
Continue reading Homage to Schulz’s classic Bob Dylan birthday strip
If you see her, say hello, she might be in Tangier
She left here last early Spring, is livin’ there, I hear
Say for me that I’m all right though things get kind of slow
She might think that I’ve forgotten her, don’t tell her it isn’t so
We had a falling-out, like lovers often will
And to think of how she left that night, it still brings me a chill
And though our separation, it pierced me to the heart
She still lives inside of me, we’ve never been apartIf you get close to her, kiss her once for me
I always have respected her for busting out and gettin’ free
Oh, whatever makes her happy, I won’t stand in the way
Though the bitter taste still lingers on from the night I tried to make her stayI see a lot of people as I make the rounds
And I hear her name here and there as I go from town to town
And I’ve never gotten used to it, I’ve just learned to turn it off
Either I’m too sensitive or else I’m gettin’ softSundown, yellow moon, I replay the past
I know every scene by heart, they all went by so fast
If she’s passin’ back this way, I’m not that hard to find
Tell her she can look me up if she’s got the time
Check out:
-Egil
And the gobsmacking footage of his performance in Newcastle a couple of days later, included entire on the No Direction Home DVD, proves no less maelstromic. Here we can see he is visibly speeding out of his brains and probably more than a little miffed that the Mr. Jones puffing on his pipe in the front row thinks he’s attending a poetry recital.
~Clinton Heylin (Revolution in the Air: The Songs of Bob Dylan, 1957-1973)
–
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn’t you?
People’d call, say, “Beware doll, you’re bound to fall”
You thought they were all kiddin’ you
You used to laugh about
Everybody that was hangin’ out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging for your next mealHow does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?–
Continue reading May 21: Bob Dylan Like A Rolling Stone, Newcastle, England 1966 (video)

“My father taught me how to play ‘Don’t Think Twice, It’s All Right’. I love Dylan’s words, but even more than that, I love the fact that he loves words.”
– Elliott Smith
Steven Paul “Elliott” Smith (August 6, 1969 – October 21, 2003) was an American singer-songwriter and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith’s primary instrument was the guitar, but he was also proficient with piano, clarinet, bass guitar, drums and harmonica. Smith had a distinctive vocal style, characterized by his “whispery, spiderweb-thin delivery”, and used multi-tracking to create vocal layers, textures and harmonies.
In his time, Elliott Smith did some very fine cover songs. From rock, country and folk standards, to Neil Young, Oasis, Beatles, Bob Dylan and his beloved The Kinks (and many more), Smith took covering a song very seriously.
We have found some of his Bob Dylan covers, all live and some with terrible sound. But, he adds a touch of sadness to most of them and he sings them like he loves them.
Elliott Smith @ Newbury Comics in Boston (10/05/1998) covering Bob Dylan’s When I Paint My Masterpiece:

Senor, senor, can you tell me where we’re headin’?
Lincoln County Road or Armageddon?
Seems like I been down this way before.
Is there any truth in that, senor?
– Bob Dylan“One of the most interesting Street Legal songs is “Senor.” Dylan sings it magnificently, with real purpose, and the song’s melody is highly original and infectious. … “Senor” could have been one of Dylan’s finest songs of the 1970s. As it stands, however, it is an ambitious song which doesn’t quite come off.”
– Thomas Ward (allmusic)
Jeffrey Foucault – Señor (live, may 14, 2009, Spijkerboor):
Continue reading 6 good cover versions of Bob Dylan’s Señor (Tales Of Yankee Power)