“The album’s great, but I don’t like five-minute numbers.” – John Lennon
The Rolling Stones No. 2 is the second UK album by the Rolling Stones released in 1965 after the massive success of 1964’s debut The Rolling Stones. Not surprisingly, The Rolling Stones No. 2 followed its predecessor’s tendency to largely feature R&B covers.
However, it does contain three compositions from the still-developing Mick Jagger/Keith Richards songwriting team. On Dutch and German pressings of the album, the title is listed as The Rolling Stones Vol. 2 on the front cover, although the back of the album cover lists the title as The Rolling Stones No. 2.
“…plus one of the group’s best blues covers, their version of Muddy Waters’ “I Can’t Be Satisfied,” which wasn’t released in America until 1973 and features some killer slide playing by Brian Jones. ”
– Bruce Eder (allmusic)
On this great live version from Milan in 2006, Mick does some fine guitar playing and we get a fine intro by Charlie.
The Rolling Stones – I Can’t Be Satisfied:
It huge hit in the UK upon release, The Rolling Stones No. 2 spent 10 weeks at No. 1 in early 1965, becoming one of the year’s biggest sellers in the UK.
The Rolling Stones – The Rolling Stones No. 2 (Spotify):
I didn’t want to stay in the Stones, and be stuck in a position having to play a music I didn’t like anymore and that restricted me from doing all the others things I’m interested in because of time.
~Bill Wyman
I wanted a variety in my life but after a couple of years I thought that music is what I do so maybe I should start doing it again.
~Bill Wyman
From Wikipedia:
Birth name
William George Perks
Also known as
Lee Wyman
Born
24 October 1936 (age 76)
Lewisham, London EnglandUnited Kingdom
Genres
Rock, rock and roll, swing,rhythm and blues, jazz, blues,skiffle
Occupations
Musician, composer, author,record producer, film producer,bandleader, photographer,inventor
Bill Wyman (born William George Perks; 24 October 1936) is an English musician best known as the bass guitarist for the English rock and roll band the Rolling Stones from 1962 until 1993. Since 1997, he has recorded and toured with his own band, Bill Wyman’s Rhythm Kings. He has worked producing both records and film, and has scored music for film in movies and television.
Wyman has kept a journal since he was a child after World War II. It has been useful to him as an author who has written seven books, selling two million copies. Wyman’s love of art has additionally led to his proficiency in photography and his photographs have hung in galleries around the world. Wyman’s lack of funds in his early years led him to create and build his own fretless bass guitar. He became an amateur archaeologist and enjoys relic hunting; The Times published a letter about his hobby (Friday 2 March 2007). He designed and markets a patented Bill Wyman signature metal detector, which he has used to find relics in the English countryside dating back to the era of the Roman Empire.
As a businessman, he owns several establishments including the famous Sticky Fingers Café, a rock & roll-themed bistro serving American cuisine first opened in 1989 in the Kensington area of London and later, two additional locations in Cambridge and Manchester, England.
Bill Wyman’s Rhythm Kings, Albert Lee & Peter Frampton – Green River:
From allmusic – Jason Ankeny:
As a member of the Rolling Stones for three decades, Bill Wyman established himself among the greatest bassists in rock & roll history; in tandem with drummer Charlie Watts, he belonged to one of the most stalwart rhythm sections in popular music, perfectly complementing the theatrics of Mick Jagger and the gritty guitar leads of Keith Richards. …. read more @ allmusic.com
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Album of the day – Bill Wyman – Compendium Complete Solo Recordings:
James “Jimmy” Miller (23 March 1942 – 22 October 1994) was a Brooklyn, New York-born record producer and musician who produced dozens of albums between the mid-1960s and early 1990s, including landmark recordings for Blind Faith, Traffic, the Plasmatics, Motorhead, The World Bank and Primal Scream. He was perhaps best known for his lengthy association with the Rolling Stones, for whom he produced a string of singles and albums that all rank among the most critically and financially successful works of the band’s career: Beggars Banquet (1968), Let It Bleed (1969), Sticky Fingers (1971), Exile on Main St. (1972) and Goats Head Soup (1973).
Prior to working with the Rolling Stones, Miller rose to fame by producing successful releases for The Spencer Davis Group including their breakthrough hit “Gimme Some Lovin'” and the follow-up smash “I’m A Man,” which Miller co-wrote with the band’s singer-keyboardist, Steve Winwood. In addition to his production work for yet another Winwood band, Traffic, Miller also contributed the lyrics to the Traffic song “Medicated Goo.” Miller produced the only album by the Clapton/Winwood supergroup Blind Faith.
The Spencer Davis Group – Gimme Some Lovin’:
Traffic – Dear Mr. Fantasy:
Blind Faith – Can’t Find My Way Home:
Following his work with Blind Faith, Miller co-produced (with Delaney Bramlett) the hit Delaney & Bonnie album On Tour with Eric Clapton, recorded live at Croydon, United Kingdom, on 7 December 1969. He went on to produce Delaney & Bonnie keyboardist Bobby Whitlock, Kracker, the Plasmatics, Motörhead and the UK band Nirvana.
A drummer himself, Miller was known for the distinctive drum sound that characterized his productions, especially his work with the Rolling Stones, on whose recordings he occasionally played percussion parts such as the famous opening cowbell on “Honky Tonk Women” and the full drum kit on “You Can’t Always Get What You Want,” “Happy,” “Tumbling Dice” and “Shine a Light.”
The Rolling Stones – Beggars Banquet (1968) [full album]:
The Rolling Stones – Let It Bleed (1969, Remastered) Full Album:
The Rolling Stones – Sticky Fingers (1971) (Full Album):
The Rolling Stones – Exile On Main Street (1972) (Full album):
Miller went on to work with Primal Scream on their breakthrough album Screamadelica and William Topley’s band The Blessing (Miller appears on their DVD Sugar Train during the song “Soul Love”). In the 1980s, Miller produced some acts including Johnny Thunders, Matrix and Jo Jo Laine (wife of Denny Lane, on “Moody Blues & Wings”). In 1990 he Co-Produced (along with Phil Greene) “What’s in A Name” for Florida band Walk the Chalk.
Among Miller’s last productions were three tracks on the 1992 Wedding Present project, Hit Parade 2. Jimmy also produced four tracks on The World Banks “In Debt Interview” which featured artists such as Billy Preston and Bobby Keys, a rare musical sideline from author Hunter S. Thompson. Jimmy traveled to Woody Creek, Colorado in 1994 to meet with Hunter S. Thompson for a memorable weekend in May shortly before he passed on. He died in October 1994.
Album of the day – Exile on Main St. (1972):
Greeted with decidedly mixed reviews upon its original release, Exile on Main St. has become generally regarded as the Rolling Stones’ finest album. Part of the reason why the record was initially greeted with hesitant reviews is that it takes a while to assimilate. A sprawling, weary double album encompassing rock & roll, blues, soul, and country, Exile doesn’t try anything new on the surface, but the substance is new. Taking the bleakness that underpinned Let It Bleed and Sticky Fingers to an extreme, Exile is a weary record, and not just lyrically. Jagger’s vocals are buried in the mix, and the music is a series of dark, dense jams, with Keith Richards and Mick Taylor spinning off incredible riffs and solos. And the songs continue the breakthroughs of their three previous albums. No longer does their country sound forced or kitschy — it’s lived-in and complex, just like the group’s forays into soul and gospel. While the songs, including the masterpieces “Rocks Off,” “Tumbling Dice,” “Torn and Frayed,” “Happy,” “Let It Loose,” and “Shine a Light,” are all terrific, they blend together, with only certain lyrics and guitar lines emerging from the murk. It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)
“I have no doubt that it’s the best rock concert ever put on record.”
~Lester Bangs
Yeah, I was at the Garden when this was being recorded, and I had a great time. But despite Mick Taylor’s guitar on “Love in Vain” and the spruced-up “Live With Me,” there’s not a song here that isn’t better somewhere else–including the two Chuck Berry covers and the one-act “Midnight Rambler.” B ~Robert Christgau
Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era. Often acclaimed as one of the top live rock albums of all time, its appeal has dimmed a little today… it’s certainly the Stones’ best official live recording.
~Richie Unterberger (allmusic.com)
Carol – 27 Nov 1969:
From Wikipedia:
Released
4 September 1970
Recorded
26 November 1969, Baltimore,Maryland, United States and 27–28 November 1969, New York City, New York, United States
January–February 1970 (vocal overdubs)
Genre
Hard rock, blues-rock
Length
47:36
Language
English
Label
London (US), Decca (UK)
Producer
The Rolling Stones, Glyn Johns
Many, including The Rolling Stones, consider this their first official full-length live release, despite the appearance of the US-only Got Live If You Want It! in 1966 as a contractual obligation product. One reason for releasing a live album was to counter the release of the Live’r Than You’ll Ever Be bootleg recording of an Oakland (9 November 1969) performance on the same tour, a recording which was even reviewed in Rolling Stone magazine.
Classic bootleg concert: The Rolling Stones – “Live’r Than You’ll Ever Be” [Full Album]:
Having not toured since April 1967, The Rolling Stones were eager to hit the road by 1969. With their two most recent albums, Beggars Banquet and Through the Past, Darkly (Big Hits Vol. 2) being highly praised, audiences were anticipating their live return. Their 1969 American Tour’s trek during November into December, with Terry Reid, B.B. King (replaced on some dates by Chuck Berry) and Ike and Tina Turner as supporting acts, played to packed houses. The tour was the first for Mick Taylor with the Stones, having replaced Brian Jones shortly before Jones’ death in July; the performances prominently showcased the guitar interplay of Taylor with Keith Richards.
The performances captured for this release were recorded on 27–28 November 1969 at New York City’s Madison Square Garden, while “Love in Vain” was recorded in Baltimore, Maryland on 26 November 1969. Overdubbing was undertaken during January and February 1970 in London’s Olympic Studios. No instruments were overdubbed, although on bootlegs, examples are known of Richards trying out different guitar parts (e.g. a guitar solo on “Jumpin’ Jack Flash”). The finished product featured new lead vocals on half the tracks, and added backing vocals by Richards on several others.
The title of the album was adapted from the song “Get Yer Yas Yas Out” by Blind Boy Fuller. The phrase used in Fuller’s song was “get your yas yas out the door”.
Review of the “40th Anniversary Deluxe Box Set” from Sean Murphy – popmatters.com:
Best live album ever? Who cares. What is beyond dispute is that 1970’s Get Yer Ya-Ya’s Out is certainly the best live album the Rolling Stones ever recorded. And here we are, 40 years after the concerts took place in NYC at Madison Square Garden. World’s Greatest Band + World’s Greatest Stage = Deluxe Box Set! What are we looking at here? The original, remastered album? Check. Six unreleased tracks? Check. Bonus disc of opening acts B.B. King and Ike & Tina Turner? Check. Bonus DVD mixing live songs and offstage antics? Check. Obligatory booklet with critical essays and never-before seen photos? Check. Caveat emptor: for anyone thinking of shelling out $40-to-$60, be warned that the extra Stones material and the DVD are both less than 30 minutes in length. For Stones enthusiasts, this newly unearthed bounty is essential and price should be no object. ...read more
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Track listing:
Side one
1. “Jumpin’ Jack Flash” (November 27, 1969: Madison Square Garden, New York City) 4:02
2. “Carol” (Chuck Berry) – (November 28, 1969: MSG (first show)) 3:47
3. “Stray Cat Blues” (November 28, 1969: MSG (first show)) 3:41
4. “Love in Vain” (Robert Johnson†) – (November 26, 1969: Civic Center, Baltimore) 4:57
5. “Midnight Rambler” (November 28, 1969: MSG (second show)) 9:05
It’s sort of a feeling of power onstage. It’s really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don’t really think it’s power… it’s the goodness.
~Robert Plant
My vocal style I haven’t tried to copy from anyone. It just developed until it became the girlish whine it is today.
~Robert Plant
Whole Lotta Love – live 1970:
From Wikipedia:
Birth name
Robert Anthony Plant
Born
20 August 1948 (age 64)
West Bromwich, (then Staffordshire, now West Midlands), England
Origin
Kidderminster, Worcestershire,
England
Genres
Rock, hard rock, heavy metal, blues rock, folk rock, world music, country rock
Occupations
Singer-songwriter, musician
Instruments
Vocals, harmonica, percussion, guitar,bass guitar
Years active
1966–present
Labels
Atlantic, Swan Song, Es Paranza,Sanctuary, Mercury, Universal, Rounder
Associated acts
Band of Joy, Led Zeppelin, The Honeydrippers, Page and Plant, Strange Sensation, Alison Krauss, The New Yardbirds
Robert Anthony Plant, CBE (born 20 August 1948) is an English singer and songwriter best known as the vocalist and lyricist of the rock band Led Zeppelin. He has also had a successful solo career. In 2007, Plant released Raising Sand, an album produced by T-Bone Burnett with American bluegrass soprano Alison Krauss, which won the 2009 Grammy Award for Album of the Year at the 51st Grammy Awards.
With a career spanning more than 40 years, Plant is regarded as one of the most significant singers in the history of rock music, and has influenced contemporaries and later singers such as Freddie Mercury and Axl Rose. In 2006, heavy metal magazine Hit Parader named Plant the “Greatest Metal Vocalist of All Time”. In 2009, Plant was voted “the greatest voice in rock” in a poll conducted by Planet Rock. In 2011, a Rolling Stone readers’ pick placed Plant in first place of the magazine’s “Best Lead Singers of All Time”.
Legacy:
In 2006, heavy metal magazine Hit Parader named Plant No. 1 on their list of the 100 Greatest Metal Vocalists of All-Time, a list which included Rob Halford (2), Steven Tyler (3), Freddie Mercury (6), Geddy Lee (13), and Paul Stanley (18), all of whom were influenced by Plant.
In 2008, Rolling Stone named Plant as number 15 on their list of the 100 Greatest Singers of All-Time.
In 2009, he was voted the “greatest voice in rock” in a poll conducted by Planet Rock.
Plant was appointed Commander of the Order of the British Empire (CBE) in the 2009 New Year Honours for his “services to popular music”.
He was included in the Q magazine’s 2009 list of “Artists Of The Century” and was ranked at number 8 in their list of “100 Greatest Singers” in 2007.
In 2009, Plant also won the Outstanding Contribution to Music prize at the Q Awards.
He was placed at no. 3 on SPIN’s list of “The 50 Greatest Rock Frontmen of All Time”.
On 20 September 2010 National Public Radio (NPR) named Plant as one of the “50 Great Voices” in the world.
Black Dog – Live:
No Zeppelin on Spotify.
Album of the day – Raising Sand (Plant/Krauss):
