Tag Archives: Clinton Heylin

Bob Dylan’s best songs – Stuck Inside of Mobile With The Memphis Blues Again #5

February 22, 2013 Egil 11 Comments

“Now!… Well for one thing, the music, the rhyming and rhythm, what I call the mathematics of a song, are more second-nature to me. I used to have to go after a song, seek it out. But now, instead of going to it I stay where I am and let everything disappear and the song rushes to me. Not just the music, the words, too.
~Bob Dylan (to Margaret Steen, Nov 1965)

[SIoMWTMBA].. goes beyond being an exciting rock-music performance. It shares with those slower Blonde on Blonde songs ‘Visions of Johanna’ and ‘Sad-Eyed Lady of the Lowlands’ a greater-than-average duration and a general high seriousness of intention.
~Michael Gray (BD Encyclopedia)

@ #5 on my list of Dylan’s 200 best songs.. the second best song on Blonde On Blonde.

The master version (Blonde On Blonde version) was recorded @ Columbia Music Row Studios – Nashville, Tennessee –17 February 1966 (47 years ago).

This was the the 8th Blonde On Blonde session, produced by Bob Johnston.. and after 20 attempts Dylan was satisfied … with take 20. No other songs were tried @ this session.

….and those lovely drums….

…I know it sounds silly, but I love that song and how it pulls me in, but once I’m in there I always focus on the drummer. It’s a song with so much soul, but the more I listen, I always go back to those killer drums.
~Frank Black (Pixies, etc) (to MOJO’s “Dylan 100 best songs edition” )

Master version (Blonde On Blonde):

Spotify:

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Bob Dylan, Bob Dylan recording sessions, Bob Dylans's best songs, The Best Songs

Bob Dylan’s best songs – Sad Eyed Lady of The Lowlands #49

February 15, 2013 Egil 15 Comments

Redirecting to a newer version of this post….

Stayin’ up for days in the Chelsea Hotel,
Writin’ “Sad-Eyed Lady of the Lowlands” for you.
~”Sara” (Bob Dylan)

That song is an example of a song… it started out as just a little thing, Sad-Eyed Lady Of The Lowlands, but I got carried away, somewhere along the line. I just sat down at a table and started writing. At the session itself. And I just got carried away with the whole thing… I just started writing and I couldn’t stop. After a period of time, I forgot what it was all about, and I started trying to get back to the beginning.
~Bob Dylan (to Jann Wenner Nov 1969)

This is the best song I’ve ever written.
~Bob Dylan (to Robert Shelton)

@ #49 on my list of Dylan’s 200 best songs. Recorded @ Columbia Music Row Studios – Nashville, Tennessee – February 16, 4-5.30 am.

Session list:

I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
I’ll Keep It With Mine
Sad-Eyed Lady Of The Lowlands
Sad-Eyed Lady Of The Lowlands
Sad-Eyed Lady Of The Lowlands
Sad-Eyed Lady Of The Lowlands

Spotify:

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Bob Dylan, Bob Dylans's best songs, The Best Songs

Bob Dylan’s best songs – A Hard Rain’s A-Gonna Fall – #16, released version

December 6, 2012 Egil 4 Comments

The hard rain is gonna fall is in the last verse when I say “when the pellets of poison are flooding the waters”. I mean, all the lies, you know, all the lies that people get told on their radios and their newspapers which, all you have to do is
just think for a minute, y’know, try and take peoples brains away, y’know, which maybe’s been done already. I dunno, maybe, I hate to think it’s been done, but all the lies, which are considered poison, y’know, er…
Bob Dylan (to Studs Terkel, April 63)

‘Hard Rain’s A-Gonna Fall’… I wrote the words of it on a piece of paper. But there was just no tune that really fit to it, so I just sort of play chords without a tune. If all this comes under the heading of a definition, then I don’t care really to define what I do. Other people seem to have a hard time doing that.
~Bob Dylan (to Max Jones, May 64)

From “The Witmark Demos” (Bootleg Series 9):

@ #16 on my list of Dylan’s 200 best songs. The original version from “The Freewheelin’ Bob Dylan” was recorded on December 6 – 1962…. 50 year’s ago today. The Witmark version above was recorded sometime in December 62.

‘A Hard Rain’s A-Gonna Fall’, recorded December 6, 1962, is another song whose genius and power are so great that our analytical minds (not our hearts) may have difficulty accepting and recognizing it’s simplicity.
~Paul Williams (Performing Artist 60-73)

from 1964:

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Bob Dylan, Bob Dylan recording sessions

Bob Dylan – The 5th recording session for “The Times They Are A-Changin’” – 24 October 1963 – update

October 24, 2012 Egil 2 Comments

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’.
~Bob Dylan (The Times They Are A-Changin’)

“Another thing about Times They Are A-Changin’ – I wanted to say in it that if you have something that you don’t want to lose, and people threaten you, you are not really free.”
~Bob Dylan (to Ray Coleman, May 1965)

49 years ago Dylan did his 5th recording session for “The Time They are A-Changin’”

Some background info from Wikipedia:

The Times They Are a-Changin’ is the third studio album by American singer-songwriter Bob Dylan, released in January 1964 by Columbia Records.

Produced by Tom Wilson, it is the singer-songwriter’s first collection to feature only original compositions. The album consists mostly of stark, sparsely-arranged story songs concerning issues such as racism, poverty, and social change. The title track is one of Dylan’s most famous; many felt that it captured the spirit of social and political upheaval that characterized the 1960s.

……………
Another session was held the following day, October 24. Master takes of “The Times They Are a-Changin'” and “One Too Many Mornings” were recorded and later included in the final album sequence. A master take for “Lay Down Your Weary Tune” was also recorded, but ultimately left out of the final album; it was eventually released on Biograph. Two more outtakes, “Eternal Circle” and “Suze (The Cough Song)”, were later issued on The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991.

Albums involved:

ALBUM	Release date	CODE
The Times They Are A-Changin’	1964-01-13	TTTAA
Biograph	1985-11-07	BIO
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961-1991	1991-03-26	TBS1-3

Studio A
Columbia Recording Studio
New York City, New York
October 24, 1963, 10-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Dauria.

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Bob Dylan, Bob Dylan albums, Featured Articles, Great albums

Bob Dylan – The Bootleg Series Vol. 4: Bob Dylan Live 1966, The “Royal Albert Hall” Concert

October 13, 2012 Egil 5 Comments

Well, but you see, Columbia’s never offered to do that. They have done that with The Basement Tapes and the Budokan album. But they’ve never offered to put that out as a historical album or whatever. And believe me, if they wanted to do it, they could.
~Bob Dylan to Kurt Loder in 1984

“I still can’t believe they’ve finally put it out. I just keep staring at my copy.”
~Andy Kershaw (BBC Radio 1 DJ)

14 years ago today… they finally put it out, this surely calls for a celebration!

Baby, Let Me Follow You Down:

From Wikipedia:

Released	October 13, 1998
Recorded	May 17, 1966
Genre	Rock, folk rock, blues rock
Length	95:18
Label	Columbia
Producer	Jeff Rosen

Live 1966: The “Royal Albert Hall” Concert is a two-disc live album by Bob Dylan, released in 1998. Recorded at Manchester’s Free Trade Hall. It is from Dylan’s famous world tour in 1966, having been extensively bootlegged for decades, and is an important document in the development of popular music during the 1960s.

The setlist consisted of two parts, with the first half of the concert being Dylan alone on stage performing an entirely acoustic set of songs, while the second half of the concert has Dylan playing an “electric” set of songs alongside his band The Hawks. The first half of the concert was greeted warmly by the audience, while the second half was highly criticized, with heckling going on before and after each song.

Here are two (of many..) “real” bootleg covers of this concert:

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