It’s not enough. By anyone else’s standards, of course, Bruce Springsteen & the E Street Band Live/1975-85 is an embarrassment of riches — five albums and ten years’ worth of barroom, hockey-arena and baseball-stadium dynamite; greatest hits, ace covers, love songs, work songs, out-of-work songs — the ultimate rock-concert experience of the past decade finally packaged for living-room consumption, a special gift of thanks to the fans who shared those 1001 nights of stomp & sweat and the best possible consolation prize for the poor bastards who could never get tickets.
Neil Young was horribly nervous before the performance and had to be coaxed from his hotel room by his manager Elliot Roberts and the minister of Canterbury House, Dan Burke. Burke tells NPR Music he remembers Neil Young huddled in Young’s hotel room bed, too scared to perform. He told Burke no one would want to hear the Buffalo Springfield tunes or his new tunes. Young was afraid he didn’t have enough material. But he was eventually persuaded to take the small stage.
~Neil Young News
This is a GREAT live album from Neil Young’s two concert @ The Canterbury House, Ann Arbor, Michigan, USA – Nov 9-10 1968.
December 2, 2008
November 9 and 10, 1968
Folk-rock, Country rock
Sugar Mountain – Live at Canterbury House 1968 is a live album by Neil Young. On November 8–10, 1968, Young performed three shows at Canterbury House in Ann Arbor, Michigan. This album is compiled from the performances on the 9th and 10th.
This album is Volume 00 in the Archives Performance Series. Since volumes 2 and 3 had already been released, this album, while performed earlier chronologically, is the third release from the Series. The Riverboat 1969, released in The Archives Vol. 1 1963–1972in 2009, is the fourth Archive Performance Series released but was performed earlier chronologically than volumes 2 and 3.
The songs, by the way, are beautiful. He does mysterious Springfield compositions (“Broken Arrow,” “Nowadays Clancy Can’t Even Sing”), and provocative newer tunes (“The Old Laughing Lady,” “The Loner”). The version here of “Sugar Mountain,” his enduring lost-adolescence lament written before Springfield, has been previously released as a B-side and on the Decade box set. But hearing it in this context adds to its impact.
~Steve Rosen (pastemagazine.com)
Harvest Moon is the twentieth studio album by Neil Young. Many of the musicians appearing on it also appeared on his 1972 album Harvest, and it is considered by many to be like a “sequel” to Harvest.
But Neil Young did not agree: “…people see the correlation between the two, and it’s kind of a plus to be able to refer back 20 years and see the same people and do that. But the thrust of the albums is different, even though the subject matter is similar, so I tend to shy away more from comparisons between them…”
Recovering from a case of tinnitus that had come about after the recording of 1990’s Ragged Glory and its subsequent tour (which produced 1991’s Weld and Arc), Young was determined to return to the studio. Returning to Nashville and joining up with compatriots like Ben Keith, Young put down the electric guitar, returning to the acoustic guitar, piano and banjo that had dominated albums such as Harvest, Comes a Time and Old Ways.
The album earned the 1994 Juno Award for album of the year. The 2009 release Dreamin’ Man is a live album of the subsequent 1992 tour and contains live renditions of all Harvest Moon tracks in a different order.
One of Neil Young’s best albums in my book, many classic songs. I think it’s a far angrier album than Harvest and a record that is a testament to Young’s experience and growth as a songwriter.
The title track to Neil Young’s Harvest Moon encapsulates the mood of the entire album in a single song. The power of nature and music, as well as a feeling of celebrating lifetime love are the focal points here, and Young captures it all in his typically literate, artless style. The melody is positively gorgeous, and it’s one that could have easily framed a heavier song. The fact that Young uses the word “celebrate” underlines his feelings here, and the exquisite arrangement and backing vocals (which include Linda Ronstadt) underline this.
– Matthew Greenwald (allmusic.com)
Since Prairie Wind is a return to the soft, lush country-rock sound of Harvest; since Neil Young suffered a brain aneurysm during its recording; since it finds the singer/songwriter reflecting on life and family in the wake of his father’s death; and since it’s his most cohesive album in a decade, it would seem that all these factors add up to a latter-day masterpiece for Young, but that’s not quite the case.
~Stephen Thomas Erlewine (allmusic.com) – 3,5/5