Mick Jagger was joined by Win Butler & Co. to perform a new version of the Rolling Stones’ 1965 hit “The Last Time.” on Saturday Night Live last Saturday. Then he was joined by The Foo Fighters for “19th Nervous Breakdown” and “It’s Only Rock ‘n Roll (But I Like It).” Last he did a new song: “Tea Party” about the precidential Election Campaign featuring Jeff Beck leading his group to back up Mick Jagger as he sings about how he sees this year’s Romney-Obama battle at the polls.
The Last time w/Arcade Fire:
With The Foo Fighters, a medley consisting of 19th nervous breakdown and It’s only rock’n roll:
In this spirit-numbing information age, we gorge on the web and on CNN, we cannot free our hands of our Blackberrys and lap-tops and cellphones, but, in the end, we know less and less … of each other … of our hearts … of our souls.
But Johnny Cash singing “I Walk The Line” or Hank sorrowing through “I’m So Lonesome I Could Cry” still gives us more insight in three minutes, tells us more about what matters most in our lives, than we get in an entire twenty-four-hour news cycle.
– Dana Jennings, in his magnificent book “Sing Me Back Home: Love, Death, and Country Music“
This is our first article in a series highlighting the best country songs. We start off by nominating songs from the start up till 1955. The next post will focus on songs from 1956-1965.
When we are through nominating songs.. probably around 70-80 songs.. we will pull it all together and put a list of the 20 best Country songs ever.. in JV’s humble opinion.
Our goal is to only nominate one song from each artist.. I’ve managed to do so on this first article (although it was tough only including one Hank Williams song….)
… and btw .. the songs are presented in random order…
Can The Circle Be Unbroken (Bye and Bye), The Carter Family
Produced by Art Satherley
Written by A.P. Carter
1935
For Americana, Neil Young’s first album with the band Crazy Horse in nearly nine years, the singer-songwriter revisits classic American folk songs and delivers the tunes, which encompass familiar protest songs, murder ballads and campfire songs, with electrifying ferocity. In spite of — or perhaps because of the approach, the universal appeal of the songs is neither lost nor diminished and they retain their relevance in these challenging times.
Wikipedia says of the history of the song:
The words are those of a bereaved lover singing about his darling, the daughter of a miner in the 1849 California Gold Rush. He loses her in a drowning accident, though he consoles himself towards the end of the song with Clementine’s “little sister”.
The verse about the little sister was often left out of folk song books intended for children, presumably because it seemed morally questionable.
Another theory is that the song is from the view of Clementine’s father, and not a lover.
Gerald Brenan attributes the melody to originally being an old Spanish ballad in his book South from Granada. It was made popular by Mexican miners during the Gold Rush. It was also given various English texts. No particular source is cited to verify that the song he used to hear in the 1920s in a remote Spanish village was not an old text with new music, but Brenan states in his preface that all facts mentioned in the book have been checked reasonably well. The song is using the melody placed on Romances, in particular the one of Romance del Conde Olinos o Niño, a sad love story very popular in the Spanish folk some of which were compiled at the court of Alfonso X and others like the Cancionero de Uppsala later by the House of Trastamara.
It is unclear when, where and by whom the song was first recorded in English for others to hear.
The video for “Clementine” as for all of the clips produced for Americana is authentic found footage, adding a unique visual element to a project steeped in America’s rich, lyrical history.
Clementine:
Neil Young:
“The Americana arrangement extends the folk process using many of the original words and a new melody. The song tells the story of either a bereaved lover recalling his lost sweetheart, or a father missing his lost daughter. In both cases the daughter has drowned in an accident. The verse about Clementine’s sister has been omitted from most children’s versions. This verse has different meanings depending on whether the point of view of the singer is taken as the lover or the father.”
Big Joe Turner (born Joseph Vernon Turner Jr., May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri.According to the songwriter Doc Pomus, “Rock and roll would have never happened without him.” Although he came to his greatest fame in the 1950s with his pioneering rock and roll recordings, particularly “Shake, Rattle and Roll“, Turner’s career as a performer stretched from the 1920s into the 1980s.Turner was inducted into the Rock and Roll Hall of Fame in 1987.
Tributes:
The late The New York Times music critic Robert Palmer, said: “…his voice, pushing like a Count Basie solo, rich and grainy as a section of saxophones, which dominated the room with the sheer sumptuousness of its sound.”
In announcing Turner’s death in their December 1985 edition, the British music magazine, NME, described Turner as “the grandfather of rock and roll.”
Songwriter Dave Alvin wrote a song about an evening that he spent with Turner titled “Boss Of The Blues”. It was on his 2009 release, Dave Alvin & The Guilty Women.
Yesterday the greatest studio album ever released celebrated it’s 46th birthday… and today the greatest rock concert ever performed celebrates it’s 46th birthday… should be easy for Dylan people to remember 🙂
This was the first bootleg concert I ever heard.. and it’s still my fav one.
Here is my top 5 concerts:
Bob Dylan & The Hawks – Manchester – 17.05.1966
Bruce Springsteen – Passaic, New Jersey – 19.09.1978
Bob Dylan – Fort Collins, Colorado – 23.05.1976
The Rolling Stones – Brussels – 17.10.1973
Bruce Springsteen – Brixton Academy, London – 24.04.1996
Top 2 is “locked” forever… the others are movable.
Maybe we should make a list of Dylan’s 10 greatest concerts… nice idea….indeed
Setlist:
1. She Belongs To Me
2. Fourth Time Around
3. Visions Of Johanna
4. It’s All Over Now, Baby Blue
5. Desolation Row
6. Just Like A Woman
7. Mr. Tambourine Man
8. Tell Me, Momma
9. I Don’t Believe You (She Acts Like We Never Have Met)
10. Baby Let Me Follow You Down (Eric von Schmidt)
11. Just Like Tom Thumb’s Blues
12. Leopard-Skin Pill-Box Hat
13. One Too Many Mornings
14. Ballad Of A Thin Man
15. Like A Rolling Stone
Live 1966: The “Royal Albert Hall” Concert is a two-disc live album by Bob Dylan, released in 1998. Recorded at Manchester’s Free Trade Hall. It is from Dylan’s famous world tour in 1966, having been extensively bootlegged for decades, and is an important document in the development of popular music during the 1960s.
The setlist consisted of two parts, with the first half of the concert being Dylan alone on stage performing an entirely acoustic set of songs, while the second half of the concert has Dylan playing an “electric” set of songs alongside his band The Hawks. The first half of the concert was greeted warmly by the audience, while the second half was highly criticized, with heckling going on before and after each song.