All posts by Hallgeir

Concert film: Van Morrison – Astral Weeks live 2008

AV live VM screenshot

“The way I was singing the songs was jazz”
– Van Morrison

I have changed my mind, I do that from time to time (all the time actually…).  My favorite Van Morrison album has been Moondance for years, but now it is Astral Weeks. I’ve always loved Astral Weeks, it has been third on my list of his albums (the live album, It’s too late to stop now, had the second spot). 

VM AW 4

As of today it is officially on top, I get it now, I can truly see the greatness. I have played it to death these last weeks and it goes beyond pop/rock music, it is in a genre of it’s own. I know I’m ramblin’, but bear with me, I’m just an exited convert.

I went on YouTube to see if I could find some good versions of the songs, what I found was Morrisons’s fantastic live re-enactment of his masterpiece. I collected what I found, it is amazing!

Astral Weeks live VM

On November 7 and 8, 2008, four decades after the release of the classic Astral Weeks, Van Morrison revisited the album live in its entirety at the Hollywood Bowl, and delivered a jaw-dropping, awe-inspiring performance. Van did not simply re-create what he did 40 years ago in a NY studio, but instead took the songs to a dramatically higher contemporary level. The Jazz-rooted compositions of Astral Weeks are poetic stories of young love and the quest to find one’s place in life. They were, and remain, ideal source material for musical improvisation that gives way to the sense of wonder for which Morrison has always striven.
– Amazon.com

Astral Weeks Live at the Hollywood Bowl: The Concert Film is the second official DVD by Northern Irish singer-songwriter Van Morrison. It was released May 19, 2009. It features the songs from his 1968 classic album, Astral Weeks. The live performances on the movie were filmed on two concerts by Van Morrison at the Hollywood Bowl in Los Angeles, California with a fourteen member band.

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Morrison has also released an album on CD and vinyl on February 24, 2009 entitled, Astral Weeks Live at the Hollywood Bowl with material from these two concerts.

UPDATE: Please read the comments from Andrew Robertson for a more comprehensive (and more correct) account of the two concerts.

Van Morrison – Astral Weeks / I Believe I’ve Transcended:

I play in a free-form, inspired style; I have no choice but to change it up according to the vibe. The new record was recorded live; what [you hear] is what was played in its raw form. There was no mixing, no tweaking, no post-production at all, and I like that raw and edgy sound in real time. It’s got a lot of boom to it! I really like listening to live records, it’s my new thing. Real and alive, the life is not taken out of it like a studio produced record can and very too often, does. My motto right now is post mixing kills.

– Van Morrison (to Paste Magazine)

Van Morrison – Beside You:

Van Morrison – Slim Slow Slider / I Start Breaking Down:

Van Morrison – Sweet Thing:

Van Morrison – The Way Young Lovers Do:

Continue reading Concert film: Van Morrison – Astral Weeks live 2008

Today: Masked and Anonymous was released 10 years ago

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“When I made the Bob Dylan movie, I wanted to make a Bob Dylan movie that was like a Bob Dylan song. One with a lot of layers, that had a lot of poetry, that had a lot of surrealism and was ambiguous and hard to figure out, like a puzzle.”

– Larry Charles

Masked and Anonymous is a 2003 comedy-drama film directed by Larry Charles, who is better known for his writing on successful TV sitcoms, Seinfeld and Mad About You and for executive producing episodes of The Tick and Dilbert. The film was written by Larry Charles and Bob Dylan, the latter under the pseudonym “Sergei Petrov”. It stars iconic rock legend Bob Dylan alongside a star-heavy cast, including John Goodman, Jeff Bridges, Penélope Cruz, Val Kilmer, Mickey Rourke, Jessica Lange,Luke Wilson, Angela Bassett, Bruce Dern, Cheech Marin, Ed Harris, Chris Penn, Steven Bauer, Giovanni Ribisi, and Michael Paul Chan.

The film received mixed reviews from critics.

Trailer:

It is such an underrated movie! …and with some fantastical musical numbers of course.

Bob Dylan – Drifters Escape:

Bob Dylan – Cold Irons Bound:

Bob Dylan – I Remember You:

Bob Dylan – Standing in the doorway (audio):

Bob Dylan – Diamond Joe:

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Seek it out, check it out, it’s a good experience!

– Hallgeir

Today: Don Henley is 66

Donald Hugh “Don” Henley (born July 22, 1947, in Gilmer, Texas) is an American singer, songwriter and drummer, best known as a founding member of the Eagles before launching a successful solo career. Henley was the drummer and lead vocalist for the Eagles from 1971–1980, when the band broke up. Henley sings lead vocals on Eagles hits such as “Witchy Woman”, “Desperado”, “Best of My Love”, “One of These Nights”, “Hotel California”, “Life in the Fast Lane”, and “The Long Run”. He and Glenn Frey formed one of the most successful songwriting partnerships in music history.

The Eagles are an American rock band formed in Los Angeles, California in 1971 by Glenn Frey, Don Henley, Bernie Leadon, and Randy Meisner.

With five number one singles, six Grammys, five American Music Awards, and six number one albums, the Eagles were one of the most successful musical acts of the 1970s. At the end of the 20th century, two of their albums, Their Greatest Hits (1971–1975) and Hotel California, ranked among the 20 best-selling albums in the U.S. according to the Recording Industry Association of America. Hotel California is ranked 37th in Rolling Stone’s 500 Greatest Albums of All Time, and the band was ranked #75 on the magazine’s 2004 list of the 100 Greatest Artists of All Time.

Awards:

  • Eagles have won six Grammy Awards:
    • (1975) Best Pop Vocal Performance by a Duo, Group or Chorus: “Lyin’ Eyes”
    • (1977) Record of the Year: “Hotel California” (single)
    • (1977) Best Arrangement for Voices: “New Kid in Town”
    • (1979) Best Rock Vocal Performance by a Duo or Group: “Heartache Tonight”
    • (2008) Best Country Performance by a Duo or Group with Vocals: “How Long”
    • (2009) Best Pop Instrumental Performance: “I Dreamed There Was No War”
  • The group was inducted into the Rock and Roll Hall of Fame in 1998.
  • On December 7, 1999 the Recording Industry of America honored the group with the Best Selling Album of the Century for Their Greatest Hits (1971–1975).
  • Eagles were inducted into the Vocal Group Hall of Fame in 2001.
  • The group ranked number 34 on Country Music Television’s 40 Greatest Men of Country Music in 2003. They were one of four artists who were either a duo or a group on the list with the others being Alabama at number eleven, Flatt & Scruggs at number 24, and Brooks & Dunn at number 25.
Take it easy – central Park, NYC 1972:

Album of the day:

Other july-22:

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Today: The late Sara Carter was born in 1898 – 115 years ago

sara_carterSara Carter (with banjo)

Sara Carter (July 21, 1898 – January 8, 1979) was an American Country music musician. Known for her deep and distinctive singing voice, she was the lead singer on most of the recordings of the historic Carter Family act in the 1920s and 1930s.

The Carter Family:

The Carter Family was a traditional American folk music group that recorded between 1927 and 1956. Their music had a profound impact on bluegrass, country, Southern Gospel, pop and rock musicians as well as on the U.S. folk revival of the 1960s. They were the first vocal group to become country music stars. Their recordings of such songs as “Wabash Cannonball”, “Can the Circle Be Unbroken”, “Wildwood Flower” and “Keep On the Sunny Side” made them country standards.

BBC Documentary on Country Music – here is 15 glorious minutes about The Carter Family:

The original group consisted of Alvin Pleasant “A.P.” Delaney Carter (1891–1960), his wife Sara Dougherty Carter (1898–1979), and his sister-in-law Maybelle Addington Carter (1909–1978). Maybelle was married to A.P.’s brother Ezra (Eck) Carter and was also Sara’s first cousin. All three were born and raised in southwestern Virginia, where they were immersed in the tight harmonies of mountain gospel music and shape note singing.

This is an excerpt from the upcoming music documentary The Winding Stream – The Carters, the Cashes and the Course of Country Music (we were participating in the funding of this kickstarter project). It tells the story of how A.P. Carter met his future wife Sara while selling fruit trees in the hills of southwest Virginia:

Throughout the group’s career, Sara Carter sang lead vocals; Maybelle sang harmony and accompanied the group instrumentally; on some songs A.P. did not perform at all but at times sang harmony and background vocals and once in a while, lead vocal. Maybelle’s distinctive guitar playing style became a hallmark of the group.

Legacy:

  • The Carter Family was elected to the Country Music Hall of Fame in 1970 and were given the nickname “The First Family of Country Music”.
  •  In 1988, the Carter Family was inducted into the Grammy Hall of Fame and received its Award for the song “Will the Circle Be Unbroken”.
  • In 1993, the U.S. Postal Service issued a commemorative postage stamp honoring A.P., Sara, and Maybelle.
  • In 2001, the group was inducted into the International Bluegrass Music Hall of Honor.
  • In 2005, the group received the Grammy Lifetime Achievement Award.

Mother Maybelle & Sara Carter – While The Band Plays Dixie:

Album of the day:

 

Other July-21:

Continue reading Today: The late Sara Carter was born in 1898 – 115 years ago

Today: Bob Dylan released Like A Rolling Stone in 1965

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“This is about growing up, this is about discovering what is going on around you, realizing that life isn’t all you’ve been told. So now you’re without a home, you’re on your own, complete unknown, like a rolling stone. That’s a liberating thing. This is a song about liberation.”
— Jann Wenner, Rolling Stone magazine (Greil Marcus – Like A Rolling Stone: Bob Dylan at the Crossroads (book))

“The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind” – Bruce Springsteen (Jan 1988)

“When I heard Like a Rolling Stone, I wanted to quit the music business because I felt: ‘If this wins and it does what it’s supposed to do, I don’t need to do anything else.'”
– Frank Zappa (1965 )

The first time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..

That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago. (Egil, Johannasvisions)

Like A  Rolling Stone:

Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”. 

But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig. 

It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
-Bob Dylan (to Nat Hentoff – March 1966)

Like A Rolling Stones (Live at London’s Albert Hall, May, 1966):

“Like A Rolling Stone” was recorded @ the second “Highway 61 Revisited” recording sessions on June 16 – 1965,  produced by Tom Wilson.

“The voice is infinitely nuanced — at times almost an authoritarian monotone (not unlike Ginsberg reading “Howl”), at times compassionate, tragic (the voice of Jacques-Louis David in his painting of Marat) — but also angry, vengeful, gleeful, ironic, weary, spectral, haranguing.

And it would sound this way in ancient Greek or contemporary Russian. There is so much desire and so much power in this voice, translated into a sensitivity that enables it to detect tiny vibrations…”
—  Michael Pisaro (composer)

Like a Rolling Stone” is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. After the lyrics were heavily edited, “Like a Rolling Stone” was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.

During a difficult two-day pre-production, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.

However, Columbia Records was unhappy with both the song’s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, “Like a Rolling Stone” reached number two in the US charts and became a worldwide hit. (Wikipedia)

In 2004 Rolling Stone magazine placed the song at number one on its list of “The 500 Greatest Songs of All Time”
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Like A Rolling Stone, Manchester 1966:

Other 20 July:

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