Tag Archives: Blues

Blues

May 5: Blind Willie McTell was born in 1898

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Blind-Willie-McTell

 

May 5: Blind Willie McTell was born in 1898

And I know no one can sing the blues
Like Blind Willie McTell
~Bob Dylan (“Blind Willie McTell”)

He was a songster of wide repertoire and as fine a 12-string guitarist as ever lived. The dexterity of his playing was extraordinary, and his voice was an unusually smooth tenor. The interplay between voice and guitar also brought into the equation McTell’s intelligence and wit, and it was the fusion of all these elements that led Bob Dylan to write in his 1983 tribute song that ‘no-one can sing the blues like Blind Willie McTell.’
~Michael Gray (The Bob Dylan Encyclopedia)

Willie Samuel McTell was one of the blues’ greatest guitarists, and also one of the finest singers ever to work in blues.
~Bruce Eder (allmusic.com)

Statesboro Blues:

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Blues, Gospel, Jazz, The Best Songs

The Best Songs: St. James Infirmary blues

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George E. Lee's Novelty Singing orchestra
George E. Lee’s Novelty Singing orchestra

“One place you’re going to find a lot of doctors is St. James Infirmary. This song’s history is convoluted and fascinating. Louis Armstrong recorded it as early as nineteen and twenty-eight, but it goes back much further. According to one study it got its start as a ballad called ‘The Unfortunate Rake’…”
– Bob Dylan (Theme Time Radio Hour, Doctors)

The Best Songs: St. James Infirmary blues

“St. James Infirmary Blues” is an American folksong of anonymous origin, though sometimes credited to the songwriter Joe Primrose (a pseudonym for Irving Mills). Louis Armstrong made it famous in his influential 1928 recording.

There are hundreds of recordings and it has been difficult to choose my favourites. I’ve tried to pick some for their historic significance and some just because they are so incredibly good.

“St. James Infirmary” is based on an 18th-century traditional English folk song called “The Unfortunate Rake” (also known as “The Unfortunate Lad” or “The Young Man Cut Down in His Prime”), about a soldier who uses his money on prostitutes, and then dies of a venereal disease.

My first pick is an a cappella version of The Unfortunate Rake done by  Ian McShane from the TV-series Deadwood (we can also clearly hear the melody that became Streets of Laredo):

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Blues

May 1: Little Walter was born in 1930

Little_Walter

 

May 1: Little Walter was born in 1930

..king of all post-war blues harpists,…. The fiery harmonica wizard took the humble mouth organ in dazzling amplified directions that were unimaginable prior to his ascendancy.
~Bill Dahl (allmusic.com)

Induction of Little Walter into R&R Hall of Fame in 2008:

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Blues, Bukka White, The Best Songs

The Best Songs: Fixin’ To Die Blues by Bukka White aka Booker T Washington
Drawing by the incredible William Stout
Drawing by the incredible William Stout

The Best Songs: Fixin’ To Die Blues by Bukka White aka Booker T Washington

“Fixin’ to Die” is song by American blues musician Bukka White. It is performed in the Delta blues style with White’s vocal and guitar accompanied by washboard rhythm. White recorded it in Chicago on May 8, 1940, for record producer Lester Melrose. The song was written just days before, along with eleven others, at Melrose’s urging.

White was resuming his recording career, which had been interrupted by his incarceration for two and one-half years at the infamous Parchman Farm prison in Mississippi. While there, White witnessed the death of a friend and “got to wondering how a man feels when he dies”. His lyrics reflect his thoughts about his children and wife:

I’m looking funny in my eyes, an’ I b’lieve I’m fixin’ to die (2×)
I know I was born to die, but I hate to leave my children cryin’ …
So many nights at the fireside, how my children’s mother would cry (2×)
‘Cause I ain’t told their mother I had to say good-bye

Fixin To Die blues by Bukka White (1940 version):

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Country, folk, Johnny Cash, Music Calendar

April 26: Johnny Cash American Recordings was released in 1994


cash american 1

April 26:  Johnny Cash  American Recordings was released in 1994

…Always, the choice of material is a revelation. The Beast In Me (written by former son-in-law, Nick Lowe) could be autobiographical. And while writers like horrorpunk figurehead Glenn Danzig or Tom Waits probably would never have figured on his radar were it not for Rubin; time and again the duo found songs that were, in Cash’s hands, to take on new life. This willingness to experiment was to set a precedent: Subsequent albums were to see him work magic on material from Nine Inch Nails to U2 and Depeche Mode. But Johnny Cash’s final road to redemption and artistic fulfillment starts here…
~Chris Jones (bbc.co.uk)

American Recordings did something very important — it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he’d been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged.
~Mark Deming (allmusic.com)

#1 – Delia’s Gone

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