Tag Archives: Elvis Presley

Today: Ray Charles recorded “What’d I Say” in 1959 – 54 years ago

Ray_Charles_-_What'd_I_Say

I’m not one to interpret my own songs, but if you can’t figure out ‘What I Say’, then something’s wrong. Either that, or you’re not accustomed to the sweet sounds of love.
—Ray Charles

The feel comes from gospel but the resulting witty, elegant essay on rhythm and sex and why they’re inseparable is purely pagan.
~Dave Marsh (The Heart of Rock & Soul)

wikipedia:

Released July 1959
Format 7-inch single
Recorded February 18, 1959
Genre Soul, blues, gospel, rock and roll
Length 6:30
Label Atlantic
Writer(s) Ray Charles
Producer Jerry Wexler

What’d I Say” (or “What I Say“) is a song by American rhythm and blues (R&B) musician Ray Charles, released in 1959 as a single divided into two parts. It was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.

 ray charles what'd I say

 After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new sub-genre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded “I Got a Woman” in 1954. The gospel influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and ranked at number 10 in Rolling Stone‘s “The 500 Greatest Songs of All Time”.

ray charles what'd i say

“Ray would call and say that he had a few songs but he wouldn’t usually comment on them beforehand. He called me up before he brought “What’d I Say” in and said, “I think you might like this one pretty well.” That constituted a rave from him and it was very easy to record. It was hardly a song: it was an extended rhythm lick with a few jingle-like verses: “See that girl with the red dress on, She can do the Birdland all night long”, not exactly Shakespearian innovation. He had strung a few lines together but the essence of that record was the boiling rhythm track and the exchanges between himself and the Raelets.”
– Jerry Wexler (Co-owner of Atlantic Records & legendary producer)

Live – 1960:

Album of the day:

The Best of Ray Charles – Atlantic Years (1994)

Ray_Charles_-_The_Best_of_Ray_Charles_-_The_Atlantic_Years

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Today the late Django Reinhardt was born in 1910 – 103 years ago

Django Reinhardt

Jazz attracted me because in it I found a formal perfection and instrumental precision that I admire in classical music, but which popular music doesn’t have.
~Django Reinhardt

Django Reinhardt was the first hugely influential jazz figure to emerge from Europe — and he remains the most influential European to this day…
~Richard S. Ginell (allmusic.com)

a tribute video from youtube – w/ video of our man:

another one – w/ some fantastic audio clips:

From Wikipedia

Birth name Jean Reinhardt
Born 23 January 1910,
Liberchies, Pont-à-Celles, Belgium
Died 16 May 1953 (aged 43)
Fontainebleau, France
Genres Jazz, Gypsy jazz, Romani music
Occupations Guitarist, Composer
Instruments Guitar, Electric guitar
Years active 1928–1953
Associated acts Stéphane Grappelli, Quintette du Hot Club de France

Jean “Django” Reinhardt (French pronunciation: ​[dʒɑ̃ɡo ʁenɑʁt]; 23 January 1910 – 16 May 1953) was a pioneering virtuoso jazz guitarist and composer.

Reinhardt is often regarded as one of the greatest guitar players of all time and regarded as the first important European jazz musician who made major contributions to the development of the idiom. Reinhardt invented an entirely new style of jazz guitar technique (sometimes called ‘hot’ jazz guitar) that has since become a living musical tradition within French gypsy culture. With violinist Stéphane Grappelli, he co-founded the Quintette du Hot Club de France, described by critic Thom Jurek as “one of the most original bands in the history of recorded jazz.” Reinhardt’s most popular compositions have become jazz standards, including “Minor Swing”, “Daphne”, “Belleville”, “Djangology”, “Swing ’42”, and “Nuages”.

Minor Swing – Django Reinhardt & Stéphane Grappelli:

Django Reinhardt2

Belleville:

Album of the day

Peche à la Mouche (1992) – recorded 1947-53

Django Reinhardt Peche à la Mouche

 

Legend has it that guitarist Django Reinhardt was at his absolute peak in the 1930s during his recordings with violinist Stephane Grappelli and that when he switched from acoustic to electric guitar after World War II, he lost a bit of his musical personality. Wrong on both counts. This double CD documents his Blue Star recordings of 1947 and 1953 and Reinhardt (on electric guitar) takes inventive boppish solos that put him at the top of the list of jazz guitarists who were active during the era.
~Scott Yanow (allmusic.com)

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Today: The late Huddie William Ledbetter (Lead Belly) was born in 1888 – 125 years ago

leadbelly

“The blues is like this. You lay down some night and you turn from one side of the bed to the other all night long. It’s not too cold in that bed, and it ain’t too hot. But what’s the matter The blues has got you.”
~Lead Belly

I heard Leadbelly somewhere and that’s what got me into folk music, which was exploding.
~Bob Dylan (Joe Smith interview 1988)

Lead Belly was not an influence, he was the influence. If it wasn’t for him, I may never have been here. I don’t think he’s really dead. A lot of people’s bodies die but I don’t think their spirits die with them.
~Van Morrison

”Sang the blues wonderfully,but he was much bigger than that. He encompassed the whole black era, from square dance calls to the blues of the 30’s and 40’s”
~Alan Lomax

Huddie “Lead Belly” Ledbetter 1998 Folk Alliance International Lifetime Achievement Award Recipient:

The Midnight Special:

From Wikipedia

Birth name Huddie William Ledbetter
Also known as Lead Belly
Born January 1888
Mooringsport,  Louisiana, United States
Died December 6, 1949 (aged 61)
New York, New York, United States
Genres Delta blues, songster, country blues
Occupations Musician, songwriter
Instruments Vocals, guitar, accordion, piano, lap steel guitar
Years active 1936–1949
Website www.leadbelly.org

Huddie William Ledbetter (January 20, 1888 – December 6, 1949) was an iconic American folk and blues musician, and multi-instrumentalist, notable for his strong vocals, his virtuosity on the twelve-string guitar, and the songbook of folk standards he introduced.

lead_belly

Goodnight, Irene:

He is best known as Lead Belly. Though many releases list him as “Leadbelly“, he spelled it “Lead Belly”. This is also the usage on his tombstone, as well as of the Lead Belly Foundation. In 1994 the Lead Belly Foundation contacted an authority on the history of popular music, Colin Larkin, editor of the Encyclopedia of Popular Music, to ask if the name “Leadbelly” could be altered to “Lead Belly” in the hope that other authors would follow suit and use the artist’s correct appellation.

Although Lead Belly most commonly played the twelve-string, he could also play the piano, mandolin, harmonica, violin, and accordion. In some of his recordings, such as in one of his versions of the folk ballad “John Hardy”, he performs on the accordion instead of the guitar. In other recordings he just sings while clapping his hands or stomping his foot.

John Hardy (Accordion):

The topics of Lead Belly’s music covered a wide range of subjects, including gospel songs; blues songs about women, liquor, prison life, and racism; and folk songs about cowboys, prison, work, sailors, cattle herding, and dancing. He also wrote songs concerning the newsmakers of the day, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, the Scottsboro Boys, and Howard Hughes.

In 2008, Lead Belly was inducted into the Louisiana Music Hall of Fame.

lead belly accordion

Album of the day:

King of the 12-String Guitar (1991)

leadbelly king of the 12-string

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Today: Elvis Presley recorded “Long Black Limousine” in 1969 – 44 years ago

elvis_band_american_studios_1969

 ..But it is “Long Black Limousine” and “I’ll Hold You in My Heart” which mark the high point of the album and indeed may mark the high point of Elvis’ career to date. “Long Black Limousine” is the almost quintessential C&W ballad, whose melody bears traces of such mournful standards as “Old Shep” and “Green, Green Grass of Home”.
~Peter Guralnick (Rollingstone Magazien – Aug 1969)

One of the strongest songs from one of the best albums ever released… nothing less.

Wikipedia

Released June 17, 1969
Genre Rhythm and blues
Length 3:44
Label RCA Victor
Writer Vern Stovall, Bobby George
Producer Chips Moman, Felton Jarvis

Long Black Limousine is a song written by Vern Stovall and Bobby George; the best known version is probably the one by Elvis Presley, who turned the original country tune into a soulful rhythm and blues song.

Stovall and George, country musicians based in southern California, probably wrote the song in 1958, when it was first recorded (but not released until many years later) by Wynn Stewart. The first released version was Stovall’s, in 1961, followed by Glen Campbell’s in 1962. The only charting single of the song (in 1968 it reached #73 on the US country charts) was Jody Miller’s, her version was also on her 1968 album The Nashville Sound of Jody Miller. O. C. Smith’s version was released as the B-side of his million-selling crossover hit “Little Green Apples” in 1968. Elvis Presley’s version appeared on his classic 1969 From Elvis in Memphis album.

Elvis - from elvis in memphis

The sound produced at American had little to do with high-tech equipment and everything to do with its stable of musicians, who had developed a heavily R&B-influenced style that far transcended any bluesy  edges the Nashville players might have boasted.
~Ernst Jorgensen (Elvis Presley – A life in music)

Chipc Moan & ElvisElvis & Chips Moman

All southerners, all close to Elvis’s age, they shared a musical heritage that blended country, gospel, and rhythm and blues.
To the musicians Chips Moman was a godfather-like figure in the studio, who would tolerate nothing less than total commitment.
~Ernst Jorgensen (Elvis Presley – A life in music)

An even better version – Long Black Limousine (Take 6):

Lyrics

There’s a long line of mourners driving down our little street
Their fancy cars are such a sight to see, oh, yeah
They’re all of your rich friends who knew you in the city
And now they’ve finally brought, brought you home to me

When you left you know you told me that some day you’d be returnin’
In a fancy car all the town to see, oh, yeah
Well, now everyone is watching you, you finally had your dream
Yeah, and you’re ridin’ in a long black limousine

You know the papers told of how you lost your life, oh, yeah
The party, the party and the fatal crash that night
Well, the race upon the highway, oh, the curve you didn’t see
When you’re riding in that long black limousine

You’re riding in that long black limousine

Through tear filled eyes I watch as you ride by, oh, yeah
A chauffeur, a chauffeur at the wheel dressed up so fine
Well, I never, I never, never, never, oh, my heart, all my dreams
Yeah, they’re with you in that long black limousine

Yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, they’re with you in that long black limousine

Producer: Chips Moman & Felton Jarvis

Produced by Felton Jarvis and Chips Moman
Engineered by Al Pachucki
Overdubs arranged by Mike Leech and Glen Spreen
Digital Engineer: Dick Baxter

Personnel

  • Elvis Presley – vocals, guitar, piano
  • String and Horn Arrangements – Glen Spreen
  • Ed Kollis – harmonica
  • John Hughey – pedal steel guitar on “In the Ghetto”
  • Reggie Young, Dan Penn – electric guitar
  • Bobby Wood – piano
  • Bobby Emmons – organ
  • Tommy Cogbill, Mike Leech – bass
  • Gene Chrisman – drums

Overdubbed:

  • Wayne Jackson, Dick Steff, R.F. Taylor – trumpets
  • Ed Logan, Jack Hale, Gerald Richardson] – trombones
  • Tony Cason, Joe D’Gerolamo – french horns
  • Andrew Love, Jackie Thomas, Glen Spreen, J.P. Luper – saxophones
  • Joe Babcock, Dolores Edgin, Mary Greene, Charlie Hodge, Ginger Holladay, Mary Holladay Millie Kirkham, Ronnie Milsap, Sonja Montgomery, June Page, Susan Pilkington, Sandy Posey, Donna Thatcher, Hurschel Wiginton – backing vocals

Spotify:

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Today: Ray Price is 87

Ray Price has covered — and kicked up — as much musical turf as any country singer of the postwar era. He’s been lionized as the man who saved hard country when Nashville went pop, and vilified as the man who went pop when hard country was starting to call its own name with pride.
~Dan Cooper (allmusic.com)

For The Good Times:

From Wikipedia:

Birth name Ray Price
Also known as The Cherokee Cowboy
Born January 12, 1926 (age 87)
Origin Perryville, Texas, U.S.
Genres Country, Western swing
Occupations Singer, songwriter, guitarist
Years active 1948–present
Associated acts Johnny Bush, Merle Haggard, Rosetta Tharpe, Harlan Howard, George Jones, Roger Miller, Willie Nelson, Johnny Paycheck

Ray Price (born January 12, 1926) is an American country music singer, songwriter and guitarist. His wide-ranging baritone has often been praised as among the best male voices of country music. His more well-known recordings include “Release Me”, “Crazy Arms”, “Heartaches by the Number”, “City Lights”, “My Shoes Keep Walking Back to You”, “For the Good Times”, “Night Life”, “I Won’t Mention It Again”, “You’re the Best Thing That Ever Happened to Me”, and “Danny Boy”. He was elected to the Country Music Hall of Fame in 1996 and—now in his 80s—continues to record and tour.

….He relocated to Nashville in the early 1950s, rooming for a brief time with Hank Williams. When Williams died, Price managed his band, the Drifting Cowboys, and had minor success…..

ray price & hank williams

Heartaches by the number:

Industry Awards:

Academy of Country Music

  • 1970 Album of the Year – “For The Good Times”
  • 1970 Single of the Year – “For The Good Times”

Country Music Association

  • 1971 Album of the Year – “I Won’t Mention It Again”

Country Music Hall of Fame and Museum

  • Inducted in 1996

Grammy Awards

  • 1971 Best Male Country Vocal Performance – “For The Good Times”
  • 2008 Best Country Collaboration with Vocals with Willie Nelson – “Lost Highway”

Album of the day:

The Essential Ray Price (1951-1962) – (1991)

album-the-essential-ray-price-1951-1962

@Spotify:

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