How many roads must a man walk down
Before you call him a man?
Yes, ’n’ how many seas must a white dove sail
Before she sleeps in the sand?
Yes, ’n’ how many times must the cannonballs fly
Before they’re forever banned?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind
Target Center
Minneapolis, Minnesota
23 October 1998
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
March 21: The Late Son House was (probably) born in 1902
“Of course that was my idol, Son House. I think he did a lot for the Mississippi slide down there.”
~Muddy Waters
“People keep asking me where the blues started and all I can say is that when I was a boy we always was singing in the fields. Not real singing, you know, just hollerin’, but we made up our songs about things that was happening to us at the time, and I think that’s where the blues started.”
~Son House (1965)
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Neil Young opened up his second long-player Everybody Knows This Is Nowhere (1969) with this concise, yet hard driving love song. It also effectively began his relationship with the backing combo Crazy Horse. Musically the track is an uncomplicated three-chord rocker and shows off Young’s infamous one-note solo motif during the instrumental ‘middle eight’ bars between the chorus and verse. ..
~Lindsay Planer (allmusic.com) Continue reading March 20: Neil Young recorded Cinnamon Girl in 1969→
He does it all, and he does it in ways that surprise you and conform to the needs and the genius of the soloist.
~Gary Giddins, jazz writer
Evans, like most musical geniuses (a title bestowed by Miles [Davis]) shows a roving spirit and a probing desire to create new sounds, investigate new territories, and not be pigeon-holed into one space.
~R.J. Deluke (allaboutjazz.com)
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There’s little else to say except that ‘Round About Midnight is among the most essential of Davis’ Columbia recordings.
~Thom Jurek (allmusic.com)
An absolute classic of modern jazz, with brilliant solo work from the leader and from Coltrane, who was preparing for his own solo career at this point, plus subtle backing from the rhythm section. Tunes range from Monk’s famous title track to the ancient standard “Bye Bye Blackbird.”
~Wilson & Alroy’s Record Reviews
Stylistically, Midnight encompasses standards (or soon-to-be standards) such as “Dear Old Stockholm”, “Bye-Bye Blackbird”, Tadd Dameron’s “Tadd’s Delight”, and Jackie McLean’s forward-thinking composition “Little Melonae.” Miles and company reprise “Budo” from the historic Birth of the Cool sessions. The standout track is Davis’s Harmon-muted reading of Thelonious Monk’s ballad, “‘Round Midnight”, which is still a Miles standard bearer… If you want to hear the origins of post-bop modern jazz, this is it.
~Eugene Holley, Jr.
