May 2: Bob Dylan 3rd Slow Train Coming Recording Session 1979
It’s in my system. I don’t really have enough time to talk about it. If someone really wants to know, I can explain it to them, but there are other people who can do it just as well. I don’t feel compelled to do it. I was doing a bit of that last year on the stage. I was saying stuff I figured people needed to know. I thought I was giving people an idea of what was behind the songs. I don’t think it’s necessary any more. When I walk around some of the towns we go to, however, I’m totally convinced people need Jesus. Look at the junkies and the winos and the troubled people. It’s all a sickness which can be healed in an instant. The powers that be won’t let that happen. The powers that be say it has to be healed politically.
~Bob Dylan (to Robert Hilburn – Nov 1980)
Slow Train Coming was a collection of songs Dylan had originally intended to donate to backing singer Carolyn Dennis.
~Clinton Heylin (The Recording Sessions)
The first 2 recording sessions for “Slow Train Coming” had only resulted one master take for the album – Precious Angel (recorded the previous day).
The May tape has never enjoyed the same popularity [as the December tape – The Minnesota Hotel Tape]. Partly because of the low quality of the original recording, and partly due to a remarkably uninspired performance. One of the first times that a young Bob would hear himself on tape, nerves, inexperience, and limited repertoire would result in, at best, this mediocre offering. The tape is significant, however, not only for its historical importance, but also as a standard to compare the December tape. A short seven months that separate the two. A lifetime that separate the two. The interim shows the explosive growth from a kid with a guitar to a Folk Phenomenon.
~Bobsboots.com
Unidentified coffeehouse Minneapolis, Minnesota May 1961
Hazel, stardust in your eye
You’re goin’ somewhere and so am I
I’d give you the sky high above
Ooh, for a little touch of your love
Oh no, I don’t need any reminder
To know how much I really care
But it’s just making me blinder and blinder
Because I’m up on a hill and still you’re not there
Hazel, you called and I came
Now don’t make me play this waiting game
You’ve got something I want plenty of
Ooh, a little touch of your love
Videos from the Hawaii concerts are popping up over @ youtube. These are not videos of complete songs, but quality & sound is ok… and our man sounds amazing.
Neal S Blaisdell Arena Honolulu, Hawaii April 29, 2014
Bob Dylan – piano, harp
Tony Garnier – bass
George Recile – drums
Stu Kimball – rhythm guitar
Charlie Sexton on lead guitar
Donnie Herron – banjo, viola, violin, electric mandolin, pedal steel, lap steel
April 27: Bob Dylan – The 15th Infidels recording session in 1983
…..I did the album, and I call it that, but what it means is for other people to interpret, you know, if it means something to them. Infidels is a word that’s in the dictionary and whoever it applies to… to everybody on the album, every character. Maybe it’s all about infidels.
~Bob Dylan (to Kurt Loder in March 1984)
Foot of Pride:
“Bob’s musical ability is limited, in terms of being able to play a guitar or a piano,….. It’s rudimentary, but it doesn’t affect his variety, his sense of melody, his singing. It’s all there. In fact, some of the things he plays on piano while he’s singing are lovely, even though they’re rudimentary. That all demonstrates the fact that you don’t have to be a great technician. It’s the same old story: If something is played with soul, that’s what’s important.”
~Mark Knopfler
“I’ve made shoes for everyone, even you, while I still go barefoot”
~Bob Dylan (from “I and I”)
, 30 April 2012.
