Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971–March 13, 1971, the album showcased the band’s mixture of blues, southern rock, and jazz.
~Wikipedia

[it] remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy.
~Stephen Thomas Erlewine (allmusic.com)

Statesboro Blues (+ Duane Allman tribute video)

I’m pretty sure this album will rank top15 on Hallgeir’s 30 best live album’s countdown..

Released July 1971 Recorded March 12, 1971–March 13, 1971 Fillmore East, New York Genre Blues-rock, southern rock Length 76:26 Label Capricorn Producer Tom Dowd At Fillmore East is a double live album by The Allman Brothers Band. The band’s breakthrough success, At Fillmore East was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time and remains among the top-selling albums in the band’s catalogue. The original album was released in both conventional two-channel stereo and four-channel quadraphonic mixes. This album has been certified as platinum by the RIAA as of August 25, 1992. Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971–March 13, 1971, the album showcased the band’s mixture of blues, southern rock, and jazz. The cover of Blind Willie McTell’s “Statesboro Blues” which opens the set showcases Duane Allman’s slide guitar work in open E Tuning. “Whipping Post” became the standard for a long, epic jam that never lost interest (opening in 11/4 time, unusual territory for a rock band), while the ethereal-to-furious “In Memory of Elizabeth Reed”, with its harmonized melody, Latin feel, and burning drive invited comparisons with John Coltrane (especially Duane’s solo-ending pull-offs, a direct nod to the jazz saxophonist). Wikipedia

In Memory of Elizabeth Reed:

..these shows — recorded in New York on March 12th and 13th, 1971 — remain the finest live rock performance ever committed to vinyl.  .. At Fillmore East captures America’s best blues-rock band at its peak.
~Mark Kemp (rollingstone.com)

Tracks

Side one

1. “Statesboro Blues” (Will McTell) – 4:17
2. “Done Somebody Wrong” (Clarence L. Lewis, Bobby Robinson, Elmore James) – 4:33
3. “Stormy Monday” (T. Bone Walker) – 8:44

Side two

1. “You Don’t Love Me” (Willie Cobbs) – 19:15 (“Joy to the World” medley in the ending portions)

Side three

1. “Hot ‘Lanta” (Gregg Allman, Duane Allman, Dickey Betts, Butch Trucks, Berry Oakley, Jai Johanny Johanson) – 5:17
2. “In Memory of Elizabeth Reed” (Dickey Betts) – 13:04

Side four

1. “Whipping Post” (Gregg Allman) – 23:03

Band

• Duane Allman – lead guitar, slide guitar
• Gregg Allman – organ, piano, Vocals
• Dickey Betts – lead guitar
• Berry Oakley – bass guitar
• Jai Johanny Johanson – drums, congas, timbales
• Butch Trucks – drums, tympani

Spotify:

Other March 13:

•  Jerome “Jerry” Leiber (April 25, 1933 – August 22, 2011) and Mike Stoller (born March 13, 1933) were American songwriting and record producing partners. Stoller was the composer and Leiber the lyricist. Their most famous songs include “Hound Dog”, “Jailhouse Rock”, “Don’t”, “Kansas City”, “Stand By Me” (with Ben E. King), and “On Broadway” (with Barry Mann and Cynthia Weil).–
• Greg Norton (born Gregory James Norton, 13 March 1959 in Rock Island, Illinois) is an American musician, formerly of the band Hüsker Dü.
  
• Adam Charles Clayton (born 13 March 1960) is a musician, best known as the bassist of the Irish rock band U2.
  
• Bob Dylan plays his third concert at “Palàc Kultury” in Prague 1995. Good Concert most notable for a strange but wonderful version of “License To Kill”.
  Bob Dylan – License To Kill – Prague, March 13 1995:
  

-Egil