“If anybody can be called a genius, he can be. I think it has something to do with his ear, not being able to see or whatever. I go back with him to about the early ‘60s, when he was playing at the Apollo with all that Motown stuff. If nothing else, he played the harmonica incredible, I mean truly incredible. Never knew what to think of him really until he cut Blowin’ In The Wind. That really blew my mind, and I figured I’d better pay attention. I was glad when he did that Rolling Stones tour, cuz it opened up his scene to a whole new crowd of people, which I’m sure has stuck with him over the years. I love everything he does. It’s hard not to. He can do gut-bucket funky stuff really country and then turn around and do modern-progressive whatever you call it. In fact, he might have invented that. he is a great mimic, can imitate everybody, doesn’t take himself seriously and is a true roadhouse musician all the way, with classical overtones, and he does it all with drama and style. I’d like to hear him play with an orchestra. He should probably have his own orchestra.”
~Bob Dylan (about Stevie Wonder – 9 February 1989, Rolling Stone featurette on Stevie Wonder)
Stevie Wonder birthday today (born May 13, 1950):
In this post I will connect Stevie Wonder & Bob Dylan.
Do you know, it’s funny, but I never thought of being blind as a disadvantage, and I never thought of being black as a disadvantage.
~Stevie Wonder
“If anybody can be called a genius, he can be. I think it has something to do with his ear, not being able to see or whatever. I go back with him to about the early ‘60s, when he was playing at the Apollo with all that Motown stuff. If nothing else, he played the harmonica incredible, I mean truly incredible. Never knew what to think of him really until he cut Blowin’ In The Wind. That really blew my mind, and I figured I’d better pay attention. I was glad when he did that Rolling Stones tour, cuz it opened up his scene to a whole new crowd of people, which I’m sure has stuck with him over the years. I love everything he does. It’s hard not to. He can do gut-bucket funky stuff really country and then turn around and do modern-progressive whatever you call it. In fact, he might have invented that. he is a great mimic, can imitate everybody, doesn’t take himself seriously and is a true roadhouse musician all the way, with classical overtones, and he does it all with drama and style. I’d like to hear him play with an orchestra. He should probably have his own orchestra.”
~Bob Dylan (Feb 1989, Rolling Stone Mag. – featurette on Stevie Wonder)
The Best Dylan covers: Stevie Wonder – Blowin’ in the wind
“Blowin’ in the Wind” is a song written by Bob Dylan in 1962 and released on his album The Freewheelin’ Bob Dylan in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war and freedom. The refrain “The answer, my friend, is blowin’ in the wind” has been described as “impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind”.
In 1994, the song was inducted into the Grammy Hall of Fame. In 2004, it was ranked #14 on Rolling Stone magazine’s list of the “500 Greatest Songs of All Time”.
Stevie Wonder – Blowin’ in the Wind (Studio version, 1966):
Innervisions is the sixteenth album by American musician Stevie Wonder , released August 3, 1973 on Motown Records; a landmark recording of his “classic period”.The nine tracks of Innervisions encompass a wide range of themes and issues: from drug abuse in “Too High,” through social anger in “Living for the City,” to love in the ballads “All in Love is Fair” and “Golden Lady.”
The Forum, Inglewood, Los Angeles, California 3 August 1986
Bob Dylan (vocal & guitar) with Tom Petty & The Heartbreakers.
James Alan Hetfield (born August 3, 1963) is the rhythm guitarist, co-founder, main songwriter, and lead vocalist for the American heavy metal band Metallica. Hetfield co-founded Metallica in October 1981 after answering a classified advertisement by drummer Lars Ulrich in the Los Angeles newspaper The Recycler, searching for band members.
Arthur Lee (March 7, 1945 – August 3, 2006) was the frontman, songwriter and multi-instrumentalist of the Los Angeles rock band Love, best known for the critically acclaimed 1967 album, Forever Changes.
