Tag Archives: Sun

Today: Great Balls of Fire was recorded in 1957 56 years ago

Well kiss me baba, woo-oooooo….it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine

From Wikipedia:

Released November 11, 1957
Recorded October 8, 1957, Sun Studio, Memphis, Tennessee
Genre Rock and roll, Rockabilly, Country
Label Sun 281
Writer(s) Otis Blackwell (under the pseudonym Jack Hammer)

Great Balls of Fire” is a 1957 song recorded by Jerry Lee Lewis on Sun Records and featured in the 1957 movie Jamboree. It was written by Otis Blackwell (under the pseudonym Jack Hammer). The Jerry Lee Lewis 1957 recording was ranked as the 96th greatest song ever by Rolling Stone. The song is in AABA form.

From Rollingstone.com (500 greatest songs):
With Lewis pounding the piano and leering, “Great Balls of Fire” was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust. Lewis, a Bible-college dropout and cousin to Jimmy Swaggart, refused to sing it at first and got into a theological argument with Phillips that concluded with Lewis asking, “How can the devil save souls?” But as the session wore on and the liquor kept flowing, Lewis’ mood changed considerably — on bootleg tapes he can be heard saying, “I would like to eat a little pussy if I had some.” Goodness gracious, great balls of fire, indeed.

From allmusic.com – Cub Koda:
Written by African-American songwriter Otis Blackwell under the pseudonym of Jack Hammer, this was Jerry Lee Lewis’ third release and second consecutive hit. There are only two instruments on this recording, Lewis’ piano and J.M. Van Eaton’s drumming, with the echo from the Sun studios working as a third instrument. The song is over in a little more than a minute and a half and yet is perfectly realized with probably Jerry Lee’s best solo to recommend it and a vocal that borders on lascivious. You can do many things with “Great Balls of Fire” but most covers stick damn close to the original Jerry Lee strut and arrangement, so perfectly realized and empathetically played.

The song is best known for Jerry Lee Lewis’s original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957.

The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost’s defining moment when the Holy Spirit manifested itself as “cloven tongues as of fire” and the Apostles spoke in tongues.

and another (newer) version:

Other October 08:

Continue reading Today: Great Balls of Fire was recorded in 1957 56 years ago

Today: Elvis Presley released “That’s All Right” in 1954 – 59 years ago

elvis presley that's all right single

In 2004, Elvis Presley’s “That’s All Right Mama” and Bill Haley’s “Rock Around the Clock” both celebrated their 50th anniversaries. Rolling Stone Magazine felt that Presley’s song was the first rock and roll recording. At the time Presley recorded the song, Big Joe Turner’s “Shake, Rattle & Roll”, later covered by Haley, was already at the top of the Billboard R&B charts. The Guardian felt that while there were rock’n’roll records before Presley’s, his recording was the moment when all the strands came together in “perfect embodiment”. (wikipedia)

“A lot of people seem to think I started this business, but rock ‘n’ roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let’s face it; I can’t sing it like Fats Domino can. I know that. But I always liked that kind of music.”
~Elvis Presley

elvis presley that's all right single2

Wikipedia:

B-side “Blue Moon of Kentucky”
Released 19 July 1954
Format 7″ single
Recorded 5 July 1954
Genre Rockabilly
Length 1:57
Label Sun
Writer(s) Arthur Crudup
Producer Sam Phillips

That’s All Right” is the name of the first commercial single released by Elvis Presley, written and originally performed by blues singer Arthur Crudup. Presley’s version was recorded on 5 July 1954, and released on 19 July 1954 with “Blue Moon of Kentucky” as the B-side. It is #112 on the 2004 Rolling Stone magazine list of the “500 Greatest Songs of All Time”.

Arthur Crudup – That’s All Right (original version):

arthur crudup

The song was written by Arthur “Big Boy” Crudup, and originally recorded by him in Chicago on 6 September 1946, as “That’s All Right”. It was released as a single on RCA Victor 20-2205, but was less successful than some of Crudup’s previous recordings. In early March 1949, the song was re-released under the title, “That’s All Right, Mama” (RCA Victor 50-0000), which was issued as RCA’s first rhythm and blues record on their new 45 rpm single format, on bright orange vinyl.

Elvis Presley’s version was recorded in July 1954, and released with “Blue Moon of Kentucky” as the B-side. Its catalogue number was Sun 209. The label reads “That’s All Right” (omitting “Mama” from the original title), and names the performers as Elvis Presley,Scotty and Bill. Arthur Crudup was credited as the composer on the label of Presley’s single, but Crudup had to wait until the 1960s when he received an estimated $60,000 in back royalties. Crudup used lines in his song that had been present in earlier blues recordings, including Blind Lemon Jefferson’s 1926 song That Black Snake Moan”.

elvis presley that's all right single

Live @ NBC Studio’s 1968:

During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Moore, and Black were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup’s song “That’s All Right, Mama”. Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.

sam phillips prestoampex

Black’s bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a “live” recording (all parts performed at once and recorded on a single track). The following evening the trio recorded “Blue Moon of Kentucky” in a similar style, and it was selected as the B-side to “That’s All Right”.

Upon finishing the recording session, according to Scotty Moore, Bill Black remarked, “Damn. Get that on the radio and they’ll run us out of town.

Elvis Sam Phillips Scotty moore Bill blackAt Sun

Sam Phillips gave copies of the record to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played “That’s All Right” on his popular radio show “Red, Hot & Blue”. 

Interest in the record was so intense that Dewey reportedly played the record 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. 

“That’s All Right” was officially released on July 19, 1954, and sold around 20,000 copies. This number was not enough to chart nationally, but the single reached number four on the local Memphis charts.

Live – That’s The Way It Is (1970):

Album of the day – Sunrise:

elvis_presley-sunrise-front

Other July 19:

Continue reading Today: Elvis Presley released “That’s All Right” in 1954 – 59 years ago

Today: Dolly Parton is 67

Dolly Parton

“Find out who you are and do it on purpose.”
― Dolly Parton

“Don’t get so busy making a living that you forget to make a life.”
― Dolly Parton

“I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets.”
― Dolly Parton

Here’s a nice tribute video – Gospel Music Hall of Fame 2009:

Jolene – live 1974:

In her productivity and devotion to writing Parton is like a nineteenth-century woman novelist–a hillbilly Louisa May Alcott. What’s best about her is her spunkiness and prettiness (Jo crossed with Amy); what’s worst is her sentimentality and failures of imagination (Beth crossed with Meg).
~Robert Christgau (Christgau – Dolly Parton albums)

From Wikipedia:

Birth name Dolly Rebecca Parton
Born January 19, 1946 (age 67)
Sevierville, Tennessee, United States
Genres Country, country pop, pop, bluegrass, gospel
Occupations Singer-songwriter, record producer, actress, author, musician, businesswoman
Instruments Vocals, guitar, banjo, autoharp, piano, drums, appalachian dulcimer, harmonica, pennywhistle, recorder, fiddle, bass guitar, saxophone

Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, multi-instrumentalist, actress, author, and philanthropist, best known for her work in country music.

Beginning her career as a child performer, Parton issued a few modestly successful singles in the mid-1960s, showcasing her distinctive soprano voice. She came to greater prominence in 1967 as a featured performer on singer Porter Wagoner’s weekly television program; their first duet single “The Last Thing on My Mind” was a hit on the country charts and led to several successful albums before they ended their partnership in 1974. Moving towards mainstream pop music, Parton’s 1977 single “Here You Come Again” was a success on both the country and pop charts. A string of pop-country hits followed into the mid-1980s, notably recording a pair of successful albums with Linda Ronstadt and Emmylou Harris, along with the creation of the Dollywood amusement park. In the late 1990s, Parton returned to classic country/bluegrass with a series of acclaimed recordings.

Dolly Parton2

Coat Of My Colors – live 1974:

She has composed over 3,000 songs, the best known of which include “I Will Always Love You” (a two-time U.S. country chart-topper for Parton, as well as an international pop hit for Whitney Houston), “Jolene”, “Coat of Many Colors”, “Here You Come Again” (Parton’s first significant crossover hit, reaching #3 on the Billboard Hot 100), “9 to 5”, and “My Tennessee Mountain Home”. Parton is one of the most successful female country artists of all time, and with an estimated 100 million in album sales, she is also one of the best selling artists of all time in any genre.

As an actress, she starred in the movies 9 to 5The Best Little Whorehouse in TexasSteel MagnoliasGnomeo & JulietStraight TalkUnlikely Angel, and Joyful Noise.

Dolly Parton3

I Will Always Love You – live 1974:

Album of the day:

The Essential Dolly Parton (2005):

album-the-essential-dolly-parton

 

There have been many, many Dolly Parton compilations over the years, but RCA/Legacy’s 2005 set The Essential Dolly Parton is one of the handful that gets it right. Spanning two discs and 37 tracks, this set covers her entire career, from her 1967 debut, Hello, I’m Dolly, to her 2001 bluegrass comeback album, Little Sparrow, but the bulk of this set concentrates on her hitmaking years for RCA in the ’70s and ’80s. Since Dolly had so many hits, not all of them can be included even on a double-disc collection, but this does a tremendous job of picking the biggest and the best of them.
~Stephen Thomas Erlewine (allmusic.com)

Other January 19:

Continue reading Today: Dolly Parton is 67

Today: “Great Balls of Fire” was recorded in 1957 – 55 years ago

Well kiss me baba, woo-oooooo….it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine

From Wikipedia:

Released November 11, 1957
Recorded October 8, 1957Sun Studio, Memphis, Tennessee
Genre Rock and roll, Rockabilly, Country
Label Sun 281
Writer(s) Otis Blackwell (under the pseudonym Jack Hammer)

Great Balls of Fire” is a 1957 song recorded by Jerry Lee Lewis on Sun Records and featured in the 1957 movie Jamboree. It was written by Otis Blackwell (under the pseudonym Jack Hammer). The Jerry Lee Lewis 1957 recording was ranked as the 96th greatest song ever by Rolling Stone. The song is in AABA form.

From Rollingstone.com (500 greatest songs):
With Lewis pounding the piano and leering, “Great Balls of Fire” was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust. Lewis, a Bible-college dropout and cousin to Jimmy Swaggart, refused to sing it at first and got into a theological argument with Phillips that concluded with Lewis asking, “How can the devil save souls?” But as the session wore on and the liquor kept flowing, Lewis’ mood changed considerably — on bootleg tapes he can be heard saying, “I would like to eat a little pussy if I had some.” Goodness gracious, great balls of fire, indeed.

From allmusic.com – Cub Koda:
Written by African-American songwriter Otis Blackwell under the pseudonym of Jack Hammer, this was Jerry Lee Lewis’ third release and second consecutive hit. There are only two instruments on this recording, Lewis’ piano and J.M. Van Eaton’s drumming, with the echo from the Sun studios working as a third instrument. The song is over in a little more than a minute and a half and yet is perfectly realized with probably Jerry Lee’s best solo to recommend it and a vocal that borders on lascivious. You can do many things with “Great Balls of Fire” but most covers stick damn close to the original Jerry Lee strut and arrangement, so perfectly realized and empathetically played.

The song is best known for Jerry Lee Lewis’s original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957.

The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost’s defining moment when the Holy Spirit manifested itself as “cloven tongues as of fire” and the Apostles spoke in tongues.

and another (newer) version:

Other October 08:

Continue reading Today: “Great Balls of Fire” was recorded in 1957 – 55 years ago