Tag Archives: Sam Phillips

December 20: Pat Hare birthday

pate hare

If highly distorted guitar played with a ton of aggression and just barely suppressed violence is your idea of great blues, then Pat Hare’s your man.
~Cub Koda (allmusic.com)

….Auburn “Pat” Hare, the most aggressive picker to work at Phillips’ studio [Sun Studions that is]. Together, Hare and James Cotton produced one of the truly great blues recordings, “Cotton Crop Blues.”
~From the book: “Good Rockin’ Tonight: Sun Records and the Birth of Rock ‘N’ Roll

James Cotton (Pat Hare on guitar) – Cotton Crop Blues (May 1954):

Continue reading December 20: Pat Hare birthday

Johnny Cash: 10 best songs recorded @ SUN Studio

sam pillips & johnny cash

 

“The Sun recordings maximized the effective contrast between the hustling rhythm of the bass and acoustic guitar and the ponderous, sparse vocals & lead guitar. Phillips achievement was to keep Cash’s sound at it’s bare essentials, an then fatten it up with the use of slapback echo. Subsequent producers and engineers could never quite recapture that formula. .. Johnny Cash’s three years of recordings for Sun are a wonderful demonstration of just how far a whole can outclass the sum of it’s parts”
~Colin Escott & Martin Hawkins (Good Rockin’ Tonight: Sun Records and the Birth of Rock ‘N’ Roll)

Sun studios

I’m visiting SUN Studio again i January, and will post a series of SUN/STAX/Memphis related articles the coming months. This is the first one.

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July 30 in music history

July 30: Bob Dylan: 4th recording session for Desire in 1975 (read more)

The result is a sound and a set of songs unlike anything Dylan or anyone else has ever done before…. The lyrics of “Sara” and “Abandoned Love” (and, for that matter, of “Isis” and “Hurricane”) could not be more perfect, but overall the triumph of Desire is musical
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)


Recorded in the summer lull before the first Rolling Thunder tour and released soon after it, the stand-out tracks are ‘Isis’, ‘Romance in Durango’ and ‘Black Diamond Bay’, but ‘Hurricane’, ‘One More Cup of Coffee’ and ‘Oh Sister’ are breathing down their necks.
~Michael Gray (The Bob Dylan Encyclopedia)

 Bob_Dylan-Desire-Frontal
 Samuel Cornelius Phillips (January 5, 1923 – July 30, 2003), better known as Sam Phillips, was an American businessman, record executive, record producer and DJ who played an important role in the emergence of rock and roll as the major form of popular music in the 1950s. He was a producer, label owner, and talent scout throughout the 1940s and 1950s. He most notably founded Sun Studios and Sun Records in Memphis, Tennessee. Through Sun, Phillips discovered such recording talent as Howlin’ Wolf, Carl Perkins, Jerry Lee Lewis and Johnny Cash.  sam phillips prestoampex
 George “Buddy” Guy (born July 30, 1936) is an American blues guitarist and singer. Critically acclaimed, he is a pioneer of the Chicago blues sound and has served as an influence to some of the most notable musicians of his generation, including Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. In the 1960s Guy was a member of Muddy Waters’ band and as a house guitarist at Chess Records. He can be heard on Howlin’ Wolf’s ‘Killing Floor’ and Koko Taylor’s ‘Wang Dang Doodle’ as well as on his own Chess sides and the fine series of records he made with harmonica player Junior Wells.Ranked 30th in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time”, Guy is known for his showmanship on stage: playing his guitar with drumsticks or strolling into the audience while playing solos. His song “Stone Crazy” was ranked 78th in list of the 100 Greatest Guitar Songs of All Time also of Rolling Stone.  buddy-guy

July 30: Bob Dylan: 5th recording session for Highway 61 Revisited 1965 (read more)

“I never wanted to write topical songs,…. Have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.”
~Bob Dylan (to Frances Taylor – Aug 1965)


“Dylan had not only changed his sound, but his persona, trading the folk troubadour for a streetwise, cynical hipster. Throughout the album, he embraces druggy, surreal imagery, which can either have a sense of menace or beauty, and the music reflects that, jumping between soothing melodies to hard, bluesy rock. And that is the most revolutionary thing about Highway 61 Revisited — it proved that rock & roll needn’t be collegiate and tame in order to be literate, poetic, and complex.”
~Stephen Thomas Erlewine (allmusic.com)

highway61revisited
 The Rising is the 12th studio album by American recording artist Bruce Springsteen, released in 2002 (July 30) on Columbia Records. In addition to being Springsteen’s first studio album in seven years, it was also his first with the E Street Band in 18 years. It is centered around Springsteen’s reflections on the September 11, 2001 attacks.  Bruce the rising album
 Catherine “Kate” Bush (born 30 July 1958) is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom’s most successful solo female performers of the past 30 years.  kate-bush-183726

Spotify Playlist – July 30

Today: Elvis Presley released “That’s All Right” in 1954 – 59 years ago

elvis presley that's all right single

In 2004, Elvis Presley’s “That’s All Right Mama” and Bill Haley’s “Rock Around the Clock” both celebrated their 50th anniversaries. Rolling Stone Magazine felt that Presley’s song was the first rock and roll recording. At the time Presley recorded the song, Big Joe Turner’s “Shake, Rattle & Roll”, later covered by Haley, was already at the top of the Billboard R&B charts. The Guardian felt that while there were rock’n’roll records before Presley’s, his recording was the moment when all the strands came together in “perfect embodiment”. (wikipedia)

“A lot of people seem to think I started this business, but rock ‘n’ roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let’s face it; I can’t sing it like Fats Domino can. I know that. But I always liked that kind of music.”
~Elvis Presley

elvis presley that's all right single2

Wikipedia:

B-side “Blue Moon of Kentucky”
Released 19 July 1954
Format 7″ single
Recorded 5 July 1954
Genre Rockabilly
Length 1:57
Label Sun
Writer(s) Arthur Crudup
Producer Sam Phillips

That’s All Right” is the name of the first commercial single released by Elvis Presley, written and originally performed by blues singer Arthur Crudup. Presley’s version was recorded on 5 July 1954, and released on 19 July 1954 with “Blue Moon of Kentucky” as the B-side. It is #112 on the 2004 Rolling Stone magazine list of the “500 Greatest Songs of All Time”.

Arthur Crudup – That’s All Right (original version):

arthur crudup

The song was written by Arthur “Big Boy” Crudup, and originally recorded by him in Chicago on 6 September 1946, as “That’s All Right”. It was released as a single on RCA Victor 20-2205, but was less successful than some of Crudup’s previous recordings. In early March 1949, the song was re-released under the title, “That’s All Right, Mama” (RCA Victor 50-0000), which was issued as RCA’s first rhythm and blues record on their new 45 rpm single format, on bright orange vinyl.

Elvis Presley’s version was recorded in July 1954, and released with “Blue Moon of Kentucky” as the B-side. Its catalogue number was Sun 209. The label reads “That’s All Right” (omitting “Mama” from the original title), and names the performers as Elvis Presley,Scotty and Bill. Arthur Crudup was credited as the composer on the label of Presley’s single, but Crudup had to wait until the 1960s when he received an estimated $60,000 in back royalties. Crudup used lines in his song that had been present in earlier blues recordings, including Blind Lemon Jefferson’s 1926 song That Black Snake Moan”.

elvis presley that's all right single

Live @ NBC Studio’s 1968:

During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Moore, and Black were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup’s song “That’s All Right, Mama”. Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.

sam phillips prestoampex

Black’s bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a “live” recording (all parts performed at once and recorded on a single track). The following evening the trio recorded “Blue Moon of Kentucky” in a similar style, and it was selected as the B-side to “That’s All Right”.

Upon finishing the recording session, according to Scotty Moore, Bill Black remarked, “Damn. Get that on the radio and they’ll run us out of town.

Elvis Sam Phillips Scotty moore Bill blackAt Sun

Sam Phillips gave copies of the record to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played “That’s All Right” on his popular radio show “Red, Hot & Blue”. 

Interest in the record was so intense that Dewey reportedly played the record 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. 

“That’s All Right” was officially released on July 19, 1954, and sold around 20,000 copies. This number was not enough to chart nationally, but the single reached number four on the local Memphis charts.

Live – That’s The Way It Is (1970):

Album of the day – Sunrise:

elvis_presley-sunrise-front

Other July 19:

Continue reading Today: Elvis Presley released “That’s All Right” in 1954 – 59 years ago