I hereby challenge all readers to put out their personal list of the 20 Greatest albums of all time. Top 15 /10 is also appreciated.
Use the comments section in this post or check out our Facebook page.
The poll will be open till Tuesday’ish.
The rules:
ONLY 5 Bob Dylan albums allowed
It’s an album list, but 2 exceptions are allowed (Greatest Hits/Very Best/..) This is meant to cover artists that didn’t really put out many “albums”, typically older music 40/50s.
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Again: Don’t take theses lists so seriously ! It’s meant to be FUN.
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It was a great poll to host, and we got lists in from 52 musicologists.
notes:
It’s nice to see (though hardly a surprise) 3 Dylan albums on top (as on my list)
lists with fewer than 5 did not count
Live albums did not count, including my own “Live @ San Quentin”, as stated above.. this will be a separate poll
More than anything else this fagged-out masterpiece is difficult–how else describe music that takes weeks to understand? Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.
~Robert Christgau
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..It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)
Are You Experienced is the debut album by English/American rock band the Jimi Hendrix Experience. Released in 1967 (12 May), it was the first LP for Track Records. The album highlighted Hendrix’s R&B-based, psychedelic, distortion-and feedback-laden electric guitar playing and launched him as a major new international star.
Ian Robins Dury (12 May 1942 – 27 March 2000) was an English rock and roll singer-songwriter, bandleader, artist, and actor who initially rose to fame during the late 1970s, during the punk and New Wave era of rock music. He is best known as founder and lead singer of the British band Ian Dury and the Blockheads.
Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter and producer, best known for his work with Berry Gordy’s Motown label during the 1960s.[1] He has been credited as one of the creators of the Motown Sound and as an instrumental figure in the development of the late-1960s sub-genre of psychedelic soul.
Stephen Lawrence “Steve” Winwood (born 12 May 1948) is an English musician whose genres include rock, blue-eyed soul, rhythm and blues, blues rock, pop rock, and jazz. A multi-instrumentalist, he can play keyboards, bass guitar, drums, guitar, mandolin, violin, and other strings.
“Definitely one of the best movies about rock and roll I’ve ever seen. It makes you think being a rock and roll star is one of the last things you’d ever want to do.” – Jim Jarmuch
Cocksucker Blues is named after a notorious Stones recording – just piano and singer Mick Jagger, in X-rated lonely-boy agony – that the band submitted as a final fuck-you single to their original, despised British label, Decca. (It was rejected.) The song, heard early in Frank’s movie, is blunt and drab. – David Fricke (Rolling Stone Magazine)
The tale of Cocksucker Bluesis as sordid as its title.
Cocksucker Blues is a film by photographer Robert Frank on the Rolling Stone’s 1972 American tour. Not released officially by the Stones… the film is chronicling The Rolling Stones American Tour 1972 in support of their album Exile on Main St.
Bootlegs – the only way I was able to encounter a copy – have circulated for years.
More than anything else this fagged-out masterpiece is difficult–how else describe music that takes weeks to understand? Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.
~Robert Christgau (http://www.robertchristgau.com)
..It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)
Let It Loose:
Wikipedia:
Released
12 May 1972
Recorded
June 1969 – March 1972
Genre
Rock and roll, blues, soul, R&B,country
Length
67:07
Language
English
Label
Rolling Stones
Producer
Jimmy Miller
Exile on Main St. is the tenth British and 13th American studio album by English rock band The Rolling Stones. Released as a double LP in May 1972, it draws on many genres including rock and roll, blues, soul, R&B, gospel and country. The release of Exile on Main St. met with mixed reviews, but it is now generally regarded as the band’s best album. In 1987, as part of their 20th anniversary, Rolling Stone magazine ranked it third on the 100 Best Albums of the Last Twenty Years. In 2003, the album was ranked 7th on Rolling Stone magazine’s list of the 500 greatest albums of all time, the highest a Rolling Stones album ranked on the list.
The 2010 remastered version of the album was released in Europe on 17 May 2010 and in the United States on 18 May 2010, featuring a bonus disc with 10 new tracks.
Loving Cup:
Recording:
Exile on Main St. was written and recorded between 1968 and 1972. Mick Jagger said “After we got out of our contract with Allen Klein, we didn’t want to give him [those earlier tracks],” as they were forced to do with “Brown Sugar” and “Wild Horses” from Sticky Fingers. Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger’s Stargroves country house in England during sessions for Sticky Fingers.
By the spring of 1971 the Rolling Stones owed more in taxes than they could pay and left Britain before the government could seize their assets. Mick Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards’ basement at Nellcôte became a makeshift studio using the band’s mobile recording truck.
Torn And Frayed:
…..it’s their most physically jolting album and, ultimately, their most emotionally inspiring. Mick’s vocals are just another instrument in a glorious rush of high-velocity electric noise, his lyrics barely perceptible in all the guitar, sax, and harmonica; whatever he’s saying, he just wants to plug in and flush out and fight and fuck and feed. Keith channels all his nasty habits and internal chaos into the guitars, from the convulsive opener, “Rocks Off,” to the weary acoustic stomp of “Sweet Virginia.” Charlie Watts’ understated performance in “Shake Your Hips” demands some sort of Nobel Prize.
Exile was the Stones’ biggest musical triumph, but all the decadence was catching up with them. The band lost focus, with Keith’s attention diverted by the pressing concern of stuffing as many toxic chemicals into his veins as possible.
Mick Jagger – lead vocals, harmonica, guitar on “Tumbling Dice” and “Stop Breaking Down”, percussion
Keith Richards – guitars, backing vocals, lead vocals on “Happy”, electric piano on “I Just Want to See His Face”, bass guitar on “Casino Boogie”, “Happy” and “Soul Survivor”
Mick Taylor – guitars, slide guitar, bass guitar on “Tumbling Dice”, “Torn and Frayed”, “I Just Want to See His Face” and “Shine a Light”
Charlie Watts – drums
Bill Wyman – bass guitar
Additional personnel
Nicky Hopkins – piano
Bobby Keys – saxophone, percussion on “Happy”
Jim Price – trumpet, trombone, organ on “Torn and Frayed”
Ian Stewart – piano on “Shake Your Hips”, “Sweet Virginia” and “Stop Breaking Down”
Jimmy Miller – drums on “Happy” and “Shine a Light”, percussion on “Sweet Black Angel”, “Loving Cup”, “I Just Want to See His Face” and “All Down the Line”
Bill Plummer – upright bass on “Rip This Joint”, “Turd on the Run”, “I Just Want to See His Face” and “All Down the Line”
Billy Preston – piano and organ on “Shine a Light”
Al Perkins – pedal steel guitar on “Torn and Frayed”
Richard Washington – marimba on “Sweet Black Angel”
Clydie King, Venetta Fields – backing vocals on “Tumbling Dice”, “I Just Want to See His Face”, “Let It Loose” and “Shine a Light”
Joe Green – backing vocals on “Let It Loose” and “Shine a Light”
Jerry Kirkland – backing vocals on “I Just Want to See His Face” and “Shine a Light”
Mac Rebennack, Shirley Goodman, Tami Lynn – backing vocals on “Let It Loose”
Kathi McDonald – backing vocals on “All Down the Line”
Engineers – Glyn and Andy Johns, Joe Zaganno, Jeremy Gee
