Tag Archives: Bob Dylan

Bob Dylan, Bob Dylan video, Willie Nelson

April 28: Bob Dylan & Willie Nelson – KRLU-TV Studios, Austin, Texas 1993

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bob dylan & Willie Nelson 1993

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]He [Willie Nelson] takes whatever thing he’s singing and makes it his. There’s not many people who can do that. Even something like an Elvis tune. You know, once Elvis done a tune, it’s pretty much done. But Willie is the only one in my recollection that has even taken something associated with Elvis and made it his. He just puts his sorta trip on it…
~Bob Dylan (28 April 1993)[/vc_message][/vc_column][/vc_row]

From the filming of Willie Nelson 60th birthday party.

KRLU-TV Studios
Jesse H. Jones Communication Center Building B
The University of Texas At Austin
Austin, Texas
28 April 1993

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Blues, Bob Dylan, Bob Dylan albums

April 28: Bob Dylan released Together Through Life 2009

bob dylan Together-Through-Life

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]…Sure, I try to stick to the rules. Sometimes I might shift paradigms within the same song, but then that structure also has its own rules. And I combine them both, see what works and what doesn’t. My range is limited. Some formulas are too complex and I don’t want anything to do with them.
~Bob Dylan (to Bill Flanagan, in 2009)

“Dylan, who turns 68 in May, has never sounded as ravaged, pissed off and lusty”
~David Fricke (rollingstone.com)[/vc_message][/vc_column][/vc_row]

bob dylan Together Through Life back

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Together Through Life is an album that gets its hooks in early and refuses to let go. It’s dark yet comforting, with a big tough sound, booming slightly like a band grooving at a soundcheck in an empty theatre. And at its heart there is a haunting refrain. Because above everything this is a record about love, its absence and its remembrance.
~Danny Eccleston (mojo4music.com)[/vc_message][/vc_column][/vc_row]

Beyond Here Lies Nothin’

I’m listening to Billy Joe Shaver
And I’m reading James Joyce
Some people they tell me
I got the blood of the land in my voice
~Bob Dylan (I Feel A Change Comin’ On)

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Bob Dylan, Bob Dylan other

April 28: Bob Dylan Klas Burling interview, Sweden 1966

bob Dylan klas burling interview 1966

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]What do you think Mozart would say to you if you ever come up to him and ask him the questions that you’ve been asking, you know? What kind of questions would you ask him, you know, ‘Tell me, Mr. Mozart… ‘
~Bob Dylan (to Klas Burling, April 28, 1966)[/vc_message][/vc_column][/vc_row]

Immediately after the official press conference at the Hotel Flamingo at Stockholm, Dylan was interviewed for Swedish Radio 3: Stockholm: Radiohuset by Sweden’s first disc jockey, Klas Burling. Burling asked all the questions that Dylan had clearly grown sick and tired of hearing and got a really hard time as a result. You have to give poor Burling credit for lasting the distance and carrying the interview through to the end. (Every Mind Polluting Word)

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Bob Dylan, The Best Songs, Video

‘Cross the Green Mountain by Bob Dylan an analysis

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‘Cross the Green Mountain by Bob Dylan

”Memories linger, sad yet sweet/And I think of the souls in heaven who we’ll meet”

‘Cross the Green Mountain was written for the soundtrack of Gods and Generals, a Civil War TV series, in this very well constructed ballad Dylan puts himself in the mind of a Civil War soldier (a dying man). I’m not sure that it was written specifically for the movie or if Dylan had written it earlier and found use for it now, it’s hard to say.  The mood is strikingly brought forward by his band, rolling along like in so many of his long and significant tunes. It is a major work of art, it deserved a better fate than to be tucked away on the bootleg series or on a TV-soundtrack!

I do not pretend to have the complete meaning to the song or found all the references Bob Dylan has used, so please enlighten me in the comments section. When I get enough new information I will update the post.

Check also out:
Analysis of Dylan’s Scarlet Town

Analysis of Pay in Blood

Analysis of Tin Angel

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Bob Dylan, Bob Dylan recording sessions

April 27: Bob Dylan 3rd Street-Legal recording session, 27 April 1978

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bob dylan street-legal

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.
~Bob Dylan (to Robert Hilburn – May 1978)

Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.[/vc_message][/vc_column][/vc_row]

bob dylan street legal2

First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.

The first & second recording session (April 25 & 26) did not produce much (probably only a master of “We Better Talk This Over”), but on this  sessions we (probably) got 4 masters: No Time To Think, Where Are You Tonight? (Journey Through Dark Heat), True Love Tends To Forget & Changing Of The Guards.

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