September 24: Steve Earle released Jerusalem in 2002

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“I woke up this mornin’ and none of the news was good 
And death machines were rumblin’ ‘cross the ground where Jesus stood 
And the man on my TV told me that it had always been that way 
And there was nothin’ anyone could do or say

And I almost listened to him 
Yeah, I almost lost my mind 
Then I regained my senses again 
And looked into my heart to find

That I believe that one fine day all the children of Abraham 
Will lay down their swords forever in Jerusalem”
– Steve Earle (Jerusalem)

Steve Earle released this “protest album” post 9/11, but contrary to widespread belief it is not a concept album about the tragic events on that date. Yes, there are some songs relating to it, but only three out of eleven (maybe four). There were som controversy when it came out, especially the song John Walker’s Blues were widely discussed and often slated in right wing media. It is not a song that takes sides, it is a song that tells us that an ordinary American kid fell in with the wrong crowd (in this case, the Taliban). Earle make us look at this boy, and he does not say that he is innocent, but he says that he should be treated like a human being despite his faults and despite his guilt. It is a fantastic song.

“…Earle has crafted a vision of America thrown into chaos, where the falling of the World Trade Center towers is just another symbol of a larger malaise which surrounds us. Before its release,Jerusalem already generated no small controversy over the song “John Walker’s Blues,” which tells the tale of “American Taliban” John Walker Lindh as seen through his own eyes. While “John Walker’s Blues” is no more an endorsement of Lindh’s actions than Bruce Springsteen’s “Nebraska” was a tribute to mass-murderer Charles Starkweather, even though it’s one of the album’s strongest songs, if anything, it doesn’t go quite far enough.”
– Mark Demming (allmusic.com)

steve earle bergenfest 2013
photo: alldylan

Steve Earle made a “state of the nation” album, and he is confused and he doesn’t come up with the answers, but he asks the important questions!

He sings about fears in Ashes to Ashes and Conspiracy Theory,  the ever-growing differences between the rich and the poor in Amerika V. 6.0 (The Best We Can Do), desperation of a Mexican man who lost his job in one of the many oppressive, foreign-owned assembly plants in What’s A Simple Man to Do and  the injustice of the American judicial system in The Truth. Earle seems not so angry, but rather sad about the state of things.

He did not make a protest album all through, he has (as always) room for some sweet country ballads on the record. I especially like his duet with Emmylou Harris, I Remember You.

Steve Earle ends the album with a message of  hope, a hope that the answers can be found in peace and forgiveness.

Jerusalem is the bold work of a thinking man and the album is a thought-provoking work of art.

Live @ Palladium, Malmö, Sweden 2009/10/28. Steve Earle do John Walker’s Blues from Jerusalem for the first time on the European leg of his 2009 tour:

Steve Earle Mix 2013
Photo: alldylan

Steve Earle performing Jerusalem(the song) live at Factory Theatre in Sydney on 8 April 2012 (with an incredible intro):

Steve Earle – Jerusalem on Spotify:

– Hallgeir (photos of Steve Earle taken at Bergenfest 2013, Norway)

Today: Bruce Springsteen is 64

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For me, I was somebody who was a smart young guy who didn’t do very well in school. The basic system of education, I didn’t fit in; my intelligence was elsewhere.
~Bruce Springsteen

The best music is essentially there to provide you something to face the world with.
~Bruce Springsteen

They call him the Boss. Well that’s a bunch of crap. He’s not the boss. He works FOR us. More than a boss, he’s the owner, because more than anyone else, Bruce Springsteen owns America’s heart.
~Bono (induction speech for at the 1999 Rock and Roll Hall of Fame)

Thunder Road – live @ Hammersmith 1975:

From Wikipedia:

Also known as The Boss, Bad Scooter
Born September 23, 1949 (age 64)
Long Branch, New Jersey, United States
Genres Rock, folk rock, heartland rock,roots rock
Occupations Musician, Songwriter
Instruments Vocals, guitar, harmonica
Years active 1969–present
Labels Columbia
Associated acts The E Street Band, Steel Mill,Miami Horns, The Sessions Band, Southside Johnny, The Gaslight Anthem, Dropkick Murphys
Website www.brucespringsteen.net

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed “The Boss“, is an American singer-songwriter and multi-instrumentalist who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, Americana sentiments centered on his native New Jersey and his lengthy and energetic stage performances, with concerts from the 1970s to the present decade running up to an uninterrupted 250 minutes in length.

bruce-springsteen

Springsteen’s recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born in the U.S.A. and Born to Run, showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwide and he has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes and an Academy Award. In 2004, Rolling Stone ranked him as the 23rd Greatest Artist of all time, the 96th Greatest Guitarist of all time on their latest list and the 36th Greatest Singer of all time in 2008.

Every good writer or filmmaker has something eating at them, right? That they can’t quite get off their back . And so your job is to make your audience care about your obsessions.
~Bruce Springsteen

Born To Run:

bruce-springsteen

From allmusic.com – William Ruhlmann:

In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. Although there were a few speed bumps along the way in Springsteen’s career, the wonder of his nearly unbroken string of critical and commercial success is that he achieved it while periodically challenging his listeners by going off in unexpected directions, following his muse even when that meant altering the sound of his music or the composition of his backup band, or making his lyrical message overtly political. Of course, it may have been these very sidesteps that kept his image and his music fresh, especially since he always had the fallback of returning to what his fans thought he did best, barnstorming the country with a marathon rock & roll show using his longtime bandmates.
.. read more over @ allmusic 

Some of his recognition’s: 

  • October 27, 1975: Bruce Springsteen appears simultaneously on the covers of Newsweek and Time
  • Polar Music Prize in 1997.
  • Inducted into the Rock and Roll Hall of Fame, 1999.
  • Inducted into the Songwriters Hall of Fame, 1999.
  • Inducted into the New Jersey Hall of Fame, 2007.
  • “Born to Run” named “The unofficial youth anthem of New Jersey” by the New Jersey state legislature; something Springsteen always found to be ironic, considering that the song “is about leaving New Jersey”.
  • The minor planet 23990, discovered September 4, 1999, by I. P. Griffin at Auckland, New Zealand, was officially named in his honor.
  • Ranked No. 23 on Rolling Stone magazine’s 2004 list of the 100 Greatest Artists of All Time.
  • Ranked No. 36 on Rolling Stone magazine’s 2004 list of the 100 Greatest Singers Of All Time.
  • Made Time magazine’s 100 Most Influential People Of The Year 2008 list.
  • Won Critic’s Choice Award for Best Song with “The Wrestler” in 2009.
  • Performed at the Super Bowl XLIII half time show.
  • Kennedy Center Honors, 2009.
  • Rolling Stone magazine also ranked 8 out of 16 Springsteen’s studio albums in their 500 Greatest Albums Of All Time list.
  • Rolling Stone magazine ranked “Born to Run” and “Thunder Road” in its 500 Greatest Songs Of All Time list, in 21st and 86th, respectively.
  • Forbes ranked him 6th in The Celebrity 100 in 2009
  • John Steinbeck Award
  • Named 2013 MusiCares Person of the Year

Check out:

Atlantic City (Live):

Album of the day – Darkness on the Edge of Town (1978):

darkness on the edge of town

Other September 23:

Continue reading Today: Bruce Springsteen is 64

Today: Nick Cave is 56 Happy birthday

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“If you got a trumpet, get on your feet, brother, and blow it!”

― Nick Cave

“I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukulele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that’s it, that’ll be me, you know, that’ll be me.”
― Nick Cave

 

Nicholas Edward “Nick” Cave (born 22 September 1957) is an Australian musician, songwriter, author, screenwriter, composer and occasional film actor.

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He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1983, a group known for its eclectic influences and musical styles. Before that, he had fronted the group The Birthday Party in the early 1980s, a band renowned for its highly gothic, challenging lyrics and violent sound influenced by free jazz, blues, and post-punk. In 2006, he formed the garage rock band Grinderman that released its debut the following year. Cave’s music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with religion, death, love and violence.

Upon Cave’s induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said, “Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute.”

Nick Cave bergenfest photo-2

“O we will know, won’t we?
The stars will explode in the sky
O but they don’t, do they?
Stars have their moment and then they die 
~Nick Cave ((Are You) The One That I’ve Been Waiting For?)

From allmusic – Steve Huey:

After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave’s gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, who also obsessed over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker’s epic dark pop.
… read more over @ allmusic.com 

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Here is a brilliant live version of “People Ain’t No Good” (one of his best):

The Mercy Seat:

My Nick Cave Spotify playlist for today:

Nick Cave’s best album – The Boatman’s Call (1997):


Other September 22:

Continue reading Today: Nick Cave is 56 Happy birthday

Today: Happy 79th birthday Leonard Cohen

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Like a Bird on a Wire
Like a drunk in a midnight choir
I have tried in my way to be free
~Leonard  Cohen, Bird On A Wire

“The older I get, the surer I am that I’m not running the show.”
― Leonard Cohen

“I don’t remember
lighting this cigarette
and I don’t remember
if I’m here alone
or waiting for someone.”
~Leonard Cohen, Book of Longing

From Wikipedia:

Birth name Leonard Norman Cohen
Born 21 September 1934 (age 79)
Montreal, Quebec, Canada
Genres Folk, folk rock, rock, pop rock,spoken word, synthpop
Occupations Musician, singer-songwriter,poet, novelist
Instruments Vocals, guitar, piano,keyboards, synthesizer
Years active 1956-present
Labels Columbia
Associated acts Sharon Robinson, Jennifer Warnes

Leonard Norman Cohen, CC GOQ (born 21 September 1934) is a Canadian singer-songwriter, musician, poet, and novelist. His work often explores religion, isolation, sexuality, and interpersonal relationships. Cohen has been inducted into the American Rock and Roll Hall of Fame and both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame. He is also a Companion of the Order of Canada, the nation’s highest civilian honour.

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While giving the speech at Cohen’s induction into the Rock and Roll Hall of Fame on March 10, 2008, Lou Reed described Cohen as belonging to the “highest and most influential echelon of songwriters.”

The critic Bruce Eder wrote an assessment of Cohen’s overall career in popular music, writing:
“[Cohen is] one of the most fascinating and enigmatic. . .singer/songwriters of the late ’60s. . . [and] has retained an audience across four decades of music-making. . . Second only to Bob Dylan (and perhaps Paul Simon) [in terms of influence], he commands the attention of critics and younger musicians more firmly than any other musical figure from the 1960s who is still working at the outset of the 21st century.”

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The Academy of American Poets has commented more broadly on Cohen’s overall career in the arts, including his work as a poet, novelist, and songwriter, stating that “[Cohen’s] successful blending of poetry, fiction, and music is made most clear in Stranger Music: Selected Poems and Songs, published in 1993, which gathered more than two hundred of Cohen’s poems . . .several novel excerpts, and almost sixty song lyrics. . .While it may seem to some that Leonard Cohen departed from the literary in pursuit of the musical, his fans continue to embrace him as a Renaissance man who straddles the elusive artistic borderlines.”

From allmusic.com – Bruce Eder:

One of the most fascinating and enigmatic — if not the most successful — singer/songwriters of the late ’60s, Leonard Cohen has retained an audience across four decades of music-making interrupted by various digressions into personal and creative exploration, all of which have only added to the mystique surrounding him. Second only to Bob Dylan (and perhaps Paul Simon), he commands the attention of critics and younger musicians more firmly than any other musical figure from the 1960s who is still working at the outset of the 21st century, which is all the more remarkable an achievement for someone who didn’t even aspire to a musical career until he was in his thirties.
read more over @ allmusic.com 

Leonard Cohen – Tower of Song – Live, London  2009:

Leonard Cohen – Dance me to the end of love (live. Later with Jools):

Album of the day – Ten New Songs (2001):

Other September 21:

Continue reading Today: Happy 79th birthday Leonard Cohen

Today: Nick Cave and The Bad Seeds released “Abattoir Blues/The Lyre of Orpheus” in 2004, 9 years ago

abattoir-blues--the-lyre-of-orpheus

I’ve always had an obligation to creation, above all.
~Nick Cave

People think I’m a miserable sod but it’s only because I get asked such bloody miserable questions.
~Nick Cave

Everything’s dissolving, babe, according to plan
The sky is on fire, the dead are heaped across the land
I went to bed last night and my
moral code got jammed
I woke up this morning with a Frappucino in my hand
~Nick Cave (Abattoir Blues)

Get ready for Love:

From Wikipedia:

Released 20 September 2004
Recorded March–April 2004 at Studio Ferber in Paris, France
Genre Alternative rock
Length 82:30
Label Mute
Producer Nick Launay

Abattoir Blues/The Lyre of Orpheus is the thirteenth studio album by the Australian alternative rock band Nick Cave and the Bad Seeds, released on 20 September 2004 on Mute Records. It is a double album with a total of seventeen songs—nine on Abattoir Bluesand eight on The Lyre of Orpheus.

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The album was produced by Nick Launay at Studio Ferber in Paris in March–April 2004 and Nick Cave used The Bad Seeds line up of Mick Harvey, Thomas Wydler, Martyn Casey, Conway Savage, Jim Sclavunos, Warren Ellis, and James Johnston. It was the first album by the group for which Blixa Bargeld did not perform – English guitarist and organist Johnston, of the group Gallon Drunk, replaced Bargeld. Cave decided to split drumming duties for the two parts, with Sclavunos on Abattoir Blues and Wydler on The Lyre of Orpheus. According to Launay, the whole album was completed in twelve days.

The album’s release was supported by the Abattoir Blues Tour, which travelled through Europe from 2 November to 5 December. In January 2007 a double live album and DVD was issued as The Abattoir Blues TourAbattoir Blues/The Lyre of Orpheus’s last track, “O Children”, was featured in the 2010 film Harry Potter and the Deathly Hallows – Part 1 and the song is referenced as an achievement in Lego Harry Potter: Years 5-7. In March 2005, to complement the success of the double album, Nick Cave and the Bad Seeds released B-Sides & Rarities, a three-disc, 56-track collection of B-sides, rarities, and tracks that had appeared on film soundtracks.

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From allmusic.com – Thom Jurek:

When Blixa Bargeld left Nick Cave’s Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band’s catalog? Abattoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abattoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman’s Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment — and taste. Drummer Jim Sclavunos’ aggressive, propulsive kit work is the bedrock of this set. It and Mick Harvey’s storm-squall guitar playing shake things loose on “Get Ready for Love,” which opens the album. As Cave goes right for God in the refrain — “get ready for love” — in the maelstrom, a gospel choir roaring “praise Him” responds. His tense, ambivalent obsession with theology is pervasive; he mocks the Western perception of God in the heavens yet seeks the mystery of His nature. … read more @ allmusic

Personnel:

Nick Cave and the Bad Seeds
  • Nick Cave – vocals, piano, production, mixing
  • Mick Harvey – guitar, production, mixing
  • Warren Ellis – violin, mandolin, bouzouki, flute, production, mixing
  • Martyn P. Casey – bass, production
  • Conway Savage – piano, production
  • James Johnston – organ
  • Jim Sclavunos – drums, percussion, production on Abbattoir Blues
  • Thomas Wydler – drums, percussion, production on The Lyre of Orpheus
Technical personnel
  • Nick Launay – producer, engineer, mixing
  • Lars Fox – digital audio editor
  • Ian Cooper – mastering

….. Bargeld’s departure seems to have shaken Cave and his cohorts in the best way imaginable. The Bad Seeds sounded reined in on Nocturama, a waste of perhaps the most distinctive backing band in rock. Here, they sound energised and unfettered. There is a surfeit of breathtaking moments: Hiding All Away’s finale, where they shift from queasy funk to full-on hellfire-and-brimstone mode; the angular repetitions of The Lyre of Orpheus; the opening of Windswept, with Cave singing “through the windswept coastal trees, where the dead come rising from the sea”, over a frantic, rolling backing of hammering piano and pattering drums, whose the cumulative effect is enough to give you motion sickness…. Abattoir Blues is packed with standard apocalyptic Cave imagery, but he sounds most horrified about a visit to Starbucks: “The sky is on fire, the dead are heaped across the land,” he moans. “I woke up this morning with a Frappucino in my hand.”

You can’t really imagine anyone else in rock writing lyrics like that, but then, you really can’t imagine anyone else making an album like this. Abattoir Blues/The Lyre of Orpheus is an entirely unique return to form.
~Alexis Petridis (The Guardian)

 

Nature Boy:

Album of the day:

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Continue reading Today: Nick Cave and The Bad Seeds released “Abattoir Blues/The Lyre of Orpheus” in 2004, 9 years ago

Focusing on Bob Dylan & related music