95:18
Label Columbia
Producer Jeff Rosen

Live 1966: The “Royal Albert Hall” Concert is a two-disc live album by Bob Dylan, released in 1998. Recorded at Manchester’s Free Trade Hall. It is from Dylan’s famous world tour in 1966, having been extensively bootlegged for decades, and is an important document in the development of popular music during the 1960s.

The setlist consisted of two parts, with the first half of the concert being Dylan alone on stage performing an entirely acoustic set of songs, while the second half of the concert has Dylan playing an “electric” set of songs alongside his band The Hawks. The first half of the concert was greeted warmly by the audience, while the second half was highly criticized, with heckling going on before and after each song.

Here are two (of many..) “real” bootleg covers of this concert:

Continue reading Bob Dylan – The Bootleg Series Vol. 4: Bob Dylan Live 1966, The “Royal Albert Hall” Concert