“I wrote my fourth album [“Another Side of Bob Dylan”] in Greece, but that was still an American album.”
~Bob Dylan (to Robert Shelton June 1978)
“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)
“His writing and control of atmosphere on songs like ‘To Ramona’ and ‘Spanish Harlem Incident’ come across as early flashes of the creative explosion that he was to go through in 1965–66. A great minor album, and his last solo album until the 1990s.”
~Michael Gray (The Bob Dylan Encyclopedia
)
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Continue reading August 8: Bob Dylan: Another Side Of Bob Dylan (album) →
“I wrote my fourth album [“Another Side of Bob Dylan”] in Greece, but that was still an American album.”
~Bob Dylan (to Robert Shelton June 1978)
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“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)
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In May Dylan went to London for a concert at the Royal Festival Hall. Afterwards he and Victor Maimudes visited Paris and a small town in Greece, where Dylan worked on songs for his next album. Back in New York, June· 9, 1964, Dylan went into the recording studio with Tom Wilson, a couple of bottles of wine, and a small crowd of friends, and recorded his entire fourth album, Another Side of Bob Dylan, in a single evening.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973
)
Continue reading June 9: Bob Dylan – Another Side Of Bob Dylan recording session in 1964 →
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August 8: Bob Dylan: Another Side Of Bob Dylan (album) (read more)
“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)
–
“His writing and control of atmosphere on songs like ‘To Ramona’ and ‘Spanish Harlem Incident’ come across as early flashes of the creative explosion that he was to go through in 1965–66. A great minor album, and his last solo album until the 1990s.”
~Michael Gray (The Bob Dylan Encyclopedia)
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August 8: Neil Young released “Like A Hurricane” in 1977 (read more)This brilliant song (one of his best) was recorded on November 29, 1975 @ Broken Arrow Ranch, Woodside CA.
It was released as a single on August 8, 1977 & included on the album American Stars ‘n Bars (1977).-
Neil Young – Lead guitar and lead vocals
Frank “Poncho” Sampedro – Stringman synthesizer and background vocals
Billy Talbot – Bass guitar and background vocals
Ralph Molina – Drums and background vocals
Produce by Neil Young, David Briggs & Tim Mulligan. |
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August 08: Webb Pierce was born in 1921 (read more)
Webb Pierce was one of the most popular honky tonk vocalists of the ’50s, racking up more number one hits than similar artists like Hank Williams, Eddy Arnold, Lefty Frizzell, and Ernest Tubb. For most of the general public, Pierce — with his lavish, flamboyant Nudie suits — became the most recognizable face of country music..
~Stephen Thomas Erlewine (allmusic.com)
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Joseph Arrington, Jr. (August 8, 1935 – August 13, 1982), better known as Joe Tex, was an American musician who gained success in the 1960s and 1970s with his brand of Southern soul, which mixed the styles of country, gospel and rhythm and blues.
Born in Rogers, Texas, and raised in Baytown, Tex’s career started after he was signed to King Records in 1955 following four wins at the Apollo Theater. Between that year and 1964, however, Tex struggled to find hits and by the time he finally recorded his first hit, “Hold What You’ve Got”, in 1964, he had recorded thirty prior singles that were deemed failures on the charts. Tex went on to have four million-selling hits, “Hold What You’ve Got” (1965), “Skinny Legs and All” (1967), “I Gotcha” (1972), and “Ain’t Gonna Bump No More (With No Big Fat Woman)” (1977).
Tex’s style of speaking over the background of his music helped to make him one of the predecessors of the modern style of rap music.
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| David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge), is an Irish musician, songwriter and singer best known as the guitarist, keyboardist and vocalist of the rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band as well as one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2’s music. |
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Spotify Playlist – August 08
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In May Dylan went to London for a concert at the Royal Festival Hall. Afterwards he and Victor Maimudes visited Paris and a small town in Greece, where Dylan worked on songs for his next album. Back in New York, June· 9, 1964, Dylan went into the recording studio with Tom Wilson, a couple of bottles of wine, and a small crowd of friends, and recorded his entire fourth album, Another Side of Bob Dylan, in a single evening.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973) |
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The Stones’ best album since Exile on Main Street is also their easiest since Let It Bleed or before. They haven’t gone for a knockdown uptempo classic, a “Brown Sugar” or “Jumping Jack Flash”–just straight rock and roll unencumbered by horn sections or Billy Preston. Even Jagger takes a relatively direct approach, and if he retains any credibility for you after six years of dicking around, there should be no agonizing over whether you like this record, no waiting for tunes to kick in. Lyrically, there are some bad moments–especially on the title cut, which is too fucking indirect to suit me–but in general the abrasiveness seems personal, earned, unposed, and the vulnerability more genuine than ever. Also, the band is a real good one–especially the drummer. A
~Robert Christgau |
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Nehemiah Curtis “Skip” James (June 9, 1902 – October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. Born in Bentonia, Mississippi, United States, he died in Philadelphia, Pennsylvania.Check out:
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| Jack Leroy “Jackie” Wilson, Jr. (June 9, 1934 – January 21, 1984) was an American singer and performer. Known as “Mr. Excitement“, Wilson was important in the transition of rhythm and blues into soul. He was considered a master showman, one of the most dynamic and influential singers and performers in R&B and rock history. |
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Johnny Ace (June 9, 1929 – December 25, 1954), born John Marshall Alexander, Jr. in Memphis, Tennessee,wasanAmericanrhythm and blues singer. He scored a string of hit singlesinthemid-1950s before dying of an accidental self-inflicted gunshot wound.
Check out:
Bob Dylan & Joan Baez: Never Let Me Go (Johnny Ace)
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| Arthur Alexander (May 10, 1940 – June 9, 1993) was an Americancountrysoul singer. Jason Ankeny, music critic for Allmusic, said Alexander was a “country-soul pioneer” and though largely unknown, “his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries.” |
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Spotify Playlist – June 09
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You know, It Ain’t Me Babe was on the radio the other day and it never really occurred to me how different it was as a hit to how it was in my repertoire.
~Bob Dylan (to Adrian Deevoy, Oct 1989)
Save for a faux-reggae arrangement ten years on—one of the absolute highlights of the Renaldo and Clara film—the song has usually relied on the sparsest of acoustic accompaniments in live performance, often serving as a set closer, which tempts one to suggest it addresses the audience—specifically that element that wants the man to stay the same. That ain’t him.
~Clinton Heylin (Revolution in the air)
@ #46 on my list of Dylan’s 200 best songs. Recorded on June 9th, 1964 @ Columbia Studios – NYC. This was the one & only recording session for “Another Side of Bob Dylan”
“It Ain’t Me Babe” is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964 by Columbia Records. The song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience. Within a year of its release, the song was picked up as a single by artists who were forging the folk rock movement, including The Turtles and The Byrds.
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Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
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Continue reading Bob Dylan’s best songs – It Ain’t Me Babe – #46 →
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