Bob Dylan released Like A Rolling Stone in 1965 (read more)
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Carlos Augusto Alves Santana (born July 20, 1947) is a Mexican and American rock guitarist. Santana became famous in the late 1960s and early 1970s with his band, Santana, which pioneered rock, Latin music and jazz fusion. The band’s sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2003, Rolling Stone magazine listed Santana at number 15 on their list of the 100 Greatest Guitarists of All Time. |
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| Chris Cornell (born Christopher John Boyle; July 20, 1964) is an American rock musician best known as the lead vocalist and rhythm guitarist for Soundgarden and as the former lead vocalist for Audioslave.He is also known for his numerous solo works and soundtrack contributions since 1991. He is known for his wide vocal range, spanning B1-G5 in full-voice, and up to E6 in falsetto, as well as his powerful vocal belting technique. He was the founder and frontman for Temple of the Dog, the one-off tribute band dedicated to his former roommate, Andrew Wood. He has released three solo studio albums, Euphoria Morning (1999), Carry On (2007), and Scream (2009).Cornell was ranked 4th in the list of “Heavy Metal’s All-Time Top 100 Vocalists” by Hit Parader. |
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| Stone Carpenter Gossard (born July 20, 1966) is an American musician who serves as the rhythm and lead guitarist for the American rock band Pearl Jam. Along with Jeff Ament, Mike McCready, and Eddie Vedder, he is one of the founding members of Pearl Jam. Gossard is also known for his work prior to Pearl Jam with the 1980s Seattle, Washington-based grunge rock bands Green River and Mother Love Bone, and he has made contributions to the music industry as a producer and owner of a record label and a recording studio. Gossard has also been a member of the side project band Brad. In 2001, Gossard released his first solo album, Bayleaf. |
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| Paul Thomas Cook (born 20 July 1956 in Hammersmith, London) is an English drummer and member of Sex Pistols.He met Steve Jones. In 1972–1973, Cook and Jones, along with their school friend Wally Nightingale, formed a band, The Strand. Cook was the first member of the group to actually invest in a piece of equipment (a drum kit). Within the next three years The Strand evolved into the Sex Pistols. |  |
Spotify Playlist – July 20 |
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Tag Archives: Soundgarden
Today: The Rolling Stones released “Get Yer Ya-Ya’s Out! …” in 1970
“I have no doubt that it’s the best rock concert ever put on record.”
~Lester BangsYeah, I was at the Garden when this was being recorded, and I had a great time. But despite Mick Taylor’s guitar on “Love in Vain” and the spruced-up “Live With Me,” there’s not a song here that isn’t better somewhere else–including the two Chuck Berry covers and the one-act “Midnight Rambler.” B
~Robert ChristgauRecorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era. Often acclaimed as one of the top live rock albums of all time, its appeal has dimmed a little today… it’s certainly the Stones’ best official live recording.
~Richie Unterberger (allmusic.com)
Carol – 27 Nov 1969:
From Wikipedia:
| Released | 4 September 1970 |
|---|---|
| Recorded | 26 November 1969, Baltimore,Maryland, United States and 27–28 November 1969, New York City, New York, United States January–February 1970 (vocal overdubs) |
| Genre | Hard rock, blues-rock |
| Length | 47:36 |
| Language | English |
| Label | London (US), Decca (UK) |
| Producer | The Rolling Stones, Glyn Johns |
Many, including The Rolling Stones, consider this their first official full-length live release, despite the appearance of the US-only Got Live If You Want It! in 1966 as a contractual obligation product. One reason for releasing a live album was to counter the release of the Live’r Than You’ll Ever Be bootleg recording of an Oakland (9 November 1969) performance on the same tour, a recording which was even reviewed in Rolling Stone magazine.
Classic bootleg concert: The Rolling Stones – “Live’r Than You’ll Ever Be” [Full Album]:
Having not toured since April 1967, The Rolling Stones were eager to hit the road by 1969. With their two most recent albums, Beggars Banquet and Through the Past, Darkly (Big Hits Vol. 2) being highly praised, audiences were anticipating their live return. Their 1969 American Tour’s trek during November into December, with Terry Reid, B.B. King (replaced on some dates by Chuck Berry) and Ike and Tina Turner as supporting acts, played to packed houses. The tour was the first for Mick Taylor with the Stones, having replaced Brian Jones shortly before Jones’ death in July; the performances prominently showcased the guitar interplay of Taylor with Keith Richards.
The performances captured for this release were recorded on 27–28 November 1969 at New York City’s Madison Square Garden, while “Love in Vain” was recorded in Baltimore, Maryland on 26 November 1969. Overdubbing was undertaken during January and February 1970 in London’s Olympic Studios. No instruments were overdubbed, although on bootlegs, examples are known of Richards trying out different guitar parts (e.g. a guitar solo on “Jumpin’ Jack Flash”). The finished product featured new lead vocals on half the tracks, and added backing vocals by Richards on several others.
The title of the album was adapted from the song “Get Yer Yas Yas Out” by Blind Boy Fuller. The phrase used in Fuller’s song was “get your yas yas out the door”.
Review of the “40th Anniversary Deluxe Box Set” from Sean Murphy – popmatters.com:
Best live album ever? Who cares. What is beyond dispute is that 1970’s Get Yer Ya-Ya’s Out is certainly the best live album the Rolling Stones ever recorded. And here we are, 40 years after the concerts took place in NYC at Madison Square Garden. World’s Greatest Band + World’s Greatest Stage = Deluxe Box Set! What are we looking at here? The original, remastered album? Check. Six unreleased tracks? Check. Bonus disc of opening acts B.B. King and Ike & Tina Turner? Check. Bonus DVD mixing live songs and offstage antics? Check. Obligatory booklet with critical essays and never-before seen photos? Check. Caveat emptor: for anyone thinking of shelling out $40-to-$60, be warned that the extra Stones material and the DVD are both less than 30 minutes in length. For Stones enthusiasts, this newly unearthed bounty is essential and price should be no object. ...read more
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Track listing:
Side one
1. “Jumpin’ Jack Flash” (November 27, 1969: Madison Square Garden, New York City) 4:02
2. “Carol” (Chuck Berry) – (November 28, 1969: MSG (first show)) 3:47
3. “Stray Cat Blues” (November 28, 1969: MSG (first show)) 3:41
4. “Love in Vain” (Robert Johnson†) – (November 26, 1969: Civic Center, Baltimore) 4:57
5. “Midnight Rambler” (November 28, 1969: MSG (second show)) 9:05
Side two
6. “Sympathy for the Devil” (November 28, 1969: MSGarden (first show)) 6:52
7. “Live with Me” (November 28, 1969: MSG (second show)) 3:03
8. “Little Queenie” (Chuck Berry) – (November 28, 1969: MSG (first show)) 4:33
9. “Honky Tonk Women” (November 27, 1969: MSG) 3:35
10. “Street Fighting Man” (November 28, 1969: MSG (first show)) 4:03
Personnel:
- The Rolling Stones
- Mick Jagger – lead vocals, harmonica
- Keith Richards – lead, rhythm and Resonator guitar, backing vocals
- Mick Taylor – lead, rhythm and slide guitar
- Charlie Watts – drums, percussion
- Bill Wyman – bass guitar
- Additional personnel
- Ian Stewart – piano
- J. P. Hawkes – tambourine
- Recording and mixing engineer – Glyn Johns
- Recording by Wally Heider Mobile
- Front cover photograph by David Bailey
Jumpin’ Jack Flash @ Madison Square Garden, NYC – 1969:
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Today: Bob Dylan released Like A Rolling Stone in 1965
“This is about growing up, this is about discovering what is going on around you, realizing that life isn’t all you’ve been told. So now you’re without a home, you’re on your own, complete unknown, like a rolling stone. That’s a liberating thing. This is a song about liberation.”
— Jann Wenner, Rolling Stone magazine (Greil Marcus – Like A Rolling Stone: Bob Dylan at the Crossroads (book))“The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind” – Bruce Springsteen (Jan 1988)
“When I heard Like a Rolling Stone, I wanted to quit the music business because I felt: ‘If this wins and it does what it’s supposed to do, I don’t need to do anything else.'”
– Frank Zappa (1965 )
The first time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..
That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago. (Egil, Johannasvisions)
Like A Rolling Stone:
Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”.
But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig.
It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
-Bob Dylan (to Nat Hentoff – March 1966)
Like A Rolling Stones (Live at London’s Albert Hall, May, 1966):
“Like A Rolling Stone” was recorded @ the second “Highway 61 Revisited” recording sessions on June 16 – 1965, produced by Tom Wilson.
“The voice is infinitely nuanced — at times almost an authoritarian monotone (not unlike Ginsberg reading “Howl”), at times compassionate, tragic (the voice of Jacques-Louis David in his painting of Marat) — but also angry, vengeful, gleeful, ironic, weary, spectral, haranguing.
And it would sound this way in ancient Greek or contemporary Russian. There is so much desire and so much power in this voice, translated into a sensitivity that enables it to detect tiny vibrations…”
— Michael Pisaro (composer)
“Like a Rolling Stone” is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. After the lyrics were heavily edited, “Like a Rolling Stone” was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.
During a difficult two-day pre-production, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.
However, Columbia Records was unhappy with both the song’s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, “Like a Rolling Stone” reached number two in the US charts and became a worldwide hit. (Wikipedia)
In 2004 Rolling Stone magazine placed the song at number one on its list of “The 500 Greatest Songs of All Time”
Like A Rolling Stone, Manchester 1966:
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Today: Carlos Santana is 65
From Wikipedia:
Carlos Augusto Alves Santana (born July 20, 1947) is a Mexican and American rock guitarist. Santana became famous in the late 1960s and early 1970s with his band, Santana, which pioneered rock, Latin music and jazz fusion. The band’s sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music.
Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2003, Rolling Stone magazine listed Santana at number 15 on their list of the 100 Greatest Guitarists of All Time.
He has won 10 Grammy Awards and 3 Latin Grammy Awards.
Allmusic (William Ruhlmann) on Santana (the band):
Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana‘s distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early ’70s. The musical direction then changed to a more contemplative and jazzy style as the band’s early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century. By the mid-’90s,Santana seemed spent as a commercial force on records, though the group continued to attract audiences for its concerts worldwide. But the band made a surprising and monumental comeback in 1999 with Supernatural, an album featuring many guest stars that became Santana‘s best-selling release and won a raft of Grammy Awards.
Black Magic Woman – Live 1971:
Album of the day – Abraxas (sept. 1970):
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