Category Archives: Bob Dylan

Steve Earle plays Bob Dylan

steve earle-2
Bergenfest 2013 photo: Hallgeir Olsen

Steve Earle: “Was Townes Van Zandt Better Than Bob Dylan?
…I’m kinda famous for something I said…I was asked for a sticker for a Townes record that came out in the 80s, I said, Townes Van Zandt is the best songwriter in the world and I’ll stand on Bob Dylan’s coffee table in my cowboy-boots and say that. 

It wasn’t that I thought that Townes was better than Bob Dylan. I just knew that Townes really needed the help.”

Well, I love both Van Zandt and Dylan, and so does Steve Earle. He has done songs by both on several occasions, and he did an entire album with Townes Van Zandt songs.

In this post we pick the best interpretations we can find of Steve Earle singing Bob Dylan’s songs.

Steve Earle – Don’t Think Twice It’s Alright  at Johnny Brenda’s Philadelphia,27 Feb 2011:

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My favourite Bob Dylan bootleg from 1973: The Pat Garrett sessions

Pat-garrett-sessions

My favourite Bob Dylan bootleg  from 1973: The Pat Garrett sessions

“Even by the standards of Dylan bootlegs, this is one for the obsessives”
– Richie Unterberger (allmusic)

Pat Garrett & Billy the Kid is the twelfth studio album and first soundtrack album by American singer-songwriter Bob Dylan, released on July 13, 1973 by Columbia Records for the Sam Peckinpah film, Pat Garrett and Billy the Kid. Dylan himself appeared in the film as the character “Alias”. The soundtrack consists primarily of instrumental music and was inspired by the movie itself.

The Pat Garrett sessions has also been released under other names, Lucky Luke, Blood on the saddle and Peco’s Blues. I think the “release”, The Pat Garrett sessions sounds best. So hit Google, people, and find it.

lucky luke  Peco's Blues

Dylan’s first session for the Pat Garrett and Billy the Kid soundtrack was on January 20, 1973 at CBS Discos Studios in Mexico City. The only song from that day that was included on the album was “Billy 7”; also recorded were multiple other takes of “Billy”, and the outtakes “Under Turkey”, “Billy Surrenders”, “And He’s Killed Me Too”, “Goodbye Holly” and “Pecos Blues”. The following month, Dylan recorded two days at Burbank Studios in Burbank, California. The rest of the album’s songs were recorded, as well as the outtakes “Sweet Armarillo” and “Rock Me Mama”

This bootleg is a collection of Pat Garrett & Billy The Kid outtakes. It has good to great sound quality and features a haunting instrumental ‘Knockin’ On Heaven’s Door’, several great and very different takes of Billy, the fabulous ‘Rock Me Mama’, and loads of studio banter (for us obsessives), including Bob asking the band to help him create a great song (‘Billy Surrenders’) right on the spot. It’s so great to get a little window into that world. To see the development of a song like Billy is fascinating to witness.

It may be a bootleg for the obsessives but so is the original Pat Garrett and Billy The Kid album. I love them both.

Highlights:

Tom Turkey(TurkeyII)(Billy) a slow bluesy build-up to a fine version of Billy, Billy 4, Knockin’ On Heaven’s Door (instrumental), Sweet Amarillo, Billy 7 (song6, disc2) but I think there are so many good tracks here that I usually just put on the whole set and runs through it.

Other entries in this series:

My favourite Bob Dylan bootlegs

The Burbank sessions yielded a few spontaneous recordings, including a jam titled “Sweet Amarillo” and a simple, improvised song titled “Rock Me Mama.” Although neither were seriously considered for the soundtrack (as they were born more out of leisure than actual work), they were eventually completed and recorded by the Nashville band Old Crow Medicine Show; “Wagon Wheel” was released in 2004 (and subsequently covered by many other artists, including Darius Rucker) and “Sweet Amarillo” was released in 2014, so check out the stories behind these songs:

The Roots of Wagon Wheel aka Rock Me Mama
The Roots of Sweet Amarillo

Continue reading My favourite Bob Dylan bootleg from 1973: The Pat Garrett sessions

Bob Dylan’s best songs: Tombstone Blues

bob dylan tombstone blues

Now I wish I could write you a melody so plain
That could hold you dear lady from going insane
That could ease you and cool you and cease the pain
Of your useless and pointless knowledge

Mama’s in the fact’ry
She ain’t got no shoes
Daddy’s in the alley
He’s lookin’ for the fuse
I’m in the streets
With the tombstone blues

The Vietnam War was one of the things going through Dylan’s mind when he wrote/sang “Tombstone Blues” (” … fattens the slaves/then sends them out to the jungle”), but one would be hard put to claim the song is about the war. The influence of Depression-era songs like “Wandering” (“Daddy is an engineer/Brother drives a hack/Sister takes in washing/And the baby balls the jack”) can also be spotted, but shall we then say it’s a song about the “new Depression”?
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

… the star of this show is [Mike] Bloomfield, whose between-verse solos build from heated to blistering, jackrabbiting helter-skelter over the fretboard, anticipating and pointing the way to Alvin Lee, Johnny Winter, and any other late-sixties guitarist who took blues riffs and fed them uppers. It is practically the only time on the album that he’ll get to shine like this. [..] Bloomfield uses his axe like a flamethrower, spewing liquid fire over the space between the vocals, he and Dylan marauding the tune like twin Gypsy Davies burning out the camps, leaving only scorched earth. Take him away and the song remains lyrically strong but musically weakened, its engine a few cylinders short.
~Mark Polizzotti (Bob Dylan’s Highway 61 Revisited (33 1/3))

 

Grooveshark:
Tombstone Blues by Bob Dylan on Grooveshark

Spotify:

Continue reading Bob Dylan’s best songs: Tombstone Blues

My favourite Bob Dylan bootleg 1995: Prague 3 nights in March

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My favourite Bob Dylan bootleg 1995: Prague 3 nights in March

“Anyone who has watched a sunrise over the ancient city of Prague will feel they have visited a city of magic & wonder. Anyone who has heard Dylan’s performance on the 11th will have felt a similar sense of awe”
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)

The first leg of the Europe 1995 tour picks up the NET after the MTV Unplugged sessions in November, 1994 and a three-month break from performing live. Dylan played two months in Europe in 95. He began with three shows in Prague and ended on April 11 in Dublin. Dylan returned for a second leg with a month in Europe in the summer of 1995.

Right before the Prague dates Dylan came down with the flu, this meant that all three to be pushed back one night. Dylan did these shows without playing guitar but focusing on singing and on the harp.

Usually the show at the 11th gets picked as the best of the three Prague shows, I don’t think it’s that simple. There are lots of bootlegs that has songs from these three incredible nights. Many collectors place these Prague shows among the very best Dylan ever performed. All three are legendary performances. I’m hard pressed to pick one so I’ll recommend a few boots.

Bob Dylan sang in a style that reminds me of crooning these nights and maybe this gave him the idea of making an album with Frank Sinatra songs.

Other entries in this series:

My Favourite Bob Dylan bootleg from 1962: The Freewheelin’ Bob Dylan Outtakes
My Favourite Bob Dylan bootleg from 1969: The Dylan / Cash Sessions
My favourite Bob Dylan bootleg from 1983: Infidels outtakes (Rough cuts)
My favourite Bob Dylan bootleg from 2011: Funen Village Denmark June 27
My Favourite Bob Dylan bootleg from 2012: The Day of Wine and Roses, Barolo, Italy July 16
My Favourite Bob Dylan bootleg from 2014: Gothenburg Sweden July 15

Continue reading My favourite Bob Dylan bootleg 1995: Prague 3 nights in March

March 3: Bob Dylan – Westinghouse Studios 1963

bob dylan 1963

Westinghouse Studios
New York City, New York
3 March 1963
Folk songs and more folk songs

Broadcast in the program “Folk songs and more folk songs” on Westinghouse TV stations in May 1963.

  1. Blowin’ In The Wind
    How many roads must a man walk down
    Before you call him a man?
    Yes, ’n’ how many seas must a white dove sail
    Before she sleeps in the sand?
    Yes, ’n’ how many times must the cannonballs fly
    Before they’re forever banned?
    The answer, my friend, is blowin’ in the wind
    The answer is blowin’ in the wind
    Continue reading March 3: Bob Dylan – Westinghouse Studios 1963