Tag Archives: Paul Williams

September 10 – Watch: Bob Dylan @ WTTW-TV Studios Chicago, Illinois 1975

bob dylan 10 september 1975

His presence burns from the video screen. His music bursts with aliveness. Anyone can see he’s being driven by some kind of primal force.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

GREAT performance from Dylan & his trio (core of what would become the The Rolling Thunder tour band).. They were the last act this day.. the filming was running late & they didn’t get to play before 2 am. Still there is fire in Dylan’s eyes.. and he drives his band through the songs.

Continue reading September 10 – Watch: Bob Dylan @ WTTW-TV Studios Chicago, Illinois 1975

July 26: Listen – Bob Dylan Performing “Visions of Johanna/Madonna” @ Tramps, NYC 1999

bobdylan1999

On the 26th of july, 1999, in a club in Manhattan, Bob Dylan delivered one of his greatest performances ever of his well-loved 1966 epic “Visions of Johanna.” As if to acknowledge and signal his awareness of the power and freshness of this latest reinterpretation, the singer-bandleader effectively changed the title of the song halfway through, by starting to sing the chorus as: “And these visions of Madonna are now all that remain/ … have kept me up past the dawn.”
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)

Tramps
New York City, New York
26 July 1999

  • Bob Dylan (vocal & guitar)
  • Charlie Sexton (guitar)
  • Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
  • Tony Garnier (bass)
  • David Kemper (drums & percussion).

Continue reading July 26: Listen – Bob Dylan Performing “Visions of Johanna/Madonna” @ Tramps, NYC 1999

April 27: Bob Dylan 3rd Street-Legal recording session, 27 April 1978


bob dylan street-legal

On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.
~Bob Dylan (to Robert Hilburn – May 1978)

Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.

bob dylan street legal2

First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.

The first & second recording session (April 25 & 26) did not produce much (probably only a master of “We Better Talk This Over”), but on this  sessions we (probably) got 4 masters: No Time To Think, Where Are You Tonight? (Journey Through Dark Heat), True Love Tends To Forget & Changing Of The Guards.

Continue reading April 27: Bob Dylan 3rd Street-Legal recording session, 27 April 1978

March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966





blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)

bob dylan al kooper 1966

Columbia Music Row Studios
Nashville, Tennessee
9-10 March 1966

Produced by Bob Johnston

Songs:

Continue reading March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966

Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990





bob dylan under the red sky

I made this record, Under the Red Sky, with Don Was, but at the same time I was also doing the Wilburys record. I don’t know how it happened that I got into both albums at the same time.
~Bob Dylan (to Jonathan Lethem, Aug 2006)

It’s a magnificent album, really, and I love every performance on it.
~Paul Williams (from Bob Dylan: Mind Out of Time – Performing Artist 1986-1990 and Beyond)

Oceanway Studios
Los Angeles, California
6 January 1990
Produced by Don Was, David Was and Jack Frost

Continue reading Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990